Inside the old building, it was very quiet and almost cold.

Strange, perhaps, because outside the temperature was bordering on the record hottest day ever, nearly 45 degrees centigrade.

The people who’d built this building nearly a hundred years before must have known how to keep that heat at bay, using sandstone.

Back then, the sandstone would have looked very impressive, but now after many years of being closed off and left abandoned, the outside was stained by modern-day pollutants giving it a black streaky look, and inside layers of dust, easily stirred up as we walked slowly into the main foyer.

It was huge, the roof, ornate, with four huge chandelier lights hanging down, and wood paneling, giving way to a long counter with brass serving cages highlighting its former use; a bank.

In its day it would have conveyed the power and wealth so that its customers could trust the money to. Of course, that was before the global economy, online banking, and a raft of the new and different institutions all vying for that same money.

Then it was a simple choice of a few, now it was a few thousand.

“How many years had this been closed up?” I asked.

“Close to twenty, maybe twenty-five. It was supposed to be pulled down, but someone got it on the heritage list, and that put an end to it. “

Phil was the history nut. He’s spent a month looking into the building, finding construction plans, and correspondence dating back to before and during the construction.

Building methods, he said, that didn’t exist today and were far in advance of anything of its type for the period. It was the reason we were standing in the foyer now.

We were budding civil engineers, and the university had managed to organize a visit, at our own risk. The owner of the building had made sure we’d signed a health and safety waiver before granting access.

And the caretaker only took us as far as the front door. He gave us his cell number to call when we were finished. When we asked him why he didn’t want to come in with us, he didn’t say but it was clear to me he was afraid of something.

But neither of us believed in ghosts.

“You can see aspects of cathedrals in the design,” Phil said. ” You could quite easily turn this space into a church.”

“Or a very large wine cellar.” I brought a thermometer with me, and inside where we were standing it was the ideal temperature to store wine.

Behind the teller cages were four large iron doors to the vaults. They were huge, and once contained a large amount of cash, gold, and whatever else was deemed valuable.

They were all empty now, the shelves and floor had scattered pieces of bank stationery, and in a corner, several cardboard boxes, covered in even more dust.

Behind the vaults were offices, half-height with glass dividers, the desks and chairs still in place, and some with wooden filing cabinets drawers half-open.

Others had benches, and one, set in the corner, very large, and looked like the manager’s office. Unlike the other office which had linoleum tiles, this one had carpet. In a corner was a large mirror backed cabinet, with several half-empty bottles on it.

“Adds a whole new meaning to aged whiskey, don’t you think.” Phil looked at it but didn’t pick it up.

“I wonder why they left it,” I muttered. The place had the feel of having been left in a hurry, not taking everything with them.

I shivered, but it was not from the cold.

We went back to the foyer and the elevator lobby. They were fine examples of the sort of caged elevators that belonged in that time, and which there were very few working examples these days.

The elevators would have a driver, he would pull back an inner and outer door when the car arrived on a floor, and close both again when everyone was aboard.

Both cars were on the ground floor, with the shutter doors closed, and when I tried to open one, I found it had been welded shut. The other car was not sitting level with the floor and the reason for that, the cable that raised and lowered it was broken.

Restoring them would be a huge job and would not be in their original condition due to occupational health and safety issues.

The staircase wound around the elevator cage, going up to the mezzanine floor or down to the basement.

“Up or down?” He asked.

“Where do you want to go first?”

“Down. There’s supposed to be a large vault, probably where the safety deposit boxes are.”

And the restrooms I thought. Not that I was thinking of going.

As we descended the stairs it was like going down into a mine shaft, getting darker, and the rising odor of damp, and mustiness. I suspect it would have been the same back when it was first built being so close to the shoreline of the bay, not more than half a mile away.

The land this building and a number of others in a similar style, was built on was originally a swamp, and it was thought that the seawater still found its way this far inshore. But the foundations were incredibly strong and extensive which was why there’d been no shifting or cracking anywhere in the ten-story structure.

At the bottom, there was a huge arch, with built-in brass caging with two huge gates, both open. It was like the entrance to a mythical Aladdin’s cave.

There was also an indefinable aura coming from the depths of that room. That, and a movement of cold air. Curiously, the air down there was not musty but had a tinge of saltiness to it.

Was there a natural air freshener effect coming from somewhere within that vault.

“Are we going in?”

I checked my torch beam, still very bright. I pointed it into the blackness and after a minute checking, I said, “We’re here, so why not.”

We had to walk down a dozen steps then pass under through the open gates into the room. There was a second set of gates, the same as the first, about thirty feet from the first, and, in between, a number of cubicles where customers collected their boxes.

Beyond the second set of gates was a large circular reinforced safe door high enough for us to walk through.

This cavernous space stretched back quite a distance, and along the walls, rows, and rows of safety deposit boxes, some half hanging out of their housing, and a lot more stacked haphazardly on the floor.

I checked a few but they were all empty.

I shivered again. It felt like there was a presence in the room. I turned to ask Phil, but he wasn’t there. I hadn’t heard him walk away, and there were only two sets of footprints on the floor, his and mine, and both ended where I was standing.

It was as if he had disappeared into thin air.

I called out his name, and it echoed off the walls in the confined space. No answer from him.

I went further into the room, thinking he might have ventured towards the end while my back was turned, but he hadn’t. Nor had he left because there were only footprints coming in, not going out.

I turned to retrace my steps and stopped suddenly. An old man, in clothes that didn’t belong to this era, was standing where Phil had last been.

He was looking at me, but not inclined to talk.

“Hello. I didn’t see you come down.”

Seconds later the figure dissolved in front of me and there was no one but me standing in the room.

“Joe.”

Phil, from behind me. I turned and there he was large as life.

“Where were you?”

“I’ve been here all the time. Who were you just talking to?”

“There was an old man, standing just over there,” I said pointing to somewhere between Phil and the entrance.

“I didn’t see anyone. Are you sure you’re not having me on?”

“No. He’s right behind you.” The old man had reappeared.

Phil shook his head, believing I was trying to fool him.

That changed when the man touched his shoulder, and Phil shrieked.

And almost ran out of the room. It took a few minutes for him to catch his breath and steady the palpitating heart.

“Are you real?” I asked, not quite sure what to say.

“To me, I am. To anyone else, let’s just say you are the first not got faint, or run away.”

“Are you a ghost?” Phil wasn’t exactly sure what he was saying.

“Apparently I am and will be until you find out who killed me “

Ok, so what was it called, stuck in the afterlife or limbo until closure?

“When?”

“25 years ago, just before the bank closed. It’s the reason why it’s empty now.”

“And you’re saying we find the killer and you get to leave?”

“Exactly. Now shoo. Go and find him.”

We looked at each other in surprise, or more like shock, then back to the man. Only he was no longer there.

“What the…” Phil sail. “It’s time to go.”

“What about the man and finding his killer?”

“What man? We saw nothing. We’re done here.”

I shrugged. Phil turned to leave, but only managed to take three steps before the gates at the entrance closed with a loud clang.

When he crossed the room to stand in front, he tried pulling them open.

“Locked,” he said. Flat, and without panic, he added, “I guess it looks like we have a murder to solve.”

© Charles Heath 2019-202

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a setup.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman to pique his interest.  Then, inexplicably, she disappears.  That might have been the end to it, but Prendergast, that shadowy enigma, David’s ex-boss who loves playing games with real people, gives him an ultimatum, find her or come back to work.

Nothing like an offer that’s a double-edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

…

The book can be purchased here:  http://amzn.to/2Eryfth

…

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.