To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

It is a day of rest although writers are ready and able to work on any given day at any hour of the day or night when an idea or thought comes to them.

I’m trying not to think, but that’s not working.

I’ve been going over the reasons for writing the first draft of the book 30 odd years ago and it had something to do with the fact I was working with personal computers and local area networking when both were in their infancy, and I wanted to blend this knowledge into a story.

Of course, I’d always wanted to write thrillers, and this presented the opportunity to use computers as a basis for a worldwide conspiracy.  How easy it is these days to do just that, but back in those days, it was a lot of hard work.

I remember sitting in a meeting when the company I was working for at the time had just implemented a network and personal computer to replace the mainframe and dumb terminals, also looking to leverage the new technologies of spreadsheets and word-processing, effectively making accounts staff more productive, and removing typists and moving into the world of centralized word processing.  It was not a new idea with Wangwriter, but using PC’s was.

One of the departmental managers got up to give his take on the new technology, this about six months after implementation, and after a lot of teething troubles caused mainly by people who were vehemently resisting change, and his message was, it should not be called ‘networking’, but ‘not working’, in reference to the number of times the network went down.

But this is a digression.  Computers are only a part of the story.

The story also goes back to a time when there was a clear demarcation between the management levels.  Management offices were oasis’s whereas the staff worked in a stark desert-like environment.  When one came to work for such an organization, it was with the belief that you start at the bottom, and over time, you work your way up the ladder.  There was, very definitely, class distinction, and the various management levels never mixed, at work or socially, except within their own level.

There were Managers, Assistant Managers, and Manager’s Assistants, a typing pool, a secretary, that young, or old, lady who did so many jobs for their boss, that these days it would be considered demeaning.  They were dedicated to their jobs and irreplaceable.  There was no such person as a Personal Assistant.

Nor was such a thing as sexual harassment.  One company I worked in where one of the Assistant Managers was sexually abusing an office girl, her complaints didn’t get a prosecution as it would now, it just had him transferred to another branch.  Reprehensible, yes, and thankfully no longer a problem, except of course, in Fifty Shades of Grey which apparently condones such behavior.

There were department heads, General Managers, and Board Members.  The upper management level and participants were in a world of their own, one few could ever aspire to.  This is the world in which Transworld, my fictitious (but based on a very real) company lives.

I have to work on my company structure to make sure it is right.

Now I have two charts.  A timeline, for both Bill, and the story, and a hierarchy for the office management and staff.

This is beginning to be more complicated than I thought.

© Charles Heath 2016-2020