“The Devil You Don’t”, she was the girl you would not take home to your mother!

Now only $0.99 at https://amzn.to/2Xyh1ow

John Pennington’s life is in the doldrums. Looking for new opportunities, and prevaricating about getting married, the only joy on the horizon was an upcoming visit to his grandmother in Sorrento, Italy.

Suddenly he is left at the check-in counter with a message on his phone telling him the marriage is off, and the relationship is over.

If only he hadn’t promised a friend he would do a favour for him in Rome.

At the first stop, Geneva, he has a chance encounter with Zoe, an intriguing woman who captures his imagination from the moment she boards the Savoire, and his life ventures into uncharted territory in more ways than one.

That ‘favour’ for his friend suddenly becomes a life-changing event, and when Zoe, the woman who he knows is too good to be true, reappears, danger and death follow.

Shot at, lied to, seduced, and drawn into a world where nothing is what it seems, John is dragged into an adrenaline-charged undertaking, where he may have been wiser to stay with the ‘devil you know’ rather than opt for the ‘devil you don’t’.

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“Trouble in Store” – Short stories my way: Setting the scene

I used to like writing short stories, somewhere between two and five thousand words, but, in the end, it was too much hard work.

No chance of getting into stride with a location description, no real chance of giving a background to a character, it was simply a case of diving straight in.

But …

I’ve been thinking about writing a short story, starting it with a short succinct sentence that will set the tone.

Something like:  “Jack was staring down the barrel of a gun”

What then?

Should he start analyzing what sort of gun it was, did it have a light trigger, was the person holding it shaking, a man or a woman, or a child?

Location, in a house, a disused factory, a shop, a petrol station, the side of the road.

So, where was Jack?

Something like:  “He had gone down to the corner shop to get a pack of cigarettes.”

For himself or someone else?  Is it day, is it night, or somewhere in between?

Something like:  “He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp, and came through the door, the sound of the bell ringing loudly and the door bashed into it.”

So, Jack’s state of mind, he is in a hurry, careless coming through the door, not expecting anything out of the ordinary.

How would you react when you saw a gun, pointed at Alphonse until the sound of the door warning bell attracted the gunman’s attention?

Is it a gunman?

Something like:  “It took a second, perhaps three, to sum up the situation.  Young girl, about 16 or 17, scared, looking sideways at a man on the ground, Alphonse, and then Jack.  A Luger, German, a relic of WW2, perhaps her father’s souvenir, now pointing at him.”

The punch line:  Cigarettes can kill in more ways than one.

The revelation:  The corner store also supplied the local drug addicts.

The revised start is now:

Jack was staring down the barrel of a gun.

He had gone down to the corner shop to get a pack of cigarettes.

He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp.  His momentum propelled him through the door, causing the customer warning bell to ring loudly as the door bashed into it, and before the sound had died away, he knew he was in trouble.

It took a second, perhaps three, to sum up the situation. 

Young girl, about 16 or 17, scared, looking sideways at a man on the ground, then Alphonse, and then Jack.  He recognized the gun, a Luger, German, relic of WW2, perhaps her father’s souvenir, now pointing at him then Alphonse, then back to him.

Jack to another second or two to consider if he could disarm her.  No, the distance was too great.  He put his hands out where she could see them.  No sudden movements, try to remain calm, his heart rate up to the point of cardiac arrest.

Pointing with the gun, she said, “Come in, close the door, and move towards the counter.”

Everything but her hand steady as a rock.  The only telltale sign of stress, the bead of perspiration on her brow.  It was 40 degrees Fahrenheit in the shop.

Jack shivered and then did as he was told.  She was in an unpredictable category.

“What’s wrong with your friend?”  Jack tried the friendly approach, as he took several slow steps sideways towards the counter.

The shopkeeper, Alphonse, seemed calmer than usual, or the exact opposite spoke instead, “I suspect he’s an addict, looking for a score.  At the end of his tether, my guess, and came to the wrong place.” 

Wrong time, wrong place, in more ways than one Jack thought, now realizing he had walked into a very dangerous situation.  She didn’t look like a user.  The boy on the ground, he did, and he looked like he was going through the beginnings of withdrawal.

 “Simmo said you sell shit.  You wanna live, ante up.”  She was glaring at Alphonse. 

The language was not her own, she had been to a better class of school, a good girl going through a bad boy phase.

Nest time, point of view.

© Charles Heath 2016-2021

The first attempt is exactly that, a first draft

That’s what it feels like after you’ve put words on paper.

The story is there waiting to be written, I know where it’s coming from, and I know where I want it to go, but the words are not working.

I read it once, yuk, I read it twice, and it’s begging me to press the delete button.

Now!

This is how it looks:

My life was going nowhere.  If I took a step back and took a good, long, hard look at it, what could I say was the one defining moment?

There was no defining moment.

I’d bounced around schools till the day I decided I was not cut out to learn anything more, or perhaps the teachers had given up trying to impart knowledge.  Whatever the reason, I dropped out of college and drifted.  Seasonal labourer, farmhand, factory worker, night watchman.

At least now I had a uniform and looked like I’d made something of myself.

Until I went home.

My parents were distinctly disappointed I was not married with children.

My overachieving brother always said I was a loser, and would never make anything of myself.

My ultra-successful sister, married into a very wealthy family, had the regulation 2.4 children and lived in the lap of luxury, mostly pretended I didn’t exist, didn’t invite me to the wedding, and I had yet to meet the husband and children.  I guess she was ashamed of me.

This year I was avoiding going home.

This year I volunteered to work during the holidays.

Yep, time to walk away and do something entirely different, like wrapping Christmas presents, my second favourite job to mowing the lawn.  Maybe if I contrive an accident with the lawnmower …

Back in front of the page, some hours later, an idea pops into my head.  The story continues:

It was 3 a.m. and it was like standing on the exact epicentre of the South Pole.  I’d just stepped from the warehouse into the car park.

The car was covered in snow.  The weather was clear now, but more snow was coming.

A white Christmas?  That’s all I needed.  I hoped I remembered to put the antifreeze in my radiator this time.

As I approached my car, the light went on in an SUV parked next to my car.  The door opened and what looked to be a woman was getting out of the car.

“Graham?”

It was a voice I was familiar with, though I hadn’t heard it for a long time.

My ultra-successful sister, Penelope.  She was leaning against her car door, and from what I could see, she didn’t look too well.

“What do you want?”

“Help.”

My help, I was the last person to help her or anyone for that matter.  But curiosity got the better of me.  “Why?”

“Because my husband is trying to kill me.”

With that said, she slid down the side of the car, and I could see, in the arc lamps lighting the car park, a trail of blood.

To be honest, it needs some more thought.  It’s got the makings of a story, but the MC shouldn’t come across as a hopeless case, he just needs to be, in part, a victim of circumstances, some of which he has to own.

But, as they say, anything on paper is better than nothing on paper.  Tomorrow, or the next day, I will edit and rewrite and see what happens.

Stay tuned.

© Charles Heath 2020-2023

The cinema of my dreams – I always wanted to write a war story – Episode 12

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination in what happened during the second worlds war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

 

I had walked quite fast in my attempt to distance myself from our pursuers if they were, in fact, chasing me.  In doing so I had tried to make my escape as quiet as possible.

Now, between Jack and I, hiding in the undergrowth, the only noise I could hear was our laboured breathing, and mine in particular.  I hadn’t been expecting to be doing this sort of exercise when I signed on for the job.

Now, I think, exercise was going to become a priority.

If I made it back alive.

A crack and I saw Jack go very still, ears cocked, and looking in what was the direction of the sound.  He’d know, better than me, where the noise came from.

Another minute before I could hear muffled voices, then as if they had stepped into a room, I could hear them.

“So, you’re telling me you let him hit you?”

“I had to, for the sake of making it look good.  I was told he was no fool.” 

The voice of the man who had orchestrated my departure.  I shook my head, very disappointed in myself for not seeing through what could have been a very cunning plan.  It also explained why they hadn’t summarily shot me.  I could see Jackerby gloating over the cleverness of his plan.

So perhaps for a few moments there, I was a fool.  Not anymore.

“What do we do if we find him?”

“We’re not supposed to find him, remember.  You were at the same meeting, or was that your ghost I saw with me?”

“Observe and report back.”

“Exactly.”

The voices were very close, and I could hear their boots of the rocky path until they stopped.

“Which way?”

The voice sounded very close, in fact, I thought they were just on the other side of the undergrowth, but that couldn’t be right, I could see through it in places, and no one was standing on the other side.

Sound must travel very good in this part of the forest.

“Follow the main river.  He won’t be looking to deviate from his objective, which by now would be to find the other members of the resistance and organise his departure.”

“And leave alone what he saw?”

“There isn’t much he could do about it.  By the time he’s reported back to London, we will have found the underground members and eliminated any threat.”

“Aha, so he’s leading us to the resistance?”

“That’s the plan.”

“And it was your idea?”

“I do have my moments, thank you.  Now, let’s get on, or he’ll get too much of a start on us, and I don’t want to be the one to explain how we lost him to Jackerby in particular.”

A minute passed, then two before I heard the sound of boots receding.  Johansson, or maybe Jackerby, had correctly guessed I might know where the other resistance members were, and, after escaping, go straight to them.

Pity, I was going to disappoint them.

 

© Charles Heath 2019

Mistaken Identity – The Editor’s Draft – Day 5

I have been working on the story, the editor is asking for a second draft after making suggested changes – and I’m now working on it

What would you do if you were mistaken for someone else?

What if when you answer a knock on the door to your hotel room, and the police crash their way in with bullets flying everywhere in a show of unnecessary force.

Of course, the police don’t know you are not the criminal, and facing a possible disaster, do what they have to, to apprehend the man they believe is a murderer.

Our main character now has time to contemplate the ramifications of what just happened in hospital. So much for attending the conference.

Of course, he has other things to think about, the self confessed gate crasher Maryanne. The old adage, if something is too good to be true, it generally is.

Looking forward, there’s some plotting to do.

How can it be possible that our main character has a doppelganger? At the moment it’s just a case of someone who looks like him, and the police have ruled him out as the man they’re looking for.

It’s a story that’s going to play out in a few chapter’s time.

Today’s effort amounts to 1,871 words, for a total, so far, of 13,616.

More tomorrow.

Searching for locations: – Lake Louise, Canada, ice, snow, and cold

The Fairmont at Lake Louise, in Canada, is noted for its ice castle in winter.  This has been created by the ice sculptor, Lee Ross since 2007, using about 150 blocks of ice, each weighing roughly 300 pounds.

When I first saw it, from a distance, looked like it was made out of plastic  It’s not.  Venturing out into the very, very cold, a close inspection showed it was made of ice.


And, it’s not likely to melt in a hurry given the temperature when I went down to look at it was hovering around minus 10 degrees Fahrenheit.


And that was the warmest part of the day.

I’ve got words on paper, but

They’re not exactly Nobel prize-winning prose.

Well, not yet.

I guess the point is that I have at least crystallised my thoughts on paper so that I can do something with them.  After all, anything is better than nothing, isn’t it?

Sometimes I wonder.  I look back on a lot of the stuff I wrote forty or fifty years ago and it looks bad.  The thing is, then, I thought it was great, and that I was destined to do great things with the written word.

Pity, all this time later, I’ve turned into a self-critical monster, where it seems nothing I write is any good.

So, does that mean we need to be less critical of our work?  After all, through the years, when I’ve shared novels and short stories with others, they have all universally said they’re quite good.

So…

It’s time to go back to the previous day’s work and rework it.  Yes, the idea that I wanted to write about is where I wanted the story to go, it’s just the execution.

The problem is, since then a few other ideas have been running around in the back of my head, and these could be added or used to further the current plotline.

The other problem is, it is one of the six stories that I’m writing by the seat of my pants, you know, the way some pilots like to fly a plane, without all that computer backup.  Similarly, this is the way I sometimes like to write.

It’s as much a surprise to me is it is to the reader.

There’s good arguments for having planned the story from start to finish, but with these, I like to write it and see where it takes me.  They’re episodic, so sometimes I get to write three of four episodes at a time, and these would most likely in a book become a chapter.

Last night I wrote two episodes, but it seems that it might need pointers back in previous episodes, because we all like to leave a trail of crumbs for the reader so when they get to the denouement, they remember, ah yes, back in chapter two such and such happened, but why am I only remembering it now?

Ok, enough convincing myself I’m a good writer, it’s time to get back to work…

The cinema of my dreams – I never wanted to go to Africa – Episode 37

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in, and because of it, he has now been roped into what might be called a suicide mission.

 

An hour later we were stopped by the side of the road, at a point where another road, or, rather, a track headed to the left into the forest.

A short distance before that I noticed a sign, battered and faded, advertising an airport, a sign I thought had been put there as a joke.

Of course, when I remembered the conversation I had with Monroe back on the plane and the fact we had a specialist pilot in our group, it all began to make sense.

Our exit strategy.

I only wished I had internet coverage so I could check the presence of an airport in what looked to be the middle of nowhere.

Only Davies seemed unperturbed.

I had to ask.  “Did you know there was an airport here?”

“Of one, used by fly-ins for the Garamba National Park.  Not much of an airstrip though, and we don’t exactly have up to the minute details on its surface, but as recently as a week ago a small plane had landed there.”

“Thanks for telling me.”

“All you had to do was ask the right question.”

It seems I didn’t know what the right questions were, what might be called an occupational hazard on a job like this.

Everyone had got out of their cars to stretch their legs and prepare for the next phase of the operation, which was to meet with the kidnappers.  I expected Jacobi would be on the sat phone talking to their leader, advising we had arrived.

I went back to Mobley, standing with the Ugandan soldier that had been assigned as his driver, smoking a cigarette.  I was surprised he hadn’t joined the others who had gathered ahead of the lead vehicle.

“Nice shooting back there,” I said.  It was for a man under pressure to make the shots, and give the rest of us a chance to take care of the others.  That no one else got shot was a miracle.

“Just another day at the office.”

“Well, it hasn’t ended yet.  I want you to go to the airstrip and get it under surveillance.  There is supposed to be an aircraft there, whether for our use or just there so we can steal it I’m not quite sure.  But if there’s a plane there, I want you to make sure it doesn’t leave, but as quietly as possible.  We should be along later with the packages.  I’m going up to tell the Colonel he’ll be joining you.  He might not want to, but he’s done enough for us.  I don’t want him to make enemies unnecessarily.”

“As you wish.  I’ll be along shortly.”

“Good.  Make sure your radio is working and on.  I need to know if anything goes sideways.”

“It won’t.”

I wish I had his confidence.

A minute later I reached the front of the convoy and saw why there seemed little animation among the group.  Monroe had Jacobi on his knees and a gun on the back of his neck.

“This is an interesting development Lieutenant.  Is there a problem I should know about?”

“I reckon the weasel sold us out back there.  Maybe even called them in to shake us down for one reason or another.  Didn’t try too hard to negotiate with the commander.”

No, he hadn’t.  And the thought had crossed my mind too.  A bit of cash on the side, split with the commander.  There didn’t seem to be any intent of the commander’s part to shoot us, so it was a pity we had to kill them all.  If they were part of the kidnapper’s operations, things might get a little dangerous.

“Before you kill him,” I said, “Did he tell you how the call to the kidnappers went?”

“Didn’t ask.”

“Perhaps you should.”

Mobley picked that moment to drive up alongside Jacobi and the Lieutenant.

“Problem?” he asked through the window.

“No.  We’re practicing our run at the kidnappers.”

He shrugged.  I looked over at the Colonel.  “Time for you to be moving on.  You don’t need to be in on the next part, for plausible deniability.  I suspect if the leader of this group sees you, and makes any connection back to the Ugandans, it could cause trouble.”

“Nothing I couldn’t handle.”

“Better if you didn’t have to.  My man needs help at the airstrip and a man of your authority might just smooth over problems if he needs it.”

“You’re having a plane sent in?”

“I’d like to think so, might even get you home in time for a late supper.”  I glared at Jacobi.  “How does he get to the airstrip?”

“Normally, through the town, but there’s a track about 200 yards up the road.  Go left, follow the road, then turn right at the first fork.”

He stood staring at the ground for a minute, hopefully considering doing as I asked.  I was not sure what I was going to do if he didn’t.  It was preferable he didn’t come with us.

“OK.  You have a point.  No need stirring up my Congo friends any more than I already have.”

He went over to Mobley’s car and got in, replacing the Ugandan soldier as a driver.

“See you when we see you,” Mobley said, and the Colonel drove off after a wave.

Back to my other problem.

“You’ve had time to think about your answer, Jacobi, so tell us.”

“An eight-mile drive along the next track, then instead of taking the fork to the airstrip, go left, and drive to you reach the checkpoint.”

“The meeting is on.”

“They’re waiting for us.”

“In more ways than one, I’d say,” Monroe muttered.  “He’s outlived his usefulness in my book.”

Ordinarily, I would agree with her, but we still needed him.  There might have been an initial negotiation, but it was far from what the end deal would be, and he had to be there to complete it.  And if he was leading us into a trap, well, we’d just have to wait and see.

“We still need him, so ease up on the aggression.  If he has double-crossed us, you can shoot him.  Until then, play nice.  But, just as a precaution, you and Stark can bring up the rear, stop about a mile short, and do some recon between there and the checkpoint.  If anyone is thinking of sneaking up behind us, I want to know about it.”

Monroe shook her head, then eased the gun away from him.  A nod to me.

“He can go with you in the lead car.  Davies can come with me and keep driving the car.  They’ll be expecting four vehicles.”

“Fair enough.”  I turned to Baines, the first time I’d addressed him since getting on the plane at the black site.  “You wouldn’t happen to know if there’s a portable rocket launcher among that film equipment, would you?”

“And half a dozen shells.  Don’t know how they managed it, but it’s there.”

“Easy to get at?”

“If need be.”

“Good.”  I looked around at the rest of the team.  “Everyone had time to calm their nerves.”

I’d watched Jacobi drag himself to his feet and try to brush the dust of his clothes.  It didn’t help restore what was once quite clean and crisp linen.  No one helped him, in fact, if I gave the order to shoot, all of them would.  Monroe’s accusation struck a chord with the others.

“We’d better get going,” she said, heading for the last vehicle after being joined by Davies.  Out of earshot, she said something to her, and I heard them laughing.

I was not sure what it was about, but as long as it eased the tension in her.  She had discovered which car was carrying the diamonds, co-incidentally the car I’d been driving, so we needed a situation so that we could remove the diamonds from the equation when we arrived at the checkpoint.  There was no way the kidnappers were going to let us retrieve the package once we got there, and I had no doubt we would be separated from the cars, and the equipment, so that, if possible, the kidnappers could gain the upper hand.

Or that was how I suspected it would go down.  It was only a matter of time before I was proved right or wrong.

Everyone else got back into the cars, and with Jacobi sitting in the front with me, I started moving forward.

I wasn’t prepared, not mentally anyway.  I never was when going into battle.

 

© Charles Heath 2019-2020

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

PIWalthJones1

Searching for locations: Vancouver to Kamloops, Canada

This morning started with a visit to the car rental place in Vancouver.  It reinforced the notion that you can be given the address and still not find the place.  It happened in Washington where it was hiding in the back of the main railway station, and it happened again in Vancouver when it was hidden inside a hotel.

We simply walked straight past it.  Pity there wasn’t a sign to let people know.

However…

We went in expecting a Grand Jeep Cherokee and walked out with a Ford Flex, suitable for three people and four large suitcases.  It actually seats 7, but forget the baggage, you’d be lucky to get two large suitcases in that configuration.

It is more than adequate for our requirements.

Things to note, it was delivered with just over a quarter of a tank of gas, and it had only done about 11,000 km, so it’s relatively new.  It’s reasonably spacious, and when the extra seats are folded down, there is plenty of baggage space.

So far, so good.

We finally leave the hotel about half-past ten, and it is raining.  It is a simple task to get on Highway 1, the TransCanada Highway, initially, and then onto Highway 5, the Coquihalla highway for the trip to Kamloops.

It rains all the way to the top of the mountain, progress hampered from time to time by water sprays from both vehicles and trucks.  The rain is relentless.  At the top of the mountain, the rain turns into snow and the road surface to slush.  It’s 0 degrees, but being the afternoon, I was not expecting it to turn to ice very quickly.

On the other side of the mountain, closer to Kamloops, there was sleet, then rain, then nothing, the last 100kms or so, in reasonably dry conditions.

Outside Kamloops, and in the town itself, there was evidence of snow recently cleared, and slushy roads.  Cars in various places were covered in snow, indicating the most recent falls had been the night before.

We’re staying at the Park Hotel, a heritage building, apparently built in the later 1920s.  In the style of the time, it is a little like a rabbit warren with passages turning off in a number of directions, and showing it is spread across a number of different buildings.

It has the original Otis elevator that can take a maximum of four passengers, and a sign on the wall that says “no horseplay inside the elevator” which is a rather interesting expression that only someone of my vintage would understand.  And, for those without a sense of humor, you definitely couldn’t fit a horse in it to play with.

The thing is, how do you find a balance between keeping the old world charm with modern day expectations.  You can’t.  Some hotels try valiantly to get that balance.  Here, it is simply old world charm, which I guess we should be grateful for because sooner rather than later it’s going to disappear forever.

In my writer’s mind, given the importance of the railways, this was probably a thriving place for travelers and once upon a time, there were a lot more hotels like this one.