Evan and Juliet
…
I reviewed the CCTV tapes and worked out who the countess’s bodyguards were in the hotel, and remarkably traced them leaving the hotel by the back entrance, passing only one camera, one I suspect they didn’t know was there. The reason, it did not belong to the hotel but the owner of the building behind the hotel.
They did not leave with the countess, so the question was, why?
I called the office and asked them to do facial recognition on the two, and then trace their movements, and if they left the country by conventional means.
There was no sign of anyone leaving before or after them. Not for two hours on either side of their departure time. It was another lead, which might lead nowhere.
I called Cecilia to ask her how her investigation into Vittoria was going. She didn’t answer, so I sent her a text message arranging to have coffee at a French Pastry café near where I believed I would find Juliet.
I was still working out how I was going to bump into her.
The auditorium was off the Strand near Charing Cross station not far from the Victoria Embankment Gardens, and of course, a French Pastry café in Charing Cross Road I found quite by accident when looking for Foyles Bookshop.
I was still working on that plan when I stopped to have a coffee and a Mille Feuille.
The best idea is just to go and see if she is there and talk to her. I doubt that she would believe that I just happened to be in the same place at the same time, and perhaps if I just told her the truth…
Whatever approach I made; it was going to be a surprise.
I stood outside the building for a few minutes, thinking if I waited, she might just turn up but she didn’t. If anything, she would be inside, setting up for the following day.
Enough prevaricating, I couldn’t wait any longer. I crossed the road and went in. I hoped that it catered for visitors. At the front desk, I asked whether the organiser of the session that was running in one of the lecture rooms was available, I was attending and had some questions, and she directed me to the hall.
When I entered the room I saw her standing on the dais, fiddling with a control that was in the process of displaying slides on the screen behind her. She looked different to when I last saw her, and I couldn’t help but notice she had a presence about her, even if she was flustered.
Then she must have sensed someone had entered the room and looked up. She recognised me immediately.
“Evan? Is that you?”
“It is.”
I walked down the steps and stopped just short of the dais.
“What are you doing here?”
Good question. I was still not prepared for this moment.
“I read in the paper you were leading a discussion on your pet subject of car accident victim’s trauma, where it was, and I didn’t feel we ended things back in Venice very well. I was surprised to learn you were in London, and I was at a loose end.”
She looked me up and down with a curious eye.
“Someone I don’t think that’s, exactly true Evan. I was told, in a roundabout way, that you were responsible for getting my brother out of the fix he was in, and coincidentally solved my problem too. He was a rather creepy little man who was acting strangely. Please, sit down.”
She crossed to the front row of seats, chose one and sat. I sat two seats away.
“Yes, he needs to work on his people skills.”
“Then you are not who you purport to be. Are you still living in Venice?”
“No. There is nothing to keep me there. I have a place here. For the time being.”
“Are you working?”
“In a manner of speaking.”
“Does it involve me?”
“Why would you think that?”
“I have been involved in several shall we say enterprises because of circumstances, all of which I have tried to put in the past. I am not that person anymore, and thankfully some of the ghosts are just that. You and I though, I’m not sure what we are? Would you like to buy me dinner and talk about it?”
Was it an invitation I couldn’t refuse?
“Can you drag yourself away from this?”
“I have a computer guru. I’ll call him and ask him to make it work. You can tell me what you’re up to, and why you need my help. I’m assuming that’s why you’re here?”
© Charles Heath 2023