Month: August 2025

In a word: Might

We might have to use some might to beat the mite.  Confused?

Might is force, so expending might be much the same as what Thor does with his hammer.

We might expend some force; this might be a maybe.  You’re never quite sure when someone uses the word might, whether or not they will actually do it.

I might do a lot of things, but somehow, I never seem to get around to actually doing them,

Of and just for the record, it’s the past tense of the word may.  You know, you may do something, or you might not.

You might also use the word might when being polite, which seems to be a rarity these days because everyone is terse, tense, and in a hurry.

So might I go to the movie will always get a resounding no if it means you get home late at night.   And you’re only 10 years old.

I might be interested, but I don’t think so.  Let me think about it.  Which also means no.

Of course, if you’re slack in doing homework, you might want to try a little harder next time.

What might have been if only you tried harder?

Then there’s that little pest called a mite, though it goes by a lot of other names, one of which is everywhere, a termite.

Or a dust mite.

It also could be used slangily for a child in distress, that is, look at that poor little mite, he looks so tired.

Or another word for slightly, for example, the girl seemed a mite embarrassed.

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

PIWalthJones1

“I was minding my own business when…”, a short story

What do you say, when everything that could be had been said, and then some.

What did marriage counselors know, other than they are right, and you are wrong?

I don’t think either of us, with the same belief, could be wrong.  The marriage was over, and there was no use prolonging the agony.

Except we had to try to at least put some of the pieces back together, if only for the sake of walking away with a sense of closure and peace.

But, peace was the last thing in the atmosphere inside the car, and it had been like that since leaving Vancouver.

There had been a momentary truce in Kamloops where we had to stay, in separate rooms, and polite conversation over breakfast, until I put my foot in my mouth.

Again.

I’m not sure if I knew what to say to her anymore.  To her, everything I said was laced with an agenda or a subliminal plot.  I got it, I’d lied to her once too often, and once she proved one right, and, from there, it didn’t take long for the whole charade to unravel.

I’d been advised against marrying her, that I would not be able to do my job and have some sort of life with Eloise, but I wanted it.

And, fifteen months down the track, my employers had been proved right.
Eloise was driving.  Her parents lived in Banff, and we had made the trip in all of the four seasons, and now winter, she was more used to the icy conditions than I.

It gave me a chance to look at her from my side of the mid-sized SUV.  We were going to take her car, a rather small sedan, but it had broken down, so I hired a Ford Flex.

If you’re going to take on the elements, I wanted a car that could handle the conditions.

In that, I think I’d managed to surprise her, and not in a bad way.

For the first time in a long time.

Then, of course, she had to look sideways, and that ruined it.  The frown followed by the pursed lips.  Something caustic was about to come my way.

Except a very loud bang took us both by surprise, and skewing the car sideways, catching the edge of the ice on the road, and we started spinning.

As good as she was, there would be no containing this calamity.

I looked behind to see what the hell had hit us.

An F350 or RAM 2500, definitely larger than us, definitely deliberate, and definitely with intent to hurt us.

Or me.

My work had finally come home.

There was a scream just on the edge of her terror as the car had spun sideways and the car behind us slammed into it us again, arresting the spin and pushing us towards the edge of the road.

I could see what the pursuer’s intent was.  Down the side, a roll if possible, then pick off the survivors as they scrambled from the wreckage.

Or not have to worry, the roll may do the job for them.
We hit the edge as the other car braked, and we continued on, that stifled scream from Eloise now erupting.

She could see what was going to happen, just as our car tipped.

Six seconds.

Seat belt or not, totally unprepared for what was about to happen, she was not going to walk away from this.

Unless I did something about it.

Seatbelt unhitched I dragged her to me and protected her as best I could.  She didn’t resist, but the look in her eyes, terror laced with something else, no time to think about it now, told me she would do whatever I wanted.

Over on the roof, upside down, I prayed it stayed there, and slide,  The ice, snow, and slush was going to help.

Seconds passed, taking what seemed forever, till we reached the bottom of the hill and hit a rock, arresting the movement with a loud bang and a crunch of bending metal.

Stopped.

Engine still running.

No movement from her.  Yet.

And relief.  No bones were broken, or none that I noticed.

Under me, she stirred.

Just as a bullet smashed the rear passenger window, and the shattered glass splattered the interior.  A moment later, the side window, above my head did the same.
I lifted myself, whispering in her ear, “Slide towards the front window.”  It was buried in the snow and dirt kicked up in the final run to the bottom.  The shooter would not be able to see it, or her.

Above me, I reached up to feel under the seat and found the package.

A gun.  Always be prepared.

Ten seconds since the last shot.  From up top, the shooter would not be able to see us, or any movement.  He was going to have to come down and finish the job.

And hope we were would not be able to fight back.

That was the purpose of running us off the road.

Pity then that he had not been given my file.  If he had he would have driven off and tried again later.

That he was halfway down the hill when I saw him told me this operation had been cobbled together quickly, with no time to find a professional.

And now I knew why Barnes had told me to be careful.

A lone wolf looking to make a name for himself.

And failing.
Ten minutes, the police arrived.

Long enough to bury the body and the weapons under a lot of snow, in a ravine that no one would discover until the thaw.

The car that rammed us had gone.  Soon as he saw his partner go down, he left.  A wise man, he had stayed at the top of the hill, having more sense than his friend.

Live to fight another day,

The policeman asked the questions, and Eloise answered.  Not one mention of being rammed, run off the road, being shot at, or that there was anyone else involved.

As cool as a cucumber.

It took her a minute after I shot our attacker to ask the questions I’d expected a week ago when she finally discovered my other life, prefaced by, “No more lies, just tell me the truth.  What the hell is it you do for a living?”

“Make the world safe for people like you, and in my case right now, for you in particular.  Sorry, I was sworn to secrecy.”

“Even from your wife?”

“Especially from you.  You now know why.”

“Bit late for that now, do you think?”

“Just a little.”

And then I saw the look, the one I had fallen in love with 15 months ago.  The one that made my heart miss a few beats.

“You do realize you are the biggest idiot on the planet, don’t you?”

“Does this mean I can stay?”

She punched me on the arm.,  OK, no broken bones, but there was going to be bruising, major bruising.

“If you promise to tell me only the truth from now on.”

What harm could it do?  She knew enough.

“Good.  We should probably do something with that man out there.  I’m assuming the police do not take too kindly to you working in their jurisdiction.”

Too many thrillers, too much TV, or an educated guess, she was right.  This would be impossible to explain, and Barnes was already angry at me.

I held out my hand and she took it as I helped her out of the wreckage.  Out in the fresh, cold air, she took in a huge breath and let out a slow sigh.

“Is it always this exciting?”

“This is the Sunday in the park stroll.  Wait till you have a hand held rocket boring down on you.”

 

© Charles Heath 2019-2020

Memories of the conversations with my cat – 63

As some may be aware, but many not, Chester, my faithful writing assistant, mice catcher, and general pain in the neck, passed away some years ago.

Recently I was running a series based on his adventures, under the title of Past Conversations with my cat.

For those who have not had the chance to read about all of his exploits I will run the series again from Episode 1

These are the memories of our time together…

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This is Chester.  He’s decided to be my personal alarm clock this morning.

It was a two-pronged attack.

First, he jumps from his bed, which, in our room, is a pile of blankets on a massage chair, on to our bed just about where my pillows are, regardless of the fact I might be lying there.

It can be quite disconcerting, as he decided to go for a walk across the back of the bed.

Even more so if he decided to let us know he’s not happy.

Come to think of it, when is he ever happy?

Second, he wanders down the end of the bed and lies down on your feet.  Being a Tonkinese, he’s a lot heavier than he looks.

If you decide to gently ease him off with a few subtle foot movements, he then starts attacking your feet.  This can be a painful exercise in summer if all that covers your feet is a sheet.

So, this morning…

We stayed up late to watch the last four episodes of Jack Ryan series 2.  It’s one of those things where you get hooked, and don’t realise the passing of time.

Consequently this morning I’m tired, and it’s past cat feeding time.

I should know better than to ignore him.

When the first two wake up calls fail, he goes to a third, comes right up in my face and taps me on the shoulder, then lets me know just how unhappy he is with me.

Oh well, sleeping in is over.

 

 

The cinema of my dreams – Was it just another surveillance job – Episode 29

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

Alone in the room, Herman returned.  I hadn’t seen him leave, but he was a cat, and cats were adept at slinking around, quietly stalking their quarry.  On the edge of that threshold between passage and living room, he was sitting, watching me.

“So, Herman.  The stories you could tell, eh?”

It elicited a meow and a deadpan expression.  No point in trying to read his mind, I’d probably finish up with a headache.

“Don’t suppose you could tell me where O’Connell’s secret hideout is?”

Another meow.

If he could talk no doubt he was saying that he wouldn’t tell me even if I tried to bribe him.  I thought about it, but instead went over to the door and opened it about six inches.

“You can go now.  It’s not safe, for man, woman or cat.”

Nothing this time.

“You’d better go before I change my mind.”

We were having a staring match.

Was that a nod?  He stood and started walking towards the door.  Perhaps he sensed I might close it just before he made it there.  Then, in a flash, he was gone.

I shrugged, and followed him out, closing the door behind me.

He was fast.  He was nowhere in sight.  Places to go no doubt.

Like me.

Only I wasn’t quite sure where it was.  I pulled out the piece of paper that was for a flat for sale, with several part words on it, ‘oak’ and underneath it, ‘Brom’.

It had to be part of the street name and a suburb.  The ‘Brom was obviously Bromley, the other a part of the street address.

I needed to find an internet café and do some research.  I also needed a new cell phone, but that could wait.  The main problem was finding an internet café, once just about on every corner, but now, with everyone owning a smartphone, there were very few to be found.

It took an hour before I found one in a back street in an area where there were several low-cost hotels, the sort that backpackers stayed in.

Armed with coffee and a sandwich, I began the search, starting with the realtor, and found the listing was no longer available, that is, not on their internet site.  It told me that the flat was taken up, possibly by O’Connell.

Next, I brought up a map application and put in the address, for information on both pieces of paper and ended up with Oakwood Avenue of Bromley Road, nearer to Beckenham than Bromley.

I had the flat number, now all I had to do was check it out.

Another search on the computer gave me the relative times, and a map to follow, by bus, train, and car.  I would have to get my car, which would take about half an hour, then drive out to the address which would take a further half-hour.

The flat was on the ground floor, and the realtor’s brochure had the layout of the block, and where the flat was located.  That it was on the ground floor and on a corner would make it easier to gain access without causing any trouble.

I would time my arrival for after dark so that I would go relatively unnoticed.  

© Charles Heath 2020

Writing a book in 365 days – 226

Day 226

The Pondering Paradox: Why Getting Stuck Might Be Your Story’s Best Friend

You know the feeling. You’ve poured your heart onto the page, crafted compelling characters, and set a scene. But now? Now you’re staring at a blinking cursor, a blank notebook page, or perhaps just the ceiling, utterly, hopelessly, gloriously stuck.

You’re not writing. You’re pondering.

And in that pondering, you feel the sticky tendrils of vacillation wrap around you. Is this procrastination? Is it writer’s block disguised as deep thought? Are you just plain wasting time when you should be producing?

It’s a common self-flagellation among creatives. We valorize output, word counts, and finished manuscripts. So when we find ourselves lost in the nebulous, unquantifiable space of “thinking about the next bit,” it feels wrong. It feels like inefficiency. It feels like a roadblock.

And sometimes, yes, it truly is. Sometimes, pondering crosses the line into analysis paralysis, where the fear of making the “wrong” choice paralyzes us from making any choice at all. We spin our wheels, overthinking every possibility, and the story gathers dust while our self-doubt grows.

But here’s the paradox: That very same deep dive into the unknown, that uncomfortable period of wrestling with narrative possibilities, character motivations, or thematic nuances – that, my friends, is often where the real magic happens.

Because what feels like vacillation on the surface is often, underneath, incubation.

Think of it like this:

  • Your subconscious is working overtime. While your conscious mind is pacing, muttering, and hitting refresh on social media, your brain is quietly, tirelessly, making connections you didn’t even know were there. It’s pulling threads from disparate ideas, assembling jigsaw pieces in the background.
  • You’re digging deeper than the obvious. The first answer, the easiest plot twist, the most predictable character beat – those are often discarded during true pondering. This is where you search for the richer, more surprising, more truthful path.
  • You’re building hidden layers. That moment you finally “get it” – that character’s true motivation, that perfect metaphor, the subtle shift in tone that elevates a scene – those don’t often arrive from brute-force writing. They emerge from the fertile ground of extended thought.
  • You’re creating a wellspring, not just a bucket. When you rush through a story, you might fill a bucket. But when you allow yourself the messy, uncomfortable, ponderous luxury of truly exploring the terrain, you’re not just finding the next step; you’re discovering entire underground rivers.

This is the process that leads to a trove of story. Not just a few chapters, but an entire universe. Not just a plot, but layers of meaning. Not just characters, but complex, breathing beings with histories and futures beyond the page. The scenes you haven’t written yet, the dialogue you haven’t heard, the twists you haven’t conceived – they are all waiting in that liminal space of pondering.

So, the next time you find yourself stuck, don’t automatically judge it as failure or procrastination. Acknowledge the potential for vacillation, yes, but also embrace the possibility that you’re not stuck at all. You’re just in the deep end of the creative pool, swimming through possibilities, allowing the next great wave of your story to gather momentum beneath the surface.

Trust the process. Trust the pause. Your trove awaits.

Searching for locations: Siena, Italy

The Piazza del Campo is one of the greatest medieval squares in Europe.

It is shaped like a shell.

This is where the Palazzo Publico and the Torre del Mangia are.

At 102 meters (334 feet), the bell tower is the city’s second tallest structure.

When it was built in 1848 it was the exact same height of the Duomo to show that the state and church had equal amounts of power.

Around the edges of the Piazza are a lot of restaurants, where you can sit in the shade, have a plate of pasta and sip on a cold limonata.

Let’s sit down and talk about it?

What Authors Really Discuss in the Interview Hot Seat

There’s a unique magic tucked between the pages of a well-loved book. It transports us, challenges us, makes us laugh, cry, and ponder. But what about the person who crafted that magic? The author often remains an enigma, a name on a spine, until we get the rare chance to step into their world.

And that’s precisely why, when we get the opportunity to “sit down and talk about it” with an author, we leap at the chance. These conversations are more than mere publicity; they’re windows into the soul of storytelling itself. If you’ve ever wondered what goes on behind the scenes, or what an interviewer is truly trying to uncover, here are the typical, essential questions that peel back the layers of an author’s life.

1. The Genesis: “Why Do You Write?”

At the heart of every author interview lies the foundational question: “Why do you write?” This isn’t just a polite ice-breaker; it’s an invitation to explore the primal urge that drives someone to spend countless hours wrestling with words.

What interviewers are looking for:

  • The Spark: Was it a childhood dream, a sudden revelation, or a slow burn?
  • The Motivation: Is it a need to understand the world, to escape it, to connect with others, or to give voice to untold stories?
  • The Philosphy: What does writing mean to them on a personal, almost spiritual level?
  • The Impact: What do they hope their words achieve in the reader?

An author’s answer here often reveals their deepest values and the very bedrock of their artistic identity. It’s rarely about fame or fortune; more often, it’s a visceral, undeniable compulsion.

2. The Craft: “What Do You Write About?”

Closely following the “why” is the compelling “what.” This question delves into the subject matter, themes, and sources of inspiration behind their work.

What interviewers are looking for:

  • Inspiration Sources: Where do ideas come from? Dreams, headlines, personal experiences, history, observed moments?
  • Genre & Style: What defines their literary landscape? Are they a master of suspense, a poignant memoirist, a fantastical world-builder, or a sharp-witted satirist?
  • Recurring Themes: Are there common threads – love, loss, justice, identity, power – that weave through their various works?
  • The Message: Is there a particular message or question they’re exploring in their current or past projects?
  • Character Development: How do they bring characters to life? What makes them tick?

This question allows authors to articulate their artistic vision, revealing how their inner world translates into the stories they tell.

3. The Grind: “How Is Your Day Organized?”

For many readers, an author’s daily life is shrouded in a romanticized mist of inspiration strikes and dramatic keyboarding. This question brings the reality of the craft into sharp focus.

What interviewers are looking for:

  • Routine & Discipline: Do they have a strict schedule, or do they write when inspiration strikes? Morning person or night owl?
  • Environment: What does their writing space look like? A minimalist desk, a chaotic study, a noisy coffee shop?
  • Tools of the Trade: Pen and paper, specific software, dictation?
  • Balancing Act: How do they manage writing alongside other responsibilities (family, day job, other creative pursuits)?
  • The Non-Writing Tasks: Research, editing, marketing, social media – how do these fit in?

The truth, however, is often far more grounded: a meticulous dance of discipline, routine, and unwavering focus. Authors often reveal how they carve out time, protect their creative energy, and navigate the practicalities of a writing career.

4. The Obstacles & The Overcoming: “What Are the Pitfalls and Processes?”

No conversation with a serious author is complete without delving into the jagged edges of their journey – the pitfalls, the moments of doubt, and the challenges inherent in sustained creative work. But for every pitfall, there’s a process, a meticulously honed method for overcoming them.

What interviewers are looking for in Pitfalls:

  • Writer’s Block: How do they experience it, and how do they push through?
  • Self-Doubt & Imposter Syndrome: The quiet demons that plague even successful writers.
  • Rejection & Criticism: How do they handle the inevitable setbacks and negative reviews?
  • Isolation: The solitary nature of writing and its impact.
  • Burnout: The mental and emotional toll of intense creative output.
  • External Pressures: Deadlines, market trends, publisher expectations.

What interviewers are looking for in Processes:

  • Brainstorming & Outlining: From vague ideas to structured narratives.
  • Research Methods: How do they ensure accuracy and depth?
  • Drafting Techniques: First pass, messy copy, getting words on the page.
  • Revision & Editing: The crucial, often painstaking, work of refining.
  • Seeking Feedback: How and when do they share their work?
  • Perseverance & Resilience: The mental fortitude required to finish a book.

This section is where an author’s vulnerability shines through, juxtaposed with their incredible resilience and adaptability. It offers immense insight into the reality of authorship, proving that even the most celebrated writers face universal creative struggles.

The Unwritten Chapter

When we “sit down and talk about it” with an author, we’re not just discussing their latest book; we’re exploring the unwritten chapter of their life – the thoughts, habits, struggles, and triumphs that shape their published work. These interviews offer invaluable lessons for aspiring writers, deeper appreciation for readers, and a profound connection to the human spirit behind the story.

So, next time you encounter an author interview, listen closely. Beyond the plot summaries and character analyses, you might just find the secrets to creativity, perseverance, and the enduring power of the written word.

An excerpt from “The Devil You Don’t”

Available on Amazon Kindle here:  https://amzn.to/2Xyh1ow

…

By the time I returned to the Savoie, the rain had finally stopped, and there was a streak of blue sky to offer some hope the day would improve.

The ship was not crowded, the possibility of bad weather perhaps holding back potential passengers.  Of those I saw, a number of them would be aboard for the lunch by Phillippe Chevrier.  I thought about it, but the Concierge had told me about several restaurants in Yvoire and had given me a hand-drawn map of the village.  I think he came from the area because he spoke with the pride and knowledge of a resident.

I was looking down from the upper deck observing the last of the boarding passengers when I saw a woman, notable for her red coat and matching shoes, making a last-minute dash to get on board just before the gangway was removed.  In fact, her ungainly manner of boarding had also captured a few of the other passenger’s attention.  Now they would have something else to talk about, other than the possibility of further rain.

I saw her smile at the deckhand, but he did not smile back.  He was not impressed with her bravado, perhaps because of possible injury.  He looked at her ticket then nodded dismissively, and went back to his duties in getting the ship underway.  I was going to check the departure time, but I, like the other passengers, had my attention diverted to the woman in red.

From what I could see there was something about her.  It struck me when the light caught her as she turned to look down the deck, giving me a perfect profile.  I was going to say she looked foreign, but here, as in almost anywhere in Europe, that described just about everyone.  Perhaps I was just comparing her to Phillipa, so definitively British, whereas this woman was very definitely not.

She was perhaps in her 30’s, slim or perhaps the word I’d use was lissom, and had the look and manner of a model.  I say that because Phillipa had dragged me to most of the showings, whether in Milan, Rome, New York, London, or Paris.  The clothes were familiar, and in the back of my mind, I had a feeling I’d seen her before.

Or perhaps, to me, all models looked the same.

She looked up in my direction, and before I could divert my eyes, she locked on.  I could feel her gaze boring into me, and then it was gone as if she had been looking straight through me.  I remained out on deck as the ship got underway, watching her disappear inside the cabin.  My curiosity was piqued, so I decided to keep an eye out for her.

I could feel the coolness of the air as the ship picked up speed, not that it was going to be very fast.  With stops, the trip would take nearly two hours to get to my destination.  It would turn back almost immediately, but I was going to stay until the evening when it returned at about half eight.  It would give me enough time to sample the local fare, and take a tour of the medieval village.

Few other passengers ventured out on the deck, most staying inside or going to lunch.  After a short time, I came back down to the main deck and headed forward.  I wanted to clear my head by concentrating on the movement of the vessel through the water, breathing in the crisp, clean air, and let the peacefulness of the surroundings envelope me.

It didn’t work.

I knew it wouldn’t be long before I started thinking about why things hadn’t worked, and what part I played in it.  And the usual question that came to mind when something didn’t work out.  What was wrong with me?

I usually blamed it on my upbringing.

I had one of those so-called privileged lives, a nanny till I was old enough to go to boarding school, then sent to the best schools in the land.  There I learned everything I needed to be the son of a Duke, or, as my father called it in one of his lighter moments, nobility in waiting.

Had this been five or six hundred years ago, I would need to have sword and jousting skills, or if it had been a few hundred years later a keen military mind.  If nothing else I could ride a horse, and go on hunts, or did until they became not the thing to do.

I learned six languages, and everything I needed to become a diplomat in the far-flung British Empire, except the Empire had become the Commonwealth, and then, when no-one was looking, Britain’s influence in the world finally disappeared.  I was a man without a cause, without a vocation, and no place to go.

Computers were the new vogue and I had an aptitude for programming.  I guess that went hand in hand with mathematics, which although I hated the subject, I excelled in.  Both I and another noble outcast used to toss ideas around in school, but when it came to the end of our education, he chose to enter the public service, and I took a few of those ideas we had mulled over and turned them into a company.

About a year ago, I was made an offer I couldn’t refuse.  There were so many zeroes on the end of it I just said yes, put the money into a very grateful bank, and was still trying to come to terms with it.

Sadly, I still had no idea what I was going to do with the rest of my life.  My parents had asked me to come back home and help manage the estate, and I did for a few weeks.  It was as long as it took for my parents to drive me insane.

Back in the city, I spent a few months looking for a mundane job, but there were very few that suited the qualifications I had, and the rest, I think I intimidated the interviewer simply because of who I was.  In that time I’d also featured on the cover of the Economist, and through my well-meaning accountant, started involving myself with various charities, earning the title ‘philanthropist’.

And despite all of this exposure, even making one of those ubiquitous ‘eligible bachelor’ lists, I still could not find ‘the one’, the woman I wanted to spend the rest of my life with.  Phillipa seemed to fit the bill, but in time she proved to be a troubled soul with ‘Daddy’ issues.  I knew that in building a relationship compromise was necessary, but with her, in the end, everything was a compromise and what had happened was always going to be the end result.

It was perhaps a by-product of the whole nobility thing.  There was a certain expectation I had to fulfill, to my peers, contemporaries, parents and family, and those who either liked or hated what it represented.  The problem was, I didn’t feel like I belonged.  Not like my friend from schooldays, and now obscure acquaintance, Sebastian.  He had been elevated to his Dukedom early when his father died when he was in his twenties.  He had managed to fade from the limelight and was rarely mentioned either in the papers or the gossip columns.  He was one of the lucky ones.

I had managed to keep a similarly low profile until I met Phillipa.  From that moment, my obscurity disappeared.  It was, I could see now, part of a plan put in place by Phillipa’s father, a man who hogged the limelight with his daughter, to raise the profile of the family name and through it their businesses.  He was nothing if not the consummate self-advertisement.

Perhaps I was supposed to be the last piece of the puzzle, the attachment to the establishment, that link with a class of people he would not normally get in the front door.  There was nothing refined about him or his family, and more than once I’d noticed my contemporaries cringe at the mention of his name, or any reference of my association with him.

Yet could I truthfully say I really wanted to go back to the obscurity I had before Phillipa?  For all her faults, there were times when she had been fun to be with, particularly when I first met her when she had a certain air of unpredictability.  That had slowly disappeared as she became part of her father’s plan for the future.  She just failed to see how much he was using her.

Or perhaps, over time, I had become cynical.

I thought about calling her.  It was one of those moments of weakness when I felt alone, more alone than usual.

I diverted my attention back to my surroundings and the shoreline.  Out of the corner of my eye, I could see the woman in the red coat, making a move.  The red coat was like a beacon, a sort of fire engine red.  It was not the sort of coat most of the women I knew would wear, but on her, it looked terrific.  In fact, her sublime beauty was the one other attribute that was distinctly noticeable, along with the fact her hair was short, rather than long, and jet black.

I had to wrench my attention away from her.

A few minutes later several other passengers came out of the cabin for a walk around the deck, perhaps to get some exercise, perhaps checking up on me, or perhaps I was being paranoid.  I waited till they passed on their way forward, and I turned and headed aft.

I watched the wake sluicing out from under the stern for a few minutes, before retracing my steps to the front of the ship and there I stood against the railing, watching the bow carve its way through the water.  It was almost mesmerizing.  There, I emptied my mind of thoughts about Phillipa, and thoughts about the woman in the red coat.

Until a female voice behind me said, “Having a bad day?”

I started, caught by surprise, and slowly turned.  The woman in the red coat had somehow got very close me without my realizing it.  How did she do that?  I was so surprised I couldn’t answer immediately.

“I do hope you are not contemplating jumping.  I hear the water is very cold.”

Closer up, I could see what I’d missed when I saw her on the main deck.  There was a slight hint of Chinese, or Oriental, in her particularly around the eyes, and of her hair which was jet black.  An ancestor twice or more removed had left their mark, not in a dominant way, but more subtle, and easily missed except from a very short distance away, like now.

Other than that, she was quite possibly Eastern European, perhaps Russian, though that covered a lot of territory.  The incongruity of it was that she spoke with an American accent, and fluent enough for me to believe English was her first language.

Usually, I could ‘read’ people, but she was a clean slate.  Her expression was one of amusement, but with cold eyes.  My first thought, then, was to be careful.

“No.  Not yet.”  I coughed to clear my throat because I could hardly speak.  And blushed, because that was what I did when confronted by a woman, beautiful or otherwise.

The amusement gave way to a hint of a smile that brightened her demeanor as a little warmth reached her eyes.  “So that’s a maybe.  Should I change into my lifesaving gear, just in case?”

It conjured up a rather interesting image in my mind until I reluctantly dismissed it.

“Perhaps I should move away from the edge,” I said, moving sideways until I was back on the main deck, a few feet further away.  Her eyes had followed me, and when I stopped she turned to face me again.  She did not move closer.

I realized then she had removed her beret and it was in her left side coat pocket.  “Thanks for your concern …?”

“Zoe.”

“Thanks for your concern, Zoe.  By the way, my name is John.”

She smiled again, perhaps in an attempt to put me at ease.  “I saw you earlier, you looked so sad, I thought …”

“I might throw myself overboard?”

“An idiotic notion I admit, but it is better to be safe than sorry.”

Then she tilted her head to one side then the other, looking intently at me.  “You seem to be familiar.  Do I know you?”

I tried to think of where I may have seen her before, but all I could remember was what I’d thought earlier when I first saw her; she was a model and had been at one of the showings.  If she was, it would be more likely she would remember Phillipa, not me.  Phillipa always had to sit in the front row.

“Probably not.”  I also didn’t mention the fact she may have seen my picture in the society pages of several tabloid newspapers because she didn’t look the sort of woman who needed a daily dose of the comings and goings, and, more often than not, scandal associated with so-called celebrities.

She gave me a look, one that told me she had just realized who I was.  “Yes, I remember now.  You made the front cover of the Economist.  You sold your company for a small fortune.”

Of course.  She was not the first who had recognized me from that cover.  It had raised my profile considerably, but not the Sternhaven’s.  That article had not mentioned Phillipa or her family.  I suspect Grandmother had something to do with that, and it was, now I thought about it, another nail in the coffin that was my relationship with Phillipa.

“I wouldn’t say it was a fortune, small or otherwise, just fortunate.”  Each time, I found myself playing down the wealth aspect of the business deal.

“Perhaps then, as the journalist wrote, you were lucky.  It is not, I think, a good time for internet-based companies.”

The latter statement was an interesting fact, one she read in the Financial Times which had made that exact comment recently.

“But I am boring you.”  She smiled again.  “I should be minding my own business and leaving you to your thoughts.  I am sorry.”

She turned to leave and took a few steps towards the main cabin.

“You’re not boring me,” I said, thinking I was letting my paranoia get the better of me.  It had been Sebastian on learning of my good fortune, who had warned me against ‘a certain element here and abroad’ whose sole aim would be to separate me from my money.  He was not very subtle when he described their methods.

But I knew he was right.  I should have let her walk away.

She stopped and turned around.  “You seem nothing like the man I read about in the Economist.”

A sudden and awful thought popped into my head.  Those words were part of a very familiar opening gambit.  “Are you a reporter?”

I was not sure if she looked surprised, or amused.  “Do I look like one?”

I silently cursed myself for speaking before thinking, and then immediately ignored my own admonishment.  “People rarely look like what they are.”

I saw the subtle shake of the head and expected her to take her leave.  Instead she astonished me.

“I fear we have got off on the wrong foot.  To be honest, I’m not usually this forward, but you seemed like you needed cheering up when probably the opposite is true.  Aside from the fact this excursion was probably a bad idea.  And,” she added with a little shrug, “perhaps I talk too much.”

I was not sure what I thought of her after that extraordinary admission. It was not something I would do, but it was an interesting way to approach someone and have them ignoring their natural instinct.  I would let Sebastian whisper in my ear for a little longer and see where this was going.

“Oddly enough, I was thinking the same thing.  I was supposed to be traveling with my prospective bride.  I think you can imagine how that turned out.”

“She’s not here?”

“No.”

“She’s in the cabin?”  Her eyes strayed in that direction for a moment then came back to me.  She seemed surprised I might be traveling with someone.

“No.  She is back in England, and the wedding is off.  So is the relationship.  She dumped me by text.”

OK, why was I sharing this humiliating piece of information with her?  I still couldn’t be sure she was not a reporter.

She motioned to an empty seat, back from the edge.  No walking the plank today.  She moved towards it and sat down.  She showed no signs of being cold, nor interested in the breeze upsetting her hair.  Phillipa would be having a tantrum about now, being kept outside, and freaking out over what the breeze might be doing to her appearance.

I wondered, if only for a few seconds if she used this approach with anyone else.  I guess I was a little different, a seemingly rich businessman alone on a ferry on Lake Geneva, contemplating the way his life had gone so completely off track.

She watched as I sat at the other end of the bench, leaving about a yard between us.  After I leaned back and made myself as comfortable as I could, she said, “I have also experienced something similar, though not by text message.  It is difficult, the first few days.”

“I saw it coming.”

“I did not.”  She frowned, a sort of lifeless expression taking over, perhaps brought on by the memory of what had happened to her.  “But it is done, and I moved on.  Was she the love of your life?”

OK, that was unexpected.

When I didn’t answer, she said, “I am sorry.  Sometimes I ask personal questions without realizing what I’m doing.  It is none of my business.”  She shivered.  “Perhaps we should go back inside.”

She stood, and held out her hand.  Should I take it and be drawn into her web?  I thought of Sebastian.  What would he do in this situation?

I took her hand in mine and let her pull me gently to my feet.  “Wise choice,” she said, looking up at the sky.

It just started to rain.

…

© Charles Heath 2015-2023

newdevilcvr6

Searching for locations: The Castello di Brolio, Gaiole in Chianti, Tuscany, Italy

The castle is located in the southern Chianti Classico countryside and has been there for over ten centuries, and owned by the Ricasoli family since 1141.

Like any good castle, it has strong defences, and I was looking for a moat and drawbridge, but it looks like the moat has become a lawn.

The very high walls in places no doubt were built to keep the enemy out

The castle has been destroyed and rebuilt many times over the last 900 years.  It was part of the Florentine defences, and withstood, and succumbed to many battles with Siena, which is only 20 km away.  More recently, it still bears the scars of artillery fire and bombing in WW2.

The room at the top of this tower would have an excellent view of the countryside.

Here you can see the old and the new, the red brick part of the rebuilding in the 1800’s in the style of an English Manor

We did not get to see where that archway led.

Nor what was behind door number one at the top of these stairs.  Rest assured, many, many years ago someone wearing armour would have made the climb.   It would not pass current occupational health and safety these days with a number of stairs before a landing.

Cappella di San Jacopo.  Its foundations were laid in 1348.

Renovated in 1867-1869, it has a gabled façade preceded by a double stone staircase.  The interior, with a crypt where the members of the Ricasoli family are buried, has a nave divided into three spans with cross vaults.

The 1,200 hectares of the property include 240 hectares of vineyards and 26 of olive groves, in the commune of Gaiole.