Searching for locations: Venice, Italy (Again)

We have visited Venice twice, in 2006 and not so long ago.

Not much had changed from visit to visit.

Instead of staying in a hotel selected by a travel agent, the Savoia and Jolanda on the waterfront of Riva Degli Schiavoni, because I’m a Hilton Honors member, more recently we stayed at the Hilton Molino Stucky.  It was located on an island, Giudecca, and had its own transport from the hotel to St Mark’s Square for a very reasonable one-off charge for the stay.

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On our first visit, we traveled from Florence to Venice.  We were advised to take a water taxi to the hotel, not only the most direct route but to see some of Venice from the water.  The only drawback, you have to negotiate a price with the driver.

We were not very good negotiators, and it cost 60 Euros.

But, despite the cost, it was worth every Euro because the taxi driver took us by the scenic route, directly from the Station to the doorstep of our hotel.  For a first time in Venice, and you want to see it from the water, a water taxi is the best option.

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The first time we stayed at the Savoia and Jolanda Hotel, which was at the time quite old, and the room we had, on the ground floor, was comfortable enough, but being November, they had just stopped using the air conditioning, it was still quite warm and at times uncomfortable.

There were better rooms, but this was beyond the knowledge of the travel agent, and one of the reasons we stopped using agents to book hotels.

The most recent visit we had driven down from Salzburg to Venice airport where we had to return the hire car.  From there we were intending to take a private water taxi from the airport to the hotel, for an estimated 120 Euros.

We saved our money and took the ACTV public waterbus, from the airport to the hotel, with one stop.  It took a little over an hour and was equally as scenic.

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Our room in the Hilton was on one of the upper levels, floor four, and had a view of the canal, the large passenger ships coming and going, as well as a remarkable view of Venice itself as far up the canal to St Marks Square in one direction, and the port for the passenger ships in the other.

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We got to see three or four very large passenger ships come and go, along with a lot of other craft.  I hadn’t realized how busy the waterways, and the Grand Canal, were.

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Each evening after a day’s exploring we would end up in the Executive Lounge, and then one of the many restaurants, usually Il Molino for breakfast, and the Rialto Lobby Bar and Lounge for dinner.  After that, it was a stroll down the waterfront taking in the night air, and perhaps to walk off the delicious dinner.

An excerpt from “The Things We Do For Love”; In love, Henry was all at sea!

In the distance, he could hear the dinner bell ringing and roused himself.  Feeling the dampness of the pillow, and fearing the ravages of pent-up emotion, he considered not going down but thought it best not to upset Mrs. Mac, especially after he said he would be dining.

In the event, he wished he had reneged, especially when he discovered he was not the only guest staying at the hotel.

Whilst he’d been reminiscing, another guest, a young lady, had arrived.  He’d heard her and Mrs. Mac coming up the stairs and then shown to a room on the same floor, perhaps at the other end of the passage.

Henry caught his first glimpse of her when she appeared at the door to the dining room, waiting for Mrs. Mac to show her to a table.

She was in her mid-twenties, slim, with long brown hair, and the grace and elegance of a woman associated with countless fashion magazines.  She was, he thought, stunningly beautiful with not a hair out of place, and make-up flawlessly applied.  Her clothes were black, simple, elegant, and expensive, the sort an heiress or wife of a millionaire might condescend to wear to a lesser occasion than dinner.

Then there was her expression; cold, forbidding, almost frightening in its intensity.  And her eyes, piercingly blue and yet laced with pain.  Dracula’s daughter was his immediate description of her.

All in all, he considered, the only thing they had in common was, like him, she seemed totally out of place.

Mrs. Mac came out of the kitchen, wiping her hands on her apron.  She was, she informed him earlier, chef, waitress, hotelier, barmaid, and cleaner all rolled into one.  Coming up to the new arrival she said, “Ah, Miss Andrews, I’m glad you decided to have dinner.  Would you like to sit with Mr. Henshaw, or would you like to have a table of your own?”

Henry could feel her icy stare as she sized up his appeal as a dining companion, making the hair on the back of his neck stand up.  He purposely didn’t look back.  In his estimation, his appeal rating was minus six.  Out of a thousand!

“If Mr. Henshaw doesn’t mind….”  She looked at him, leaving the query in mid-air.

He didn’t mind and said so.  Perhaps he’d underestimated his rating.

“Good.”  Mrs. Mac promptly ushered her over.  Henry stood, made sure she was seated properly and sat.

“Thank you.  You are most kind.”  The way she said it suggested snobbish overtones.

“I try to be when I can.”  It was supposed to nullify her sarcastic tone but made him sound a little silly, and when she gave him another of her icy glares, he regretted it.

Mrs. Mac quickly intervened, asking, “Would you care for the soup?”

They did, and, after writing the order on her pad, she gave them each a look, imperceptibly shook her head, and returned to the kitchen.

Before Michelle spoke to him again, she had another quick look at him, trying to fathom who and what he might be.  There was something about him.

His eyes, they mirrored the same sadness she felt, and, yes, there was something else, that it looked like he had been crying?  There was a tinge of redness.

Perhaps, she thought, he was here for the same reason she was.

No.  That wasn’t possible.

Then she said, without thinking, “Do you have any particular reason for coming here?”  Seconds later she realized she’d spoken it out loud, had hadn’t meant to actually ask, it just came out.

It took him by surprise, obviously not the first question he was expecting her to ask of him.

“No, other than it is as far from civilization, and home, as I could get.”

At least we agree on that, she thought.

It was obvious he was running away from something as well.

Given the isolation of the village and lack of geographic hospitality, it was, from her point of view, ideal.  All she had to do was avoid him, and that wouldn’t be difficult.

After getting through this evening first.

“Yes,” she agreed.  “It is that.”

A few seconds passed, and she thought she could feel his eyes on her and wasn’t going to look up.

Until he asked, “What’s your reason?”

Slightly abrupt in manner, perhaps, because of her question and how she asked it.

She looked up.  “Rest.  And have some time to myself.”

She hoped he would notice the emphasis she had placed on the word ‘herself’ and take due note.  No doubt, she thought, she had completely different ideas of what constituted a holiday than he, not that she had said she was here for a holiday.

Mrs. Mac arrived at a fortuitous moment to save them from further conversation.

Over the entree, she wondered if she had made a mistake coming to the hotel.  Of course, there had been no conceivable way she could know that anyone else might have booked the same hotel, but realized it was foolish to think she might end up in it by herself.

Was that what she was expecting?

Not a mistake then, but an unfortunate set of circumstances, which could be overcome by being sensible.

Yet, there he was, and it made her curious, not that he was a man, by himself, in the middle of nowhere, hiding like she was, but for quite varied reasons.

On discreet observance, whilst they ate, she gained the impression his air of light-heartedness was forced, and he had no sense of humour.

This feeling was engendered by his looks, unruly dark hair, and permanent frown.  And then there was his abysmal taste in clothes on a tall, lanky frame.  They were quality but totally unsuited to the wearer.

Rebellion was written all over him.

The only other thought crossing her mind, and incongruously, was he could do with a decent feed.  In that respect, she knew now from the mountain of food in front of her, he had come to the right place.

“Mr. Henshaw?”

He looked up.  “Henshaw is too formal.  Henry sounds much better,” he said, with a slight hint of gruffness.

“Then my name is Michelle.”

Mrs. Mac came in to take their order for the only main course, gather up the entree dishes, and then return to the kitchen.

“Staying long?” she asked.

“About three weeks.  Yourself?”

“About the same.”

The conversation dried up.

Neither looked at the other, rather at the walls, out the window, towards the kitchen, anywhere.  It was, she thought, unbearably awkward.

Mrs. Mac returned with a large tray with dishes on it, setting it down on the table next to theirs.

“Not as good as the usual cook,” she said, serving up the dinner expertly, “but it comes a good second, even if I do say so myself.  Care for some wine?”

Henry looked at Michelle.  “What do you think?”

“I’m used to my dining companions making the decision.”

You would, he thought.  He couldn’t help but notice the cutting edge of her tone.  Then, to Mrs. Mac, he named a particular White Burgundy he liked, and she bustled off.

“I hope you like it,” he said, acknowledging her previous comment with a smile that had nothing to do with humour.

“Yes, so do I.”

Both made a start on the main course, a concoction of chicken and vegetables that were delicious, Henry thought when compared to the bland food he received at home and sometimes aboard my ship.

It was five minutes before Mrs Mac returned with the bottle and two glasses.  After opening it and pouring the drinks, she left them alone again.

Henry resumed the conversation.  “How did you arrive?  I came by train.”

“By car.”

“Did you drive yourself?”

And he thought, a few seconds later, that was a silly question, otherwise she would not be alone, and certainly not sitting at this table. With him.

“After a fashion.”

He could see that she was formulating a retort in her mind, then changed it, instead, smiling for the first time, and it served to lighten the atmosphere.

And in doing so, it showed him she had another more pleasant side despite the fact she was trying not to look happy.

“My father reckons I’m just another of ‘those’ women drivers,” she added.

“Whatever for?”

“The first and only time he came with me I had an accident.  I ran up the back of another car.  Of course, it didn’t matter to him the other driver was driving like a startled rabbit.”

“It doesn’t help,” he agreed.

“Do you drive?”

“Mostly people up the wall.”  His attempt at humour failed.  “Actually,” he added quickly, “I’ve got a very old Morris that manages to get me where I’m going.”

The apple pie and cream for dessert came and went and the rapport between them improved as the wine disappeared and the coffee came.  Both had found, after getting to know each other better, their first impressions were not necessarily correct.

“Enjoy the food?” Mrs. Mac asked, suddenly reappearing.

“Beautifully cooked and delicious to eat,” Michelle said, and Henry endorsed her remarks.

“Ah, it does my heart good to hear such genuine compliments,” she said, smiling.  She collected the last of the dishes and disappeared yet again.

“What do you do for a living,” Michelle asked in an off-hand manner.

He had a feeling she was not particularly interested, and it was just making conversation.

“I’m a purser.”

“A what?”

“A purser.  I work on a ship doing the paperwork, that sort of thing.”

“I see.”

“And you?”

“I was a model.”

“Was?”

“Until I had an accident, a rather bad one.”

“Oh, I’m sorry.”

So that explained the odd feeling he had about her.

As the evening wore on, he began to think there might be something wrong, seriously wrong with her because she didn’t look too well.  Even the carefully applied makeup, from close, didn’t hide the very pale, and tired look, or the sunken, dark-ringed eyes.

“I try not to think about it, but it doesn’t necessarily work.  I’ve come here for peace and quiet, away from doctors and parents.”

“Then you will not have to worry about me annoying you.  I’m one of those fall-asleep-reading-a-book types.”

Perhaps it would be like ships passing in the night and then smiled to himself about the analogy.

Dinner over, they separated.

Henry went back to the lounge to read a few pages of his book before going to bed, and Michelle went up to her room to retire for the night.

But try as he might, he was unable to read, his mind dwelling on the unusual, yet compellingly mysterious person he would be sharing the hotel with.

Overlaying that original blurred image of her standing in the doorway was another of her haunting expressions that had, he finally conceded, taken his breath away, and a look that had sent more than one tingle down his spine.

She may not have thought much of him, but she had certainly made an impression on him.

© Charles Heath 2015-2024

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Writing a book in 365 days – 35

Day 35

Dialogue—don’t we all just love writing dialogue? Well, we have an exercise that starts with the line “I dare you to tell me the truth.” Yes, we all know the answer to that: “You couldn’t handle the truth,” and the truth might be that we couldn’t.

Can you imagine someone you know and trust walking up to you and saying they just had a conversation with aliens from another planet? You’d probably laugh and walk off.

I think the problem is that we have been conditioned by the very people we are supposed to trust, who lie to us constantly, so often, we no longer know what the truth is. Politicians in particular are very good at it, and sometimes our partners.

But, anyway, what difference does it make, one way or another.

So, let’s give it a go….

“I dare you to tell me the truth.”

Evelyn glared at me with such intensity that it made me feel hot under the collar.
Perhaps that was a tinge of guilt, not that I had done anything wrong, but her meddling sister had been in her ear again, and I was never going to live down the fact I chose Evelyn over her.

It had taken me a week to realise Darcy, her older sister, was a manipulative and evil woman like their mother had been. And years before I had rediscovered Evelyn, and another after that before we started dating.

Now it was the week of the wedding, and Darcy was up to her old tricks. Her sister was happy and settled, Darcy was not, and she didn’t like it.

“The truth about Elizabeth.”

Oh, Elizabeth. The other girl I’d liked at school, and was out of my league, then and now. Darcy trotted her out every time she wanted to make Evelyn unsettled, hinting that we had had a long-standing relationship the whole time, and secretly, I was more in love with her.

The truth? I was not. She had told me a long time ago that anything with me was impossible because of her parent’s expectations.

“Well, the obvious truth, is she’s a lovely lady, single, simply because she doesn’t trust any man, and probably will remain so now that she has taken over the running of her family business. You and I both know for a fact she has spent three weeks at best this side of the Atlantic this year, so I’m not sure when we’re supposed to have found time to be together.”

It was the same answer I gave her the last time and the time before that. And it would be the next time if there was a next time. I always took it as a sign that if Evelyn was looking for excuses, she was prevaricating.

“You’ve made four two-week trips to England in the last six months.”

This was true, and I told her the details of each trip, where I went, who I saw, and called her twice a day, first thing in the morning and last thing at night.

I sighed. I just caught a glimpse of Darcy outside the door to the room listening to the fruits of her labours, to break us up. Perhaps it was time to do so. Darcy was never going to give up, and Evelyn was always going to not fully trust me.

“The truth is always going to be what you believe, Evelyn, not what I say. And if you want a truth, right now, it is that whatever it is we think we have, it’s not going to work. Not if you’re going to let Darcy undermine our relationship. So, here’s the truth, Evelyn. We should not get married and spend the rest of our lives regretting it. There has been and always will be, only one girl for me and that’s you. It’s a pity Darcy can’t see that. So, another truth, Evelyn, let Darcy pick your husband, get her seal of approval, and perhaps then she’ll stop making everybody else’s life as miserable as hers is. I’m sorry Evelyn, but enough is enough.”

“The wedding is off?” Why did she suddenly sound incredulous?

“It’s what Darcy wants, and you apparently agree with her. As for me, I’m done with Washington, I actually quit my job yesterday, and in about three hours I’m getting on a plane to go home. Since my father died, my mother has not been coping with the business, and Joey is about as useless as Darcy is. Pity they didn’t get married, they certainly a pigeon pair. But there it is, you live and learn. Goodbye, Evelyn. I really do hope you find what you’re looking for, but as far as I can see, it’s not me.”

I gave her a final look up and down, realising that I would never find another like her ever again. Then I shook my head and walked out of the room. Had she asked me to come back, I would have. Had she said she was no longer going to listen to her sister, I would have believed her, but she said nothing.

Darcy was waiting at the front door and opened it as I approached.

“How does it feel to be a loser?” she asked.

“You always said you’d get your revenge.”

“Yes,” she smiled, the cat who ate the canary, “I did.”

I smiled back. “What do you do for a living again? Portfolio management?”

“I pick and choose companies that I believe are very good investments for our clients, and we make a lot of money. I make a lot of money.”

“What was your prediction for Billingsgate?”

“Not what happened. That was an aberration. Whoever owns it just happened to be in the right place at the right time. Twenty-five billion dollars.”

“Thirty-two, but who is counting. That was my brainchild, Darcy. And like I said, and I know you were listening in, I quit my job, well not actually quit, just sold the company, and now I’m going home. I only ever did any of it for Evelyn, and now, thanks to you, she’ll never get to find out. Hope you’re pleased with yourself. Goodbye, Darcy.”

I walked out the door and didn’t look back. It was a cheap shot, but after everything she had done, I allowed myself that one thing.

©  Charles Heath  2025

An excerpt from “If Only” – a work in progress

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

In a word: Line

The English language has some marvelous words that can be used so as to have any number of meanings

For instance,

Draw a line in the sand

We would all like to do this with our children, our job, our relationships, but for some reason, the idea sounds really good in our heads, but it never quite works out in reality. What does it mean, whatever it is, this I’d where it ends or changes because it can’t keep going the way it is.

Inevitably it leads to,

You’ve crossed the line

Which at some point in our lives, and particularly when children, we all do a few times until, if we’re lucky we learn where that line is. It’s usually considered 8n tandem with pushing boundaries.

Of course, there is

A line you should never cross

And I like to think we all know where that is. Unfortunately, some do not and often find their seemingly idyllic life totally shattered beyond repair. An affair from either side of a marriage or relationship can do that.

You couldn’t walk a straight line if you tried

While we might debate what straight might mean in this context, for this adaptation it means staying on the right side of legality. Some people find a life of crime more appealing than doing honest days work.

This goes hand in hand with,

You’re spinning me a line

Which means you are being somewhat loose with the truth, perhaps in explaining where you’ve been and what you’ve been doing. I think sometimes liars forget they need to have good memories.

Then there are the more practical uses of the word, such as

I have a new line of products

Is that a new fishing line?

Those I think most of us get, but it’s the more ambiguous that we have trouble with. Still, ambiguity is a writer’s best friend and we can make up a lot of stuff from just using one word.

‘What Sets Us Apart’ – A beta readers view

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a setup.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman to pique his interest.  Then, inexplicably, she disappears.  That might have been the end to it, but Prendergast, that shadowy enigma, David’s ex-boss who loves playing games with real people, gives him an ultimatum, find her or come back to work.

Nothing like an offer that’s a double-edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

The book can be purchased here:  http://amzn.to/2Eryfth

The Cinema of My Dreams – It ended in Sorrento – Episode 48

An extra passenger

I was literally waiting for her to tell me she hadn’t anything to wear for our little trip, but instead said she would need to take a few things.  She added, in the same breath, that she would tell her bosses whatever they needed to hear.

I didn’t think that included that I’d take a shine to her.  I don’t think she quite knew what that meant.  At any rate, she had to go home, and I had to head to the car, and on the way, call Cecelia.

She wasn’t going to believe half of what I had to tell her.

I gave her the address of the parking garage and told her I would see her there in two hours.  I seriously doubted I would see her again.

Back on the train, I called Cecelia.  She answered straight away but with a noncommittal “Yes?”  Perhaps she was guarding against the phone falling into the wrong hands.  Hers and two others were the only numbers on speed dial.

“It’s me.”  I didn’t qualify ‘me’ she would know.

“Where are you?”

“Just leaving Rome after seeing the countess’s solicitor.”

“Did you get a voice recording from Rodby?”

“Yes.”

“Are you suitably surprised?”

“That we only get half, or in this case, a quarter of the story.  I didn’t see that coming, though I had an inkling that Martha wasn’t Martha, but then I wouldn’t recognise my mother some days.”

“Who’s that woman pretending to be the countess?”

“Anyone’s guess.  Did you get them into the hotel?”

“And left them to it.  I’ve been at the Sorrento mansion, waiting for the old lady.  The two boys are here, Alessandro and Fabio.”

“Given what we know about the fake Countess, you might want to stay away until I get there.  I’m not sure where Vittoria and Juliet fit into the puzzle yet, or whether the fake Countess is keeping them nearby for other reasons, but I’m sure the two of them can take care of themselves.”

As for the information the solicitor gave me, I would save that until I saw her.

“Just one other wrinkle, I picked up some surveillance, and now I have one of their team with me.  She’ll be coming to Sorrento.  I believe she’s working for a PI who’s working for the Burkehardt’s who want to know where the countess is.  They would want to know before the sealing of the inheritance, so extra eyes and ears might be useful.”

“She could be trouble.”

“Which I’m sure you’ll deal with like I will.  I’ll be there in three to four hours.  Have we got another hotel?  I don’t fancy staying with the others?”

“Yes.  I text you the name.  Take care.”

I waited in the café near the parking garage, and three minutes before the two hours were up I saw her getting out of a taxi, and leaning in to talk to someone who had accompanied her.

A husband, or a boss?

The taxi drove off and she looked around, then saw me sitting at the table on the street.  Not the safest place to be, but needs must.

I waited until she sat down and called the waiter over to order her coffee.

“Your supervisor in the car?”

“He insisted on coming with me.  I told him the truth, rather than what you said, and he wasn’t pleased.  However, at that moment, he said, our interests are aligned, so I would be better off staying with you.  At least then if you find the countess, so will we.

“Did you bring a gun?”

“What.  Wait.  Why would I?  A gun?”

She didn’t answer the question, so it was likely the boss just gave her one.  I wasn’t going to search her handbag right then, but maybe later.  It also raised a small red flag in my head, what if she was more than just a ‘pretty face’?

I shrugged.  “If you have, remember don’t point it at me.  I tend to get a little annoyed at people who do stupid things like that, with very bad consequences.  For them.  I hope you like 80s rock.  if you don’t then you only have to endure it for about three hours.”

She smiled wanly.  “I’d rather not be going, but we don’t always get what we want.”

© Charles Heath 2023

The cinema of my dreams – Was it just another surveillance job – Episode 49

I’m back home and this story has been sitting on the back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe


Needing to know more about Severin, aka David Westcott trumped talking to Jan.  As it stood, it was difficult to know where her allegiances lay, with Dobbin, her handler, or someone else.

I hailed a cab and headed back to the office.  I wanted to spend some time on the computer, hoping I had enough clearance to poke around in the departmental records, in particular personnel.

Just as the taxi dropped me outside the anonymous sandstone building, my phone rang.  I doubt it would be Severin again.

“Where are you?”

Jan.

“I do actually have a life, despite what you or Dobbin might think.  I’m not sure I really want to have anything to do with you after what I saw you people do to Maury.  Aside from the fact that you told me he had found the tracker and disposed of it.  Once you start telling lies, there’s no going back.”

“I had nothing to do with that.”

“You were holding him for the interrogation squad.  That makes you complicit.  It also makes me very wary about what Dobbin will do to me if he thinks I know anything, which I don’t.”

“As far as I’m aware, all we have to do is find O’Connell.”

“And what?  Torture him too if he doesn’t fess up?  I know he doesn’t have it.  I had him under surveillance the whole time.  I frisked him after he was shot.  What do you know that I don’t?”

“No more than you.”

“Not if you’re suggesting that he’s alive.”  This was an interesting conversation, especially after O’Connell himself told me that Dobbin’s cleaners had come and rescued him, which meant Dobbin definitely knew he was still alive.

The question was, how many lies was she going to tell me.

“You know where O’Connell had his real residence.  When were you going to share that piece in information?”

Silence, then, “How?”

“I saw you there.”

“But…”

I knew what she was going to say, when was I going to share.  When I came back, not intending to find a dead body in the hotel room.

“Had you been in the room when I got back, we were going to have a frank conversation about who you’re working for, but I’ve just had that conversation with Dobbin himself.  No doubt he called you right after he dropped me off.

“He’s not happy.”

“Then that’s on him not trusting people.  You want to have a good hard look at what your options are when we next meet.  I’ll admit I haven’t been doing this very long, but one thing I have learned, is not to trust anyone.

“I suggest we meet up later tonight.  Bear in mind that it will be in an open space for obvious reasons, and quite frankly, I’m not sure how Dobbin thinks this collaboration is going to work.  I’ll text you the place and time.”

It might have been a little unfair to take my concerns about Dobbin out on her.  I’m not sure what I had expected would happen when I took this job on, certainly, the instructors had emphasized that being an agent was very dangerous to our health and that we could, ultimately, trust no one, even those closest to us.  Our world by its very nature was one of mistrust, lies, and deceit, that we would eventually not know who we really were and be doing things we never thought we could.

O’Connell was in the same situation, most likely because people were trying to kill him.  It was a small detail that stuck in the back of my mind.

If Severin and Maury wanted O’Connell alive, and that definitely was the end result of the surveillance operation, to allow the drop then to corral him, why would they have sanctioned his execution in the alley?

In fact, how could they know he would end up in that alley.

The only conclusion I could come up with, Dobbin had put a tracker on him, one that he didn’t know about, and also had surveillance on O’Connell.  It made sense because I was sure there were people in that area that didn’t look like they belonged.

So, a tracker on the USB was being tacked by an unidentified as yet party who no doubt wanted the information themselves, not Severin, and not Dobbin.

I shrugged.  I’m sure there would be more questions before the day was out.

© Charles Heath 2020-2022

A photograph from the inspirational bin – 46

What story does it inspire?

This is a photograph of the Leopoldskron Palace used for exterior shots in the movie “The Sound of Music”.

It was a very bleak day when we decided to go on the Sound of Music bus tour, and, yes, there was singing.

But…

It is a sombre setting and lends a great deal of inspiration to a story.

For instance…

There was a large uninhabited house on the edge of a lake where multiple fatalities occurred in the mid-1800s. The family was cursed from the moment the house was built because a gypsy family who had lived on the land before the building commenced were murdered because they would not leave.

The original owner died when falling from a ladder fetching a book from the top shelf in his library, the wife died when she accidentally slipped and fell on a knife in the kitchen, and the eldest son died when he fell from the roof. No one could explain how he got there.

The daughter left immediately after all of these events which happened in the first week of residence, and moved far away.

Move forward about 170 years and one of the ancestors discovered they are entitled to take ownership of the building that had not been lived in for a long, long time.

But…

It does not look any different from the day the last inhabitants died, and is in perfect condition.

How could this be after 170 years?

And what exactly is going on when the descendants come to live in the house?

Is it paranormal activity or is it just gold old fashioned scare tactics to send them away?

Writing a book in 365 days – 34

Day 34

The importance of backstories for characters.

This is an interesting topic to pop up, especially after the writing of the previous blog post in this series.

I always create legends for my characters, and perhaps the only planning I do for any story, that notion I should know each of the characters inside out so that I have a good idea of where they’re going to go.

There’s no point suddenly deciding the main character has an allergic reaction to cats. All this stuff needs to be known before putting pen to paper.

Then there are locations. I’m a bit like a movie studio in that I have the script and then send out the scouts to find places to follow the story. In this case, I’m looking for locations and writing the story after I have found them.

All the background work starts to feed the story. I usually have an idea before I start, and rather than sketch it out on a running board, at this beginning stage, nothing is concrete.

Sometimes this creation process can evolve over a long time, or, in others, it could go from a spark of an idea to the first draft complete, in a month.

Like the novel I’m going to write over the course of the 365 days. Just yesterday I was working on the main character’s back story.