Those moments of depression are seeping into my writing

Nothing I write makes any sense, it doesn’t fit, it doesn’t progress the story, they are just words on a piece of paper.  Perhaps it’s those moments of despair that are holding me back, those thoughts that begin to swirl in your head when the dream you had in your head becomes very different from what happens in reality.

And this is the problem, there are so many people out there that say, ‘dare to dream’, or ‘today its a dream tomorrow it is reality’.

Is it?

For some, those with the state of mind, the drive, and the confidence to pull it off, it might be, but for the rest of us, and that’s a lot of people trying to head down that same path f success, it’s a lot harder.

And you can bet those seminar or conference speakers have pocked the thousands of dollars they got for the gig, and have moved on to the next group of … well, let’s not give them a name.

I wish I could stand up in front of 200 budding authors and tell them, in the same bright breezy manner that they are on the way to success, just follow the ten proven steps, but I can’t.  I know how hard that road is.

Like starting a farm, you don’t just walk onto the land, say you’re going to be a farmer, and magically everything happens.  It doesn’t.  It’s bloody hard work, and a lot of it, with heartbreak, and setbacks, and sometimes even a disaster.

It’s the same with writing.

You don’t sit at the typewriter, in front of a notebook, or computer screen, and it all just comes together.  It doesn’t.

For some, it might, but for the rest of us, it’s a long hard road, just to get some form of recognition.  And even then, like in the movies, fame can be fleeting, gone in the blink of an eye.

You have to produce, trying to produce creates pressure, pressure creates depression, and well. you get the picture, it’s a bit like the cycle of life.

OK, whinge over.

Time to get back to work.

 

“The Things We Do For Love”

Would you give up everything to be with the one you love?

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, a place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

Searching for locations: An old country homestead, Canungra, Australia

Or to be more precise, the homestead at what is now O’Reilly’s vineyard, where there is a pleasant lawn out back running down to the river for picnics, an alpaca farm next door, and the homestead plays host to functions and wine tastings

My interest was that we had assumed there was a restaurant, and we were going to have lunch. There might be one, but not the day we visited, it was just cafe food or a picnic available.

I was more interested in the old homestead because it was a fine example of the homesteads built in the ‘outback’.

Today we are having lunch in the Platypus room, in the O’Reilly’s vineyard farmhouse, which, if you close your eyes and let your imagination run free, could see it as the master bedroom of a homestead.

Certainly, the building is old, made completely of timber, inside and out, with the traditional high ceilings to keep the heat at bay.

At one end, a large bay window, which would be ideal to sit and view the outside, past the sweeping verandah.  There is a small lawn and a rotunda, but beyond that what might have been extended gardens, is the vineyard.

The homestead is in an ideal position midway between the main road and the river, has the traditional surrounding verandah, and shows signs of being extended on almost all sides.

On the other side of the wide corridor that leads you to the bar, and, coincidentally, down the centre of the house, is a smaller bedroom, also used as a dining room, and ubiquitously named the library.

It may be small but it does have a fireplace, which the assumed master bedroom does not, but now I’m thinking that room might have been the morning room.

Behind the room, we’re in is another bedroom, or perhaps this might be the master because it does have a fireplace and is quite large.  And a name, the Ambassador room.  Now it serves as the pickup place for picnic baskets.

There is another room on the opposite side of the corridor called the Drawing Room but is not open to the public.  But, going into the room with the fireplace adjacent to it, you can sell the aroma of pizzas, so it’s probably an extension of the kitchen, and, walking around the outside that side of the house proves it to be the case.

After all, they do catering for weddings and need a very large food preparation area which I discovered runs down the whole of that side of the house.

At the end of the corridor I’d the bar and spare space, and running off that and behind that is where there is a large dining area, perhaps prior to COVID, the restaurant.

It’s not hard to imagine that area as a very large entertaining area, either for very large dinner parties, or dancing.

As for the food, it’s either a picnic basket or pizzas.  We chose the latter, not realising the bases were not homemade, but bought in.  

The toppings however were both plentiful and tasty.  It could have been hotter, because it was a cold day, and it was cold in the room.

As for something to do other than taste the wine, and buy a few bottles, you can get up close to the vines, which, at this time of the year gave been pruned back and look quite dead, look at or walk an alpaca, even feed it, or all of them, or go down to the river and see if you can spot a Platypus.

Perhaps next time we’ll have a picnic down by the river.

An excerpt from “If Only” – a work in progress

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

First Dig Two Graves – the editor’s final draft – Day 3

This book has been sitting in the ‘to-be-done’ tray, so this month it is going to get the final revision.

OK. So the story is about Alistair’s mother seeking revenge on Zoe for killing her son.

She’s not the only one.

Zoe is or was an assassin. She had a substantial number of kills to her credit, she doesn’t share numbers so we won’t find out exactly how many, and there are others who seek revenge too.

One is co-incidentally, the head of the intelligence service John’s friend Sebastian works for, a man by the name of Worthington, who had a twin brother whom she killed by mistake.

He has been using his position in intelligence to track the woman who executed his brother for some time, and being in Venice at the time of the Alistair affair, catches sight of Zoe recovering in a hospital after requesting to meet Sebastian’s newest recruit.

Of course, Sebastian is playing fast and loose with the truth, as always, but the damage is done.

Zoe aka Mary Anne aka Chantal is not being hunted by three different people and has just had a bounty put on her head guaranteeing even more people searching for her.

All while heading to a meeting in Marseilles about a freelance hit.

‘What Sets Us Apart’ – A beta readers view

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a setup.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman to pique his interest.  Then, inexplicably, she disappears.  That might have been the end to it, but Prendergast, that shadowy enigma, David’s ex-boss who loves playing games with real people, gives him an ultimatum, find her or come back to work.

Nothing like an offer that’s a double-edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

The book can be purchased here:  http://amzn.to/2Eryfth

In a word: Hide

Hide and seek

As children, we all played hide and seek, where one person counted to a hundred and all the others hid themselves and you had to find them.

I was the spoilsport; I gave up looking very quickly because the kids I played with were very good at hiding.

You have some hide

Well, this means someone you know and probably hate has insulted you, or you’d you something you really did want to know

It’s an old expression often used by my mother on her sister, mostly because her sister was wiser and more sensible and sometimes sailed too close to the wind telling her the painful truth

Sailing too close to the wind?  Yes, quite an interesting analogy – saying what is true without heed to the consequences or taking unnecessary risks.

We spent the morning in the hide

Ah, to be a birdwatcher.  These are in my experience a very strange bunch.  I prefer to be a trainspotter, but then we have been described as a very strange bunch.

However, not to be distracted, birdwatchers hand out in hides and camouflaged buildings where they can observe birds in their natural habitat without disturbing them.

And the camera some of these watchers have a very expensive.

Then, of course, there are the hunters, who lie in wait for say duck season to start, then shoot them.

It’s not my idea of fun, nor does it seem sporting.

We use cowhide to make shoes

After sending it to the tannery.  Animal hides have Bern used over the centuries for many purposes such as clothes, shoes and bags.

Sheep hides make excellent fluffy mats beside the bed.

Mink hides were once used in fur coats, but now it’s frowned upon.

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

PIWalthJones1

The Cinema of My Dreams – It ended in Sorrento – Episode 50

Arrival in Sorrento

We didn’t have to wait that long to see what our tail did, he simply sped up and drove off, perhaps satisfied he had been made, and knew we were going to ditch him before we got to our eventual destination.

It would be hard for him to guess where we were going, so that meant that he would arrange for someone to pick us up as we came into the city, or after.

After all, he knew what car I was travelling in, and he knew what we looked like.  Which is why we stopped briefly in Naples and changed cars and clothes.

Then, by a quirk of fate, we saw him again, parked on the side of the road, near Pompei, waiting.  He had been hidden behind several trucks, but at the last minute on of the trucks moved, and I saw the car.

And there he sat, not assuming we would be smart enough to change cars.  What was it Rodby said from time to time?  Good help is hard to find.

I had no doubt the moment he reported in, that other arrangements were not already underway.  If they were smart, they’d know what my destination was, the home of the Burkehardt’s up in the hills that overlooked the Mediterranean, with billion-dollar views, nestled in among the exclusive and very expensive resorts.

Cecelia had booked on and it was where she had been relaxing in what time she had away from surveillance.  She was at the hotel when I called, and we arrived there a half hour later.

I’d already forewarned her about my new shadow.

She met us down in the foyer, gave Francesca her ‘don’t mess with me, or else’ scowl, and then took us up to the room.  It was amazing, and I would probably never be able to afford to stay in a room, or place, like it if I had to pay for it myself.

Francesca was suitably impressed.  “How much had you got on your expense account.  I can barely buy a sandwich with mine.”

“Normally we don’t either, but this is a ‘by all means available’ mission.”

She gave me a blank look, and I didn’t have the time or inclination to explain it to her.  We would not be seeing her again after this.

“I trust your charges are behaving themselves selves and remaining anonymous,” I asked her, after sitting down with a bottle of wine and three glasses, and we’d all taken a separate chair each.

“No.  You didn’t expect them to stay in the room, despite the fact someone is trying to kill them.  I’m not their nursemaid.  They want to get killed they can.”

I frowned at her.  We were supposed to be keeping them alive.  I suppose learning they were fakes didn’t help.  Vittoria and Juliet weren’t, or at least I hope they weren’t, but the jury was still out on that.

I was going back to see them after I spoke to the Burkehardt matriarch.  Or maybe I would talk to Juliet again.  I couldn’t believe that everything I did seemed to involve her, and I was hoping the universe wasn’t trying to tell me something.

“Who are these people again,” Francesca asked.

“Didn’t you tell her?”  Cecelia looked at me.

“No.  Relevance?”

“None,” she looked at Francesca.  “A woman called Vittoria who was a maid at the house I’ve been watching for that last day or so and her daughter Juliet are supposed to be keeping a low profile.  It appears Juliet might be another direct descendant of the Count’s.  I’m surprised your employers didn’t tell you of her?”

“They mentioned the possibility of another heir.  They just didn’t know who or where she was.  She’s here, you say?”

“Yes.  I hope they’re safe, and, no, we’re not telling you where they are.  Not until we know your employers, whom I’m assuming are the Burkehardt’s, are not trying to kill her.”

“I assure you that neither am I, and I work for the investigations company, not the Burkehardt’s.  I can only take orders from my boss.  He was very clear about that.”

“Good.  I’d hate to have to shoot you because you lied.”

I could see she meant what she said.  I hoped Francesca did too.  She seemed to brush that threat aside.

“What about the countess?”

“That’s the bigger question, where is she?  We’d like to know so if you have any ideas, please share.  For this dynamic to work, you must be willing to share information.  It’s not going to be a one-way street.”

“So, you don’t know where the countess is?”

Cecelia looked at me. 

“Inquisitive little bugger, isn’t she?  Don’t make it so obvious you want to know.  Didn’t your boss tell you; that you must be subtle when approaching people like us, people with more experience, and less of a conscience.

Francesca looked at me.

“Don’t think I won’t stop you if you get in the way.  You can stay while it is useful to us, but don’t ask questions you know we’re not going to give you answers for.”

“Then I’ll assume you don’t know where she is, other than most likely in Sorrento, waiting for the meeting.”

“Good assessment.”

© Charles Heath 2023

The cinema of my dreams – I never wanted to go to Africa – Episode 6

Locked up with nowhere to go

It looked like a military camp, but the soldiers were not like my captor. They were as I had expected, of foreign origin. The woman driving the pickup was American, and also the last person I’d expect to see in what was quite obviously a military camp.

The pickup stopped with the brakes squealing outside a large wooden building covered in camouflage netting. The man sitting next to me got up, jumped off the end of the vehicle. The woman got out, they exchanged words in quiet voices I could not hear properly, then she walked away.

He walked down the side of the vehicle hitting the metal side quite hard. To wake me up, perhaps.

“Get down Mr. James. I’m not buying the jelly legs anymore.”

I shrugged. I hadn’t been pretending when they picked me up but maybe he knew my condition better than I did. I didn’t think it was worth annoying him.

I slid to the end of the well and dangled my legs over the side then slipped slowly till my feet touched the ground. Aches and pains in my ankles and knees, but they would hold me up.

Time to move on.

He stood beside me. “This way.”

As I surmised, we went into the wooden building, down a narrow passageway for a distance, and, judging by the gentle downward slope and the temperature drop, we were either going into a cave or underground.

A minute, two, then he stopped and opened a door. “Inside.”

I took a deep breath and stepped into the room, expecting to be either shot or worse.

But it was nothing like that. It was just an empty room with a camp stretcher.

The man put his head in the doorway. “Get some rest, Mr. James.”

The door swung shut and I heard the key turn in the lock. This was not a room that could readily be escaped from.

© Charles Heath 2019-2021