Writing a book in 365 days – My Story 5

Day – 39a

Once again, I can go back to planning for my story.

Where?

The description he’s given is a small country that used to be a French colony, but in this day and age, colonialism is frowned upon.

It’s run by an installed president, you know, the sort the CIA prop up, one who takes all the money and keeps it himself, or shares with his puppet government, a country where it’s chief of police is a Frenchman, where the head of the military is the one who really runs the country, along with his secret police.

An interesting set of characters.

So, nothing like having a human rights conference in the middle of a country that abuses human rights.

It’s in the Middle East, tucked away near all those interesting countries like Iraq, Iran, and Egypt, one that is strategic for the superpowers to nurture.

And somewhere in the country, the previous opposition leader, and human rights campaigner, an old man who was arrested by the regime and no one knows where they’re holding him.

The British, the Americans, and the Russians all want to ingratiate themselves so there will be a little currying favour going on during the conference.

Yes, diplomats, and others, use the cover of the conference to make overtures.

Our protagonist…

He’s there to watch over the conference headliner, a woman he used to date way back before he became a spy.  His mission though, is to do it so she doesn’t know he’s there.

And let’s throw in a wildcard, the woman’s daughter who is as angelic as she is feisty, a girl he meets before he knows who she is.

So, one more thing before we get to set the scene, he needs an occupation, one that can take him anywhere and everywhere, a profession that rarely brings attention, or someone more than is bargained for.

Yes, he’s a reporter. This is a credible profession in which he is known and has verifiable articles that can be found and read. Yes, he can write.

I like to think that at the end of his useful life, there will be a book or two to supplement the pension.

© Charles Heath  2025

‘Sunday in New York’ – A beta reader’s view

I’m not a fan of romance novels but …

There was something about this one that resonated with me.

This is a novel about a world generally ruled by perception, and how people perceive what they see, what they are told, and what they want to believe.

I’ve been guilty of it myself as I’m sure we all have at one time or another.

For the main characters Harry and Alison there are other issues driving their relationship.

For Alison, it is a loss of self-worth through losing her job and from losing her mother and, in a sense, her sister.

For Harry, it is the fact he has a beautiful and desirable wife, and his belief she is the object of other men’s desires, and one in particular, his immediate superior.

Between observation, the less than honest motives of his friends, a lot of jumping to conclusions based on very little fact, and you have the basis of one very interesting story.

When it all comes to a head, Alison finds herself in a desperate situation, she realises only the truth will save their marriage.

But is it all the truth?

What would we do in similar circumstances?

Rarely does a book have me so enthralled that I could not put it down until I knew the result. They might be considered two people who should have known better, but as is often the case, they had to get past what they both thought was the truth.

And the moral of this story, if it could be said there is one, nothing is ever what it seems.

Available on Amazon here: amzn.to/2H7ALs8

In a word: Great

Or is it grate?

Is it possible to mix the two up?  I don’t think so.

Great usually means: everything is great, or good, or excellent, whatever degree of goodness you want to put to it.

It could also mean something else, like:  Well, you were a great help! when in fact you want to say how useless they were.

Large or little.

Like all creatures great and small,  Why not say big or small.  Big doesn’t quite have the same effect.

Of course, you could be a great person, well, what I really mean is distinguished.  Besides, great could mean way above average, too.  Or grand, or impressive, the list goes on.

And haven’t we all, at some time had a great-aunt.  No not the good one, the ‘great’ one, denoting her seniority, not necessarily how nice she is.

 

As for the other grate, we can build a fire in it.

Or add an ‘un’ in front and ‘ful’ at the end, to denote what parents sometimes think of their children

Or get a block of cheese and ‘grate’ it into small shreds.

Or speak in a voice that grates on your nerves, possibly by that great-aunt.

An excerpt from “Echoes from the Past”

Available on Amazon Kindle here:  https://amzn.to/2CYKxu4

With my attention elsewhere, I walked into a man who was hurrying in the opposite direction.  He was a big man with a scar running down the left side of his face from eye socket to mouth, and who was also wearing a black shirt with a red tie.

That was all I remembered as my heart almost stopped.

He apologized as he stepped to one side, the same way I stepped, as I also muttered an apology.

I kept my eyes down.  He was not the sort of man I wanted to recognize later in a lineup.  I stepped to the other side and so did he.  It was one of those situations.  Finally getting out of sync, he kept going in his direction, and I towards the bus, which was now pulling away from the curb.

Getting my breath back, I just stood riveted to the spot watching it join the traffic.  I looked back over my shoulder, but the man I’d run into had gone.  I shrugged and looked at my watch.  It would be a few minutes before the next bus arrived.

Wait, or walk?  I could also go by subway, but it was a long walk to the station.  What the hell, I needed the exercise.

At the first intersection, the ‘Walk’ sign had just flashed to ‘Don’t Walk’.  I thought I’d save a few minutes by not waiting for the next green light.  As I stepped onto the road, I heard the screeching of tires.

A yellow car stopped inches from me.

It was a high powered sports car, perhaps a Lamborghini.  I knew what they looked like because Marcus Bartleby owned one, as did every other junior executive in the city with a rich father.

Everyone stopped to look at me, then the car.  It was that sort of car.  I could see the driver through the windscreen shaking his fist, and I could see he was yelling too, but I couldn’t hear him.  I stepped back onto the sidewalk, and he drove on.  The moment had passed and everyone went back to their business.

My heart rate hadn’t come down from the last encounter.   Now it was approaching cardiac arrest, so I took a few minutes and several sets of lights to regain composure.

At the next intersection, I waited for the green light, and then a few seconds more, just to be sure.  I was no longer in a hurry.

At the next, I heard what sounded like a gunshot.  A few people looked around, worried expressions on their faces, but when it happened again, I saw it was an old car backfiring.  I also saw another yellow car, much the same as the one before, stopped on the side of the road.  I thought nothing of it, other than it was the second yellow car I’d seen.

At the next intersection, I realized I was subconsciously heading towards Harry’s new bar.   It was somewhere on 6th Avenue, so I continued walking in what I thought was the right direction.

I don’t know why I looked behind me at the next intersection, but I did.  There was another yellow car on the side of the road, not far from me.  It, too, looked the same as the original Lamborghini, and I was starting to think it was not a coincidence.

Moments after crossing the road, I heard the roar of a sports car engine and saw the yellow car accelerate past me.  As it passed by, I saw there were two people in it, and the blurry image of the passenger; a large man with a red tie.

Now my imagination was playing tricks.

It could not be the same man.  He was going in a different direction.

In the few minutes I’d been standing on the pavement, it had started to snow; early for this time of year, and marking the start of what could be a long cold winter.  I shuddered, and it was not necessarily because of the temperature.

I looked up and saw a neon light advertising a bar, coincidentally the one Harry had ‘found’ and, looking once in the direction of the departing yellow car, I decided to go in.  I would have a few drinks and then leave by the back door if it had one.

Just in case.

© Charles Heath 2015-2020

newechocover5rs

The Cinema of My Dreams – It ended in Sorrento – Episode 52

A visit to Heidi’s mother-in-law

I had intended to go to the Burkehardt residence with Ceceila as backup, but that would have left Francesca to her own devices, which to me would have been to turn up at the residence unannounced.

If Francesca had wanted to leave, Cecelia would let her, and it would not surprise me if she either let her bosses know how things were going, especially in relation to Juliet, and that they would want Francesca to find her.  The other possibility, is that Francesca was on her way, or already at the residence making herself known on behalf of her employers.

That I was wrong on all counts when I rang Cecelia to see if she had left, was disconcerting.  It meant another game was in play.  I was sure she had reported to her employers by now, and that they had asked her to impede us at every turn.  It just made it harder to guess why Francesca was with us.

I was stopped at the gate to the main Burkehardt residence by guards, who, I deduced from their dismissive manner, had been instructed to turn everyone away.  I asked them to tell the Mistress that I had information on the Countess Heidi von Burkehart’s whereabouts and then waited ten minutes before the gates magically opened.

If Alessandro was there, I would have some explaining to do.

I parked the car on the gravel outside the front portico and walked up the stairs to the front entrance.  The doors were open and a man in a morning suit was waiting for me.  I’d give the gate my Detective Inspector’s name, without the Detective Inspector prefix.

“Come this way.”

It was all he said.

I followed him through to a large room off the side of the entrance hall, what looked like a library, with several full-size suits of armour.

The older Countess was waiting for me at the front of her desk.

“Mr. Johnson, though I’m sure that bears no resemblance to your real name, and Detective Inspector you definitely are not.”

“I assure you I am, but it’s just one of my jobs.  Like I told your son Alessandro back in London, they only call me when it looks like the jurisdiction is about to change.”

“You have no authority here.”

“True, but like I said, they call me in when that happens.  My other self is the one with no borders, nor do I care about jurisdiction.  I come, solve the problem, and then go.  I am only interested in the wellbeing of the Countess Heidi.  Don’t make this into more than it is.”

“Security said you were going to be a pain, as did the people I employed to find the countess.  Perhaps I should fire them and employ you instead.”  She went behind her desk and sat down.

I sat in a chair to one side of the desk.

“It won’t do you much good to try.  I’m not doing this for the money.  I’m supposed to be retired, but I have an old boss who won’t let me go.”

“Rodby, yes.  His wife is the sister of the countess.  Fancy having a direct connection to a spy organisation.  I only just found that out but I’m sure you knew that.  I presume your other self is a spy?”

“I wish.  The suits, the cars, the toys.”  I shook my head.  “Nothing quite as glamorous, I can assure you.  And I only just discovered the Heidi connection too.  One of the drawbacks, we don’t always get the whole story.”  A bit too much sharing, but it was more to disarm the old lady, who looked to me still had some fire and brimstone in reserve.

“You said you have information about the countess?”

“I do.  But before I tell you, I need to know is there anyone you have managed to make angry, or you have caused problems for, or who wants to buy this enterprise, perhaps with prejudice?”

She gave me a look that was surprise or contempt before she summoned her best angry tone to say, “That’s absurd.”

It meant one of the three suggestions was right.

“You run a very profitable and well-respected operation here.  It no doubt creates rivalry with others in the same line of business who are not as well run, perhaps.”

It had to be a business rival.  The most recent information from the research team mentioned that there were several suitors for the business after the Count died, but no one specific. 

I could see her expression soften, that it was a problem she wanted to resolve herself, but it was not working out.  Alessandro had tried and failed to make it seem like business as usual, but a ship without a rudder soon foundered.  The uncertainty about the successor to the count had created uncertainty in the investors.

“There is one person, though I’m not sure he qualifies as aggressive but he is incompetent.  Alberto Dicostini.  The count and he were friends and business partners until Dicostini stole from the business.  After that, they became bitter rivals.  I am sure it is he who killed my husband, and later my son, the count.  It is why my sons and daughter have such security.  He had vowed to kill us all.  He will fail, as he always does.”

And there was a possible solution to the problem.  It was possible that it was Dicostini behind the fake countess, and if he presented her as the countess and she inherited, that what is hers would become his.  It’s almost foolproof.  The fake would have to pass the keen eyes of the Burkehardt family.  I’d seen the fake, but I hadn’t known the real one.

“You are vehemently opposed to the countess inheriting are you not?”

“She is an incompetent fool.”

“But a member of this family, and if she was to inherit, would she keep it in the family?”

“You’d think so, but a friend told me she was going to sell it, maybe not to Dicostini, but it will have the same effect.  He will get what he wants.”

“Have you tried to convince her to do the right thing.  As far as I can tell, she is the lawful heir.”

“There is another.”

“Which your investigators told you about?”

“How do you know this?”

“I have one of them with me.  Not here now, but back in Sorrento.  That might not necessarily be the case.  I’m beginning to believe that she is not a legitimate heir.  I suspect that Vittoria Remano, as she calls herself these days, did have a child, but not by the Count.  And although the count said he fathered a child, I believe he never got to see anything but photos, nor living proof, just the word of a maid.”

“And the birth certificate?”

“Did you get you investigators the check it?’

“I assumed they did.”

“Then they’ve got two days before I bring the three women to the solicitor’s office for the signing.  One of them will be a woman claiming to be the countess.”

“So, you know where she is?”

I sighed.  “You’re not listening to me.”

She paused for a moment as if to go over our conversation.  Then, “You’re saying the woman you have is not the countess?”

“I’m saying I don’t know, but if it was the real countess, who was kidnapped with Mrs Rodby, why is Mrs Rodby still missing?”

© Charles Heath 2023

The cinema of my dreams – Was it just another surveillance job – Episode 53

This story is now on the list to be finished so over the new few weeks, expect a new episode every few days.

The reason why new episodes have been sporadic, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Things are about to get complicated…


I thanked the CCTV operator and left with Joanne to go back to the third floor and Monica’s office.  Joanne had called her the moment we made the discovery, and she was there to make sure I made it.

It was a passing thought I leave, but I would not get past the soldier at the front door.

We waited for a few minutes in the outer office where an efficient personal assistant was typing faster than I could think.

A buzzing sound broke the steady keyboard sounds, and she said we could go in.

I could imagine another page and a half being entered in the time it took for us to get from the chairs to the door.

Inside, the office had wooden panelling, shelves lined with books, a minibar, benchtops covered in trinkets picked up in many travels, and strategically placed in a corner, four chairs and a coffee table.

Monica was sitting on one, and she motioned for us to sit in two others.

Was a fourth person expected?

If there was we were not waiting for them.  As soon as I was seated, she asked, “What did you find?”

She already knew, via Joanne, but perhaps this was a test.

“There were two people at the café, or perhaps one, the intermediary that O’Connell was looking for inside, and another nearby, like out the back of the café.

“I’d been too wrapped up in surviving the aftermath of the bomb to see O’Connell head for an alley near the café.  I thought it might be to check on the intermediary, but apparently, it was to meet someone else who obviously survived.”

“Anna Jacovich.”

Of course, Joanne had briefed her.  No secrets among friends.

“What do we know about her?”

Joanne answered that one, “She’s a fugitive, and Interpol is looking for her, as are the local police.”

“And she’s here?”

“If she hasn’t run.  A bomb nearby can do that.  She has to know people are out there actively trying to kill her like they did her husband.”

“He originally created the USB?”

“It looks like it.  And my guess, Dobbin was using O’Connell to act as a journalist and buy the information off her before it went to the highest bidder.  If we were to throw hypotheses out there, it’s not a stretch to believe Severin and Maury, as Westcott and Salvin, supposedly ex-department, were charged to get inside the lab and investigate the data breach, found out who it was, followed them here, and then set up an off-book surveillance group to watch the players culminating in the botched operation I was just on.  Severin wasn’t working for Dobbin but someone else, which means someone else in this department has an active interest in the breach, and who was running his or her own operation.  That wouldn’t be you would it?”

“That would be someone in a corner office.  I can barely see daylight here.  In other words, not high enough up in the food chain.  Like you, I’m staggering around in the dark.  Dobbin has a corner office.”

“Who’s in charge of matters concerning biological weapons?”

“The MOD.  Not us.”

“But you have experts.  You must come across credible threats from time to time, and I doubt you just hand it over.”

“We’re supposed to.  There is a chain of command you know.  It’s not like the movies.”

The way this operation had been running, that was exactly what I thought.

“That’s what I think I know.  Still no indication O’Connell is alive, but I suspect Dobbin does know, and just not telling.  Might also know where he is.  Perhaps while I’m trying to find him, you go over Dobbin’s head and find out.”

“Easier said than done.  You need help?”

“No.  Everyone I work with has their own axe to grind, so I’m better off alone.”

“That Jan woman?”

“Especially her.”

“OK.  Keep me, via Joanne, informed.  If you need anything, tell Joanne.”

Meeting over.

© Charles Heath 2020-2023

A photograph from the inspirational bin – 50

What story does it inspire?

There is always something not quite right when you literally reach the end of the road.

At the time we were looking for a place called Never Never.

Yes, you read that correctly, Never Never. It is a place on the map, and the GPS navigator knew where we were going, and took us to where it thought it was.

That place you can see is identified by the red plastic fencing across the road. The truth of the matter, we were not allowed to go to Never Never.

So, as for inspiration, it seems we have Never Never, the Americans have got Area 51.

And no, I’m not hanging around to see if spacemen and UFOs are coming to visit after darkness falls.

Writing a book in 365 days – 38

Day 38

Today’s trick of the trade dovetails very neatly with the previous day’s exploration of keeping the reader’s attention.

This time it is about not writing flowery prose. Perhaps you might know it by another name, writing about the background, the location, characters, anything but advance the story.

Here’s the thing.

Most readers get bored with flowery prose.

Of course, it is always a matter of opinion what is flowery prose and what isn’t, but I find that sometimes a detailed description of the place and time will match the mood and temperament of the characters.

Thus, a day could be very hot, then training, and then steaming, and a character could be sweating profusely, getting soaking wet, and then getting all steamed up, and not necessarily because it’s wet and hot.

Readers, as writers, need their senses stimulated in time to the cadence of the novel. We’ve been there. and sometimes it’s nice to read about someone who is, after all, like us. We don’t want all our characters to be beyond our reach or comprehension.

Just the same as a description of our characters, who has;t had the typical school mistress, tracking nun who is a monster, teacher who was a disciplinarian, or a friend who stabbed us in the back, or who we thought was a friend.

Descriptions yes, flowery maybe, but necessary, yes.

Searching for locations: An old country homestead, Canungra, Australia

Or to be more precise, the homestead at what is now O’Reilly’s vineyard, where there is a pleasant lawn out back running down to the river for picnics, an alpaca farm next door, and the homestead plays host to functions and wine tastings

My interest was that we had assumed there was a restaurant, and we were going to have lunch. There might be one, but not the day we visited, it was just cafe food or a picnic available.

I was more interested in the old homestead because it was a fine example of the homesteads built in the ‘outback’.

Today we are having lunch in the Platypus room, in the O’Reilly’s vineyard farmhouse, which, if you close your eyes and let your imagination run free, could see it as the master bedroom of a homestead.

Certainly, the building is old, made completely of timber, inside and out, with the traditional high ceilings to keep the heat at bay.

At one end, a large bay window, which would be ideal to sit and view the outside, past the sweeping verandah.  There is a small lawn and a rotunda, but beyond that what might have been extended gardens, is the vineyard.

The homestead is in an ideal position midway between the main road and the river, has the traditional surrounding verandah, and shows signs of being extended on almost all sides.

On the other side of the wide corridor that leads you to the bar, and, coincidentally, down the centre of the house, is a smaller bedroom, also used as a dining room, and ubiquitously named the library.

It may be small but it does have a fireplace, which the assumed master bedroom does not, but now I’m thinking that room might have been the morning room.

Behind the room, we’re in is another bedroom, or perhaps this might be the master because it does have a fireplace and is quite large.  And a name, the Ambassador room.  Now it serves as the pickup place for picnic baskets.

There is another room on the opposite side of the corridor called the Drawing Room but is not open to the public.  But, going into the room with the fireplace adjacent to it, you can sell the aroma of pizzas, so it’s probably an extension of the kitchen, and, walking around the outside that side of the house proves it to be the case.

After all, they do catering for weddings and need a very large food preparation area which I discovered runs down the whole of that side of the house.

At the end of the corridor I’d the bar and spare space, and running off that and behind that is where there is a large dining area, perhaps prior to COVID, the restaurant.

It’s not hard to imagine that area as a very large entertaining area, either for very large dinner parties, or dancing.

As for the food, it’s either a picnic basket or pizzas.  We chose the latter, not realising the bases were not homemade, but bought in.  

The toppings however were both plentiful and tasty.  It could have been hotter, because it was a cold day, and it was cold in the room.

As for something to do other than taste the wine, and buy a few bottles, you can get up close to the vines, which, at this time of the year gave been pruned back and look quite dead, look at or walk an alpaca, even feed it, or all of them, or go down to the river and see if you can spot a Platypus.

Perhaps next time we’ll have a picnic down by the river.

Where am I today?

Long after you have been on a holiday and forgotten about it, basically those places you visited are just a distant memory.

Let’s face it unless something calamitous happens to remind you, and generally not in a good way, those places just disappear as distant memories.

And, let’s face it, in this current hectic world we live in, those places have gone literally the day after you get back.

And then, the only reminder that you actually had a holiday, is the last of the washing.

What you need are little reminders that you actually went. This might take the form of postcards or fridge magnets, but these tend to get lost among the everyday collections of bills and children’s paintings, drawings, or certificates.

And there’s only so much you can stick on the fridge door.

But there is another way.

If you stay in hotels as most of us do, they always, or nearly always, provide you with several very important items that can give you a little reminder of where we have been and the associated memories, whether good or bad, but hopefully good.

The first is a writing pad and pen. You don’t get a lot of paper on that pad so it’s only good for writing down plot points, if you’re a writer like me, particularly if you’re in an overseas location.

The second is the toiletries, like hair shampoo and conditioner, along with other items, like soap and bath gel. These invariably have the hotel name and sometimes location on them, but often the hotel name is all that is needed.

Of course, some hotels are different, like the Hilton, because every Hilton has the same pen and the same toiletries, so with these hotels, you’re going to have to have a good memory, or as I do, take the pad. It has the hotel’s address.

With other hotels, like the Bruneschelli in Florence, or the Savoir in Venice, they have their name on both.

Some people will use the toiletries and therefore will not have a keepsake reminder, or they may not see the use in taking the pen or the pad that comes with the room, but I suggest you do.

Then, when you least expect it, there will be that little reminder of where you have been and hopefully, it will bring back good memories, and that, for me, is in the shower.

Like today.

I’m in Florence.

Well, for the duration of the shower, that is.