Month: July 2024

Port Macquarie -Day 2 – Part 1

Wherever we go, we are always looking for historical sites, and points of interest.

For Coffs Harbour, it was the largest collection of old trains, both steam engines and passenger carriages, in the southern hemisphere.

And, of course, an old disused logging railway.

Here in Port Macquarie, there are no trains.

Here, there are a few remnants of the colonial past, and being on the coast, a rich history of ship wrecks.

But, sadly, I don’t dive, but they do have an excellent Maritime Museum, spread over various locations.

The first site we visited was the Pilot Boathouse.

Not exactly to sort of boat I would want to go out to a ship in, especially if it was a dark and stormy night.

Unfortunately, the sign doesn’t face the shed.

That’s the boatshed.

Inside, they also have model ships, which are for sale, if you like that sort of thing.

Questions, sometimes without answers

At what point does a writer become a journalist?

Quite often journalists become writers because of their vast experience in observing and writing about the news, sometimes in the category of ‘truth is stranger than fiction’.

I did journalism at University and thought I would never get to use it.  I had to interview people, write articles, and act as an editor.  The hardest part was the headlines.

How much does that resemble the job of coming up with a title for your book?

Well, several opportunities arose over the last few months to dig out the journalist hat, put it on, and go to work.

Where?

Hospital.  I’ve had to go there a few times more in the last few months than I have in recent years.

And I’d forgotten just how hospitals are interesting places, especially the waiting room in Emergency.

After the second or third visit, I started to observe the people who were waiting and ran through various scenarios as to the reason for their visit.  None may have been true, but it certainly was an exercise in creative writing and would make an excellent article.

Similarly, once we got inside the inner sanctum, where the real work is done, there is any number of crises and operations going on, and plenty of material for when I might need to include a hospital scene in one of my stories.

Or I could write a volume in praise of the people who work there and what they have to endure.  Tending the sick, injured and badly injured is not a job for the faint-hearted.

Research, if it could be called that, turns up in the unlikeliest of places.  Doctors who answer questions, not necessarily about the malady, nurses who tell you about what it’s like in Emergency on nights you really don’t want to be there, and other patients and their families, all of whom have a story to tell, or just wait patiently for a diagnosis and then treatment so they can go home.

We get to go this time at about four in the morning.  Everyone is tired.  More people are waiting.  Outside it is cool and the first rays of light are coming over the horizon as dawn is about to break.

I ponder the question without an answer, a question one of the nurses asked a youngish doctor, tossed out in conversation, but was there a more intent to it; what he was doing on Saturday night.

He didn’t answer.  Another crisis, another patient.

I suspect he was on duty in Emergency.

Almost nonsensical descriptions we sometimes use without thinking

I found this explanation on the internet which seems to sum up what odd phrases like ‘you can’t judge a book by its cover’ mean: ‘a word or phrase used in a non-literal sense for rhetorical or vivid effect.’

We, as writers, are constantly reminded that we should not use these in our writing because most people might not understand their use.

But, being that unconventional, never to be told, type, I honestly think that it sometimes adds a degree of whimsy to the story.

I remember some years ago when I working with a Russian chap who’d not been in the country very long, and though he had a reasonable use of English, was not quite up with our figures of speech.

And made me realize when he kept asking me what they meant, just how many I used in everyday conversation.

Most of these figures of speech use descriptions that do not necessarily match the word being described, such as ‘I dance like I have two left feet’.

And that pretty much sums up how good I can dance.  But …

‘Like a bat out of hell’, not sure how this got into the vernacular, but it means to get the hell out of dodge quickly.  Hang on, that’s another saying, American, and the way Dodge city was in western American folklore, if you irritated a gunslinger, then best be on your way, fast.

Otherwise, yes, you guessed it, you were at the end of another saying, you would get a one-way ticket to boot hill.  In other words, the cemetery.

And while I’m digressing, again, Yul Brynner made a trip to boot hill very memorable in The Magnificent Seven.

Then,

‘Like a bull in a China shop’, describes a toddler let loose

‘More front than Myers’, as my mother used to say, but in context, Myers is the Australian version of the English Selfridges or Harrods or Paris Galleries Lafayette.  It refers to the width of street frontage of the stores

‘As mad as a hatter’, though not necessarily of the millinery kind, but, well, you can guess

‘As nutty as a fruitcake’, provided your fruitcake has nuts in it

You can see, if you get the references, they are somewhat apt, and, yes, they sometimes creep into my stories.

Port Macquarie – Day 1 – Part 3

The old cemetery

This cemetery, no longer used, has graves dating back as far as 1821. 

Not all of the graves are identified, but there is a monument that has the names of everyone interred there.

This monument has the names of those buried and the date they were buried

Unfortunately, there are not many headstones left, and those that are there are not necessarily readable.

Inspiration, maybe – Volume 1

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

lookingdownfromcoronetpeak

And the story:

It was once said that a desperate man has everything to lose.

The man I was chasing was desperate, but I, on the other hand, was more desperate to catch him.

He’d left a trail of dead people from one end of the island to the other.

The team had put in a lot of effort to locate him, and now his capture was imminent.  We were following the car he was in, from a discrete distance, and, at the appropriate time, we would catch up, pull him over, and make the arrest.

There was nowhere for him to go.

The road led to a dead-end, and the only way off the mountain was back down the road were now on.  Which was why I was somewhat surprised when we discovered where he was.

Where was he going?

“Damn,” I heard Alan mutter.  He was driving, being careful not to get too close, but not far enough away to lose sight of him.

“What?”

“I think he’s made us.”

“How?”

“Dumb bad luck, I’m guessing.  Or he expected we’d follow him up the mountain.  He’s just sped up.”

“How far away?”

“A half-mile.  We should see him higher up when we turn the next corner.”

It took an eternity to get there, and when we did, Alan was right, only he was further on than we thought.”

“Step on it.  Let’s catch him up before he gets to the top.”

Easy to say, not so easy to do.  The road was treacherous, and in places just gravel, and there were no guard rails to stop a three thousand footfall down the mountainside.

Good thing then I had the foresight to have three agents on the hill for just such a scenario.

Ten minutes later, we were in sight of the car, still moving quickly, but we were going slightly faster.  We’d catch up just short of the summit car park.

Or so we thought.

Coming quickly around another corner we almost slammed into the car we’d been chasing.

“What the hell…” Aland muttered.

I was out of the car, and over to see if he was in it, but I knew that it was only a slender possibility.  The car was empty, and no indication where he went.

Certainly not up the road.  It was relatively straightforward for the next mile, at which we would have reached the summit.  Up the mountainside from here, or down.

I looked up.  Nothing.

Alan yelled out, “He’s not going down, not that I can see, but if he did, there’s hardly a foothold and that’s a long fall.”

Then where did he go?

Then a man looking very much like our quarry came out from behind a rock embedded just a short distance up the hill.

“Sorry,” he said quite calmly.  “Had to go if you know what I mean.”

I’d lost him.

It was as simple as that.

I had been led a merry chase up the hill, and all the time he was getting away in a different direction.

I’d fallen for the oldest trick in the book, letting my desperation blind me to the disguise that anyone else would see through in an instant.

It was a lonely sight, looking down that road, knowing that I had to go all that way down again, only this time, without having to throw caution to the wind.

“Maybe next time,” Alan said.

“We’ll get him.  It’s just a matter of time.”

© Charles Heath 2019-2021

Find this and other stories in “Inspiration, maybe”  available soon.

InspirationMaybe1v1

“Opposites Attract” – The Editor’s first draft – Day 26

This book was the effort put into the last NaNoWriMo November 2023 exercise. I have now picked it back up, and working on a more polished first draft for the Editor.

…

Shotgun Annie

…

Some characters sometimes leap off the page.  I have to say at the time I was watching a Western Movie, and it had Annie Oakley in it, and the idea came that I should have a woman handy with a shotgun.

It’s not as farfetched as it seems, since a lot of women who were brought up on farms, or ranches, were good at shooting, hunting, and horse riding, though for us city-bound types it might be something of an anomaly.

Whatever I was thinking, I decided Tim needed a different girlfriend. Or perhaps not so different.

On the other side of the coin, I have two separate instances where friends are going through maladies, one that is not treatable, and the other requiring long and expensive treatment that will only last a few years.

But a few years is better than the alternative, death.

To find out where Tim is our boy goes to meet her, fully expecting to be shot at, but devastated to discover how ill she is.

There is, of course, only one thing he can do.

…

An excerpt from “Strangers We’ve Become” – Coming Soon

I wandered back to my villa.

It was in darkness.  I was sure I had left several lights on, especially over the door so I could see to unlock it.

I looked up and saw the globe was broken.

Instant alert.

I went to the first hiding spot for the gun, and it wasn’t there.  I went to the backup and it wasn’t there either.  Someone had found my carefully hidden stash of weapons and removed them.

Who?

There were four hiding spots and all were empty.  Someone had removed the weapons.  That could only mean one possibility.

I had a visitor, not necessarily here for a social call.

But, of course, being the well-trained agent I’d once been and not one to be caught unawares, I crossed over to my neighbor and relieved him of a weapon that, if found, would require a lot of explaining.

Suitably armed, it was time to return the surprise.

There were three entrances to the villa, the front door, the back door, and a rather strange escape hatch.  One of the more interesting attractions of the villa I’d rented was its heritage.  It was built in the late 1700s, by a man who was, by all accounts, a thief.  It had a hidden underground room which had been in the past a vault but was now a wine cellar, and it had an escape hatch by which the man could come and go undetected, particularly if there was a mob outside the door baying for his blood.

It now gave me the means to enter the villa without my visitors being alerted, unless, of course, they were near the vicinity of the doorway inside the villa, but that possibility was unlikely.  It was not where anyone could anticipate or expect a doorway to be.

The secret entrance was at the rear of the villa behind a large copse, two camouflaged wooden doors built into the ground.  I move aside some of the branches that covered them and lifted one side.  After I’d discovered the doors and rusty hinges, I’d oiled and cleaned them, and cleared the passageway of cobwebs and fallen rocks.  It had a mildew smell, but nothing would get rid of that.  I’d left torches at either end so I could see.

I closed the door after me, and went quietly down the steps, enveloped in darkness till I switched on the torch.  I traversed the short passage which turned ninety degrees about halfway to the door at the other end.  I carried the key to this door on the keyring, found it and opened the door.  It too had been oiled and swung open soundlessly.

I stepped in the darkness and closed the door.

I was on the lower level under the kitchen, now the wine cellar, the ‘door’ doubling as a set of shelves which had very little on them, less to fall and alert anyone in the villa.

Silence, an eerie silence.

I took the steps up to the kitchen, stopping when my head was level with the floor, checking to see if anyone was waiting.  There wasn’t.  It seemed to me to be an unlikely spot for an ambush.

I’d already considered the possibility of someone coming after me, especially because it had been Bespalov I’d killed, and I was sure he had friends, all equally as mad as he was.  Equally, I’d also considered it nigh on impossible for anyone to find out it was me who killed him because the only people who knew that were Prendergast, Alisha, a few others in the Department, and Susan.

That raised the question of who told them where I was.

If I was the man I used to be, my first suspect would be Susan.  The departure this morning, and now this was too coincidental.  But I was not that man.

Or was I?

I reached the start of the passageway that led from the kitchen to the front door and peered into the semi-darkness.  My eyes had got used to the dark, and it was no longer an inky void.  Fragments of light leaked in around the door from outside and through the edge of the window curtains where they didn’t fit properly.  A bone of contention upstairs in the morning, when first light shone and invariably woke me up hours before I wanted to.

Still nothing.

I took a moment to consider how I would approach the visitor’s job.  I would get a plan of the villa in my head, all entrances, where a target could be led to or attacked where there would be no escape.

Coming in the front door.  If I was not expecting anything, I’d just open the door and walk-in.  One shot would be all that was required.

Contract complete.

I sidled quietly up the passage staying close to the wall, edging closer to the front door.  There was an alcove where the shooter could be waiting.  It was an ideal spot to wait.

Crunch.

I stepped on some nutshells.

Not my nutshells.

I felt it before I heard it.  The bullet with my name on it.

And how the shooter missed, from point-blank range, and hit me in the arm, I had no idea.  I fired off two shots before a second shot from the shooter went wide and hit the door with a loud thwack.

I saw a red dot wavering as it honed in on me and I fell to the floor, stretching out, looking up where the origin of the light was coming and pulled the trigger three times, evenly spaced, and a second later I heard the sound of a body falling down the stairs and stopping at the bottom, not very far from me.

Two assassins.

I’d not expected that.

The assassin by the door was dead, a lucky shot on my part.  The second was still breathing.

I checked the body for any weapons and found a second gun and two knives.  Armed to the teeth!

I pulled off the balaclava; a man, early thirties, definitely Italian.  I was expecting a Russian.

I slapped his face, waking him up.  Blood was leaking from several slashes on his face when his head had hit the stairs on the way down.  The awkward angle of his arms and legs told me there were broken bones, probably a lot worse internally.  He was not long for this earth.

“Who employed you?”

He looked at me with dead eyes, a pursed mouth, perhaps a smile.  “Not today my friend.  You have made a very bad enemy.”  He coughed and blood poured out of his mouth.  “There will be more …”

Friends of Bespalov, no doubt.

I would have to leave.  Two unexplainable bodies, I’d have a hard time explaining my way out of this mess.  I dragged the two bodies into the lounge, clearing the passageway just in case someone had heard anything.

Just in case anyone was outside at the time, I sat in the dark, at the foot of the stairs, and tried to breathe normally.  I was trying not to connect dots that led back to Susan, but the coincidence was worrying me.

A half-hour passed and I hadn’t moved.  Deep in thought, I’d forgotten about being shot, unaware that blood was running down my arm and dripping onto the floor.

Until I heard a knock on my front door.

Two thoughts, it was either the police, alerted by the neighbors, or it was the second wave, though why would they be knocking on the door?

I stood, and immediately felt a stabbing pain in my arm.  I took out a handkerchief and turned it into a makeshift tourniquet, then wrapped a kitchen towel around the wound.

If it was the police, this was going to be a difficult situation.  Holding the gun behind my back, I opened the door a fraction and looked out.

No police, just Maria.  I hoped she was not part of the next ‘wave’.

“You left your phone behind on the table.  I thought you might be looking for it.”  She held it out in front of her.

When I didn’t open the door any further, she looked at me quizzically, and then asked, “Is anything wrong?”

I was going to thank her for returning the phone, but I heard her breathe in sharply, and add, breathlessly, “You’re bleeding.”

I looked at my arm and realized it was visible through the door, and not only that, the towel was soaked in blood.

“You need to go away now.”

Should I tell her the truth?  It was probably too late, and if she was any sort of law-abiding citizen she would go straight to the police.

She showed no signs of leaving, just an unnerving curiosity.  “What happened?”

I ran through several explanations, but none seemed plausible.  I went with the truth.  “My past caught up with me.”

“You need someone to fix that before you pass out from blood loss.  It doesn’t look good.”

“I can fix it.  You need to leave.  It is not safe to be here with me.”

The pain in my arm was not getting any better, and the blood was starting to run down my arm again as the tourniquet loosened.  She was right, I needed it fixed sooner rather than later.

I opened the door and let her in.  It was a mistake, a huge mistake, and I would have to deal with the consequences.  Once inside, she turned on the light and saw the pool of blood just inside the door and the trail leading to the lounge.  She followed the trail and turned into the lounge, turned on the light, and no doubt saw the two dead men.

I expected her to scream.  She didn’t.

She gave me a good hard look, perhaps trying to see if I was dangerous.  Killing people wasn’t something you looked the other way about.  She would have to go to the police.

“What happened here?”

“I came home from the cafe and two men were waiting for me.  I used to work for the Government, but no longer.  I suspect these men were here to repay a debt.  I was lucky.”

“Not so much, looking at your arm.”

She came closer and inspected it.

“Sit down.”

She found another towel and wrapped it around the wound, retightening the tourniquet to stem the bleeding.

“Do you have medical supplies?”

I nodded.  “Upstairs.”  I had a medical kit, and on the road, I usually made my own running repairs.  Another old habit I hadn’t quite shaken off yet.

She went upstairs, rummaged, and then came back.  I wondered briefly what she would think of the unmade bed though I was not sure why it might interest her.

She helped me remove my shirt, and then cleaned the wound.  Fortunately, she didn’t have to remove a bullet.  It was a clean wound but it would require stitches.

When she’d finished she said, “Your friend said one day this might happen.”

No prizes for guessing who that friend was, and it didn’t please me that she had involved Maria.

“Alisha?”

“She didn’t tell me her name, but I think she cares a lot about you.  She said trouble has a way of finding you, gave me a phone and said to call her if something like this happened.”

“That was wrong of her to do that.”

“Perhaps, perhaps not.  Will you call her?”

“Yes.  I can’t stay here now.  You should go now.  Hopefully, by the time I leave in the morning, no one will ever know what happened here, especially you.”

She smiled.  “As you say, I was never here.”

…

© Charles Heath 2018-2022

strangerscover9

In a word: Mark

A teacher will mark a test in order to give the student a mark out of 100.  Yes, to mark a test means to ascertain right and wrong answers and score it accordingly, and getting a mark out of 100 could determine a great many different outcomes at school.

Whereas a mark on your clothes could mean you’ve been playing with fire, rolled in the mud or if much older having a salacious affair with an unexplainable lipstick mark on your collar.

A mark is someone that a con man believes will be easily deceived.

A mark is a catch in certain types of football.

You can have an identifying mark on some item of property.

it’s literally the x marks the spot for someone who cannot write, i.e. make your mark

There can be a mark on a rope that indicates the depth of water.

And many, many more…

But not to be confused with marque, which could be the make or model of a particular type of car

Or marc which is the refuse of grapes after being pressed

 

“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

Purchase:

http://tinyurl.com/Amazon-SundayInNewYork

The cinema of my dreams – It all started in Venice – Episode 13

Cecilia changes the subject

…

Being an up-and-coming movie star was not all beer and skittles, as the saying goes.

Juliet gave her a look that I thought was her death stare, annoyed by her arrival at what might have been a critical point in the conversation.

Cecilia saw her and shook her head.  “Oops, I’m intruding.  Sorry.”  She stood

“You’re not,” I said, which earned me a harsh look too, “We’re just having coffee, but you might want something stronger.”

“No, I’d better go.”  She was looking directly at Juliet, putting the onus directly on her.

“Stay.  We’re just having coffee.”

Cecilia waved to a waitress and sat down again.  “Great, I wasn’t looking forward to going back to an empty room.”

For effect, she touched me on my arm, her seat being closer, and I could see what she was doing. 

We opted for more coffee, Cecilia ordered a bottle of champagne, and three glasses, an attempt to smooth the rocky waters.

Juliet was definitely annoyed.  Another death stare in Cecilia’s direction, then, “would I have seen anything you’ve starred in?”

“Me?  I’m not a star, not a big name, just bit parts in series like Midsommer Murders, and Silent Witness.  I get to play dead bodies and murder victims.  My last role was a little better, I got a half dozen lines.  But I’m just one of the hundreds of hopefuls out there.”

“Do you have a day job, then, if parts are so few and far apart?”

Interesting question, Juliet was thinking on her feet.

If she was trying to catch Cecilia out, but she was ahead of Juliet.  “I do.  I’d like to say that it’s being a high-class escort, but they make more money than I’d know what to do with, so I toil away as a supermarket checkout girl.  Gives me the most flexibility regarding time off, and I get to meet so many different people, who become part of my repertoire of characters.  What do you do?”

“Pathology.”

“A doctor.”

“A disgraced doctor that can’t practice medicine.  Perhaps that might be material enough for another of your characters.”

Cecilia had one glass of champagne the moment it came, and then refilled for a second.  She offered it to us, and I nodded, taking half a glass.  Juliet declined.

“Played a hospital patient, a bomb victim, swathed in bloody bandages, been a doctor in the background once, got to spill coffee over another doctor.”

“What is the best part you’ve had?”

 “A fallen nun.”

The best said about that the better, but not before my mind went to places it shouldn’t.  I changed the subject.  “What will you be doing after the festival is over?”

“Going home.  I have an audition for a part in a film about mercenaries, they want me to be a mercenary would you believe?”

Apparently Juliet didn’t think so.

“But I have a spare few days if you want to show me more of Italy.  I’d like to see a little of Tuscany, try some wine.”

Another touch and a smile.

“I thought you were going to Sorrento.”  Not unexpected from Juliet.

“It can wait.  I’ve been thinking of going home, and can take Cecilia to Tuscany, send her on her way, and go visit Larry’s mother at Sorrento “

“And if I take up your tour offer to come with you?”

Cecilia gave me a Juliet look.

“Then I’ll send you a text saying where and when I’ll meet you.”

Change bottle empty, Cecilia gave me one last look, one that would no doubt get a reaction from Juliet, and sauntered away.

Juliet watched her leave, and after she disappeared out of sight, said, “it seems to me she’s more than just a friend.”

“That’s just her, no doubt playing a role.  She asked me if you were a girlfriend, and I said, once maybe, but not now.  Seems she didn’t quite believe me.”

“I think we both know where that ship is headed.”

The rocks, perhaps.  “It’s too soon after Violetta to contemplate anything like that.  But, that doesn’t mean I can’t be friends for now, and see what the future brings.”

“Not much if what you say about this Larry character is true.”

“That said, you might also want to be careful.  Larry’s not averse to using or killing close contacts of only to send a message.  So, if feel unsafe, or he makes an overture, tell me and I’ll pass it on to my minders.”

“If he does, I’ll definitely let you know.”

“Good.  It’s getting later.  We should get back to the hotel.”

© Charles Heath 2022