The fourth attempt, let’s look at the location

Equally important is the location.  Dark and brooding characters need dark and brooding locations.  It’s undeniable that there’s evil everywhere, we just have to look for it.

Of course, that’s not what I do, but …

I have been in a few tight corners, with some possibly dark and brooding characters where my heart rate has increased exponentially, and was saved by quick thinking, and a desire not to hang around and see what happens (for the purposes of a writable experience – no,, I’m not that stupid).

As the story stands, we move from a small staff room or restroom, and then we move out to the car park of … what?  It’s not exactly clear where it is, only that Graham is leaving work to go home.

Whether it’s clear or not, Graham is a security guard, part of a team that works on an industrial estate where there’s a number of factories and office blocks. 

Some of those buildings are empty, for a variety of reasons, so a back story for this might be created so that I can convey a clearer picture of not only the bricks and mortar but what it’s like there.

Ergo the first descriptive line, stepping outside into the epicenter of the south pole.  There is snow everywhere, which meant it was falling while he was inside at work, but now, the moment he leaves, it’s stopped.  Cold, then, and clear.

So it begins…

Now, as a secondary theme, it might not be obvious the owners are lax in the hiring of security staff to watch over their assets, staff that are relatively dubious in character, which might, in turn, mean that the notion of using cut-price security might mean something else is going on.

Are the empty factories empty?  Or have they been repurposed, and the guards are not sure what they’re guarding?  Do they want to know?  A job is a job, and in this situation, either from a hint from the employer, or the words of an old hand, and it doesn’t pay to poke a nose in where it’s not wanted.

So, as you can see, when starting the story I didn’t give proper thought to the background story, the fact that I could weave another or several storylines intertwined with what will be the master plotline.

What is the master plotline?

I have an idea or two, but let’s not get to ahead of ourselves.

Let’s stitch together a scenario or two for the back story and see where it takes us.  Remember that this was more or less part of the storyline originally in my mind but may not have been articulated in what I wrote at the time.

Basically, then, we’re dealing with a large industrial site on the outskirts of a city in decline.  Everyone can relate to the problematic times we’re in now, but this was written at the height of the last global financial meltdown about fifteen years ago, which caused a deep recession.

Within that framework, a lot of businesses and people went to the wall.  Graham, and others, lost a decent paying job, as well as his house, having finally got on the property ladder, only to find he couldn’t pay for it.

At the time he was not alone in that respect.  And lenders were not immune either, so there’s the possibility of one or two industrial park owners not exactly being legit in some of their business dealings, not after taking heavy hits financially.

In that scenario, there’s always the possibility of insurance fraud as a means of cutting losses, hence the need for security that might be asked to look the other way.

Another possibility could be that empty buildings and enterprising men, or women, fit the category of ‘the devil finds work for idle hands’. 

Or someone who recognizes an opportunity to make some money.  That particular scenario opens the door to a plethora of ideas.

© Charles Heath 2021

The cinema of my dreams – I always wanted to write a war story – Episode 16

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination in what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

The message I sent to Forster, in London, was short and to the point,

‘Castle in hands of Germans led by Thompson, others, and a further 12 soldiers parachuted in.  Defectors, our original soldiers? and villagers held captive in dungeons.  Resistance is limited to five plus self.  Available resources cannot retake the castle and will have difficulty in intercepting incoming package.  Suggestions?’

Marina read it and added her name before it was sent.  Now, all we could do was wait for a reply, though I was not sure what Forster would make of my request for suggestions.  I was supposed to make decisions in the field, but that was when we had a full complement of resistance fighters.  What I’d discovered was the worst-case scenario, and everyone in London was hoping that would not be the case.

I wondered what happened to the two men who had been following me, hoping I would lead them to what were now the remaining resistance members.

“Did you see the two men from the castle that had been following me?  I told the two who had captured me, a man and a woman, though the man emphatically denied he worked for the resistance, about them before the woman shot me with a tranquillizer gun.”

Martina looked puzzled.  It was obvious the two hadn’t mentioned anything about my situation to her.

“That did not come up in the debriefing.  The man is, in fact, a farmer, Leonardo, who doesn’t advertise his involvement, and only works with us if we need him.  Chiara tends to shoot first and ask questions later.  You were lucky her gun wasn’t loaded with bullets.  What is this story of yours, then?”

“One of the guards released me from my cell, and then set me free with the intention of following, not too close, to see if I led them to you.  I was hiding from them when they passed by, shortly before you people turned up.  They would have had to see them if they came from the village.”

The implications of what I just said only dawned on me after I said it.

“That might mean…” I said.

She put her hand up, not wanting me to continue.

“It doesn’t necessarily mean anything, but I will have to talk to them.  If anything, they would have avoided them or ignored them.  We don’t use that track from the village to the castle for the simple reason we might run into any of them.  Whether they were originally our allies, or not, we never trusted them.”

“Did they bring me here?”

“No.  We have a separate meeting point for intercepts like yourself and the defectors.  Then, if we think it’s safe to do so, we bring them here.  Only three of us know about this place, and two of us are here now.”

“The third?”

“You’ll meet him later when he brings some food and wine.  His name is Carlo.  He used to be a gardener at the castle, and his mother was the cook.  The Germans killed her the first time they were here, and now he hates Germans.”

Good for us, very bad for anyone at the castle, particularly if they are German.

“Pity we didn’t know about that earlier so we could organise a trap for them  We could do with two fewer adversaries, and quite possibly we might get some information out of them.  They might be still in the village.”

She stood, put on her coat, and put a gun in the coat pocket where she could easily reach it.  “I’m going to have a word with Chiara, and warn Carlo that you’re here.  He’s a little trigger happy too.  Nothing much is going to happen until we hear back from the Colonel.  I suggest you get some rest, we have a few long days ahead.”

Carlo was a surprise.  Six foot ten, over 250 pounds, and carrying a sten gun over his shoulder, not a man to become an enemy of.  He came into the room without warning, and it was clear he was expecting to see me, and equally that I might be the enemy.

It was clear that he knew how to use the weapon, and had it ready in case he had to use it.

“You this Anderson character?”

He was more English than Italian, but could certainly pass for an Italian.

“I am.”

“From up yon castle?”

“Escaped?”

“How?”

“The lower level, where there are a few storerooms turned into cells.  The passage ran alongside the outer wall to a room that had a door to the outside.  Not one you’d easily pick.”

“Neat the communications room?”

“Probably above there.”

“You know the castle?”

“A little.  I used to be an archaeologist before this war came along, and had been to the castle before the war.  I’m familiar with the above-ground parts, but not so much below.  You were, I was told, a gardener?”

“Once.”

“Then you’d know your way around?”

“Possibly.  Why?”

“Because at some point we’re going to have to retake the place, and it would be good to have someone who knows their way around.  At least, better than I do.”

“Taking prisoners?”

“No.    We will be assuming anyone there who’s not a prisoner is hostile.”

“Good.  Count me in.”

He dropped a basket he’d brought with him on the table in the corner.  “Dinner.”  Marina will be back shortly.

“You’re not staying?”

“Guard duty.  So you can eat in peace.”

With that, he was gone.  A large man, but a very quiet one.  I didn’t hear him arrive, and it was very nearly the same when he left.  A useful man in a fight indeed.

© Charles Heath 2019-2022

Mistaken Identity – The Editor’s Draft – Day 9

I have been working on the story, the editor is asking for a second draft after making suggested changes – and I’m now working on it

Today Jack is about to become as confused as he ever will be. Well, maybe not as ever, but it’s the start of a time when he will not know what is happening.

Firstly, there’s Maryanne. Whilst the full extent of the enigma she will be for nearly three-quarters of the book, may need a little adjustment when it comes to the first edit, I know something about her now, and those characteristics will gradually be dropped in front of the reader.

Some will say, after this chapter, that she is in trouble. Jack has known that from the start, but that assessment really comes from a distinct lack of understanding of women in general. Yes, he had had girlfriends, but not like Maryanne.

And, before you asked, yes, she is, in part, modelled on a woman I once knew, and she was nothing like any other woman I had known. She was genuinely a beautiful soul, and very much misunderstood.

Jack is fortunate in that he is hesitant to take that last step, though I suspect he might want to, but there are reasons for holding back.

These will be more apparent in the next chapter … I hope.

It’s written in my head, and I’m tempted to stay up and write it, but it’s late, and life other than being a writer will impinge on my time tomorrow.

Today’s effort amounts to 2,018 words, for a total, so far, of 22,612.

More tomorrow.

Searching for locations: O’Reilly’s Vineyard, Canungra, Queensland, Australia

O’Reilly’s Canungra Valley Vineyards located on Lamington National Park Road, Canungra, Queensland, is a 15-acre vineyard with the 163-year-old historic homestead ‘Killowen’ set up with dining rooms and long verandahs, and extensive grounds that are next to the Canungra creek where it is possible to find Platypus and turtles while partaking in a picnic.

There are about 6,000 vines of the (white) Semillon, Verdelho and (red) Chambourcin, Shiraz and Petit Vedot varieties.

We visited there in December when the vines were just starting to produce fruit. 

That fruit is usually harvested in February and then turned into wine.
The setting for picnics is, on a warm Summer’s day is idyllic, where you can wade in the creek, or go looking for a platypus.  We did not see one there the day we visited but did spend some time sitting beside the creek.

Do you do any armchair travelling?

Once upon a time…

It was impossible to travel to any destination you would like to go to in the world.

Except perhaps if you had a travel guide, a book about a particular place, or watch a geographical documentary, which was limited to one person’s point of view.

Now, with the internet, it’s possible to go anywhere, read up on any place, and even see what it looks like.

I have been along many a street in several towns or cities, over 12,000 miles away, as if I was actually there.

I can construct a path from one part of a city to another, and know exactly what there will be along the way.

The thing is, I can be thoroughly at home in a place I’ve never been to, and this is invaluable for writers.

And travellers.

I can’t tell you how many times I’ve researched my way around a city long before I got there, and then know exactly where to go and what to do, even how much it costs.

It’s why I’ve never been lost in New York, London, Paris, or any of the cities, and it was particularly invaluable in Philadelphia when we only had an afternoon to see the sights.

Now, whenever I have a part of a story to write, I hit the internet.

In a story I’m currently writing, I’m flying from Djoubuti to an airstrip in Northern Uganda, where I’ll be leading a team along a river that is the defacto border between Uganda and the Democratic Republic of the Congo, to a possible plantation that was once an airfield.

Or that might change, but in this particular case, I know exactly what the terrain is like where the river is navigable, where I need to go and how long it will take.

Certain you would have to agree that’s better than having to go there in person and run the risk of being killed or worse.

An excerpt from “Echoes from the Past”

Available on Amazon Kindle here:  https://amzn.to/2CYKxu4

With my attention elsewhere, I walked into a man who was hurrying in the opposite direction.  He was a big man with a scar running down the left side of his face from eye socket to mouth, and who was also wearing a black shirt with a red tie.

That was all I remembered as my heart almost stopped.

He apologized as he stepped to one side, the same way I stepped, as I also muttered an apology.

I kept my eyes down.  He was not the sort of man I wanted to recognize later in a lineup.  I stepped to the other side and so did he.  It was one of those situations.  Finally getting out of sync, he kept going in his direction, and I towards the bus, which was now pulling away from the curb.

Getting my breath back, I just stood riveted to the spot watching it join the traffic.  I looked back over my shoulder, but the man I’d run into had gone.  I shrugged and looked at my watch.  It would be a few minutes before the next bus arrived.

Wait, or walk?  I could also go by subway, but it was a long walk to the station.  What the hell, I needed the exercise.

At the first intersection, the ‘Walk’ sign had just flashed to ‘Don’t Walk’.  I thought I’d save a few minutes by not waiting for the next green light.  As I stepped onto the road, I heard the screeching of tires.

A yellow car stopped inches from me.

It was a high powered sports car, perhaps a Lamborghini.  I knew what they looked like because Marcus Bartleby owned one, as did every other junior executive in the city with a rich father.

Everyone stopped to look at me, then the car.  It was that sort of car.  I could see the driver through the windscreen shaking his fist, and I could see he was yelling too, but I couldn’t hear him.  I stepped back onto the sidewalk, and he drove on.  The moment had passed and everyone went back to their business.

My heart rate hadn’t come down from the last encounter.   Now it was approaching cardiac arrest, so I took a few minutes and several sets of lights to regain composure.

At the next intersection, I waited for the green light, and then a few seconds more, just to be sure.  I was no longer in a hurry.

At the next, I heard what sounded like a gunshot.  A few people looked around, worried expressions on their faces, but when it happened again, I saw it was an old car backfiring.  I also saw another yellow car, much the same as the one before, stopped on the side of the road.  I thought nothing of it, other than it was the second yellow car I’d seen.

At the next intersection, I realized I was subconsciously heading towards Harry’s new bar.   It was somewhere on 6th Avenue, so I continued walking in what I thought was the right direction.

I don’t know why I looked behind me at the next intersection, but I did.  There was another yellow car on the side of the road, not far from me.  It, too, looked the same as the original Lamborghini, and I was starting to think it was not a coincidence.

Moments after crossing the road, I heard the roar of a sports car engine and saw the yellow car accelerate past me.  As it passed by, I saw there were two people in it, and the blurry image of the passenger; a large man with a red tie.

Now my imagination was playing tricks.

It could not be the same man.  He was going in a different direction.

In the few minutes I’d been standing on the pavement, it had started to snow; early for this time of year, and marking the start of what could be a long cold winter.  I shuddered, and it was not necessarily because of the temperature.

I looked up and saw a neon light advertising a bar, coincidentally the one Harry had ‘found’ and, looking once in the direction of the departing yellow car, I decided to go in.  I would have a few drinks and then leave by the back door if it had one.

Just in case.

© Charles Heath 2015-2020

newechocover5rs

The cinema of my dreams – I never wanted to go to Africa – Episode 42

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in, and because of it, he has now been roped into what might be called a suicide mission.

I was not sure how the Congo commander was going to react when four cars with people who looked more like mercenaries than a film crew turned up at the front gate.

Not that we had the film equipment to use as a cover. I guess that was the reason the kidnappers had removed it from our cars. One less reason to believe our story. I would have been curious to hear just how the commander had described us to his Congo counterpart.

Or what sort of treatment we were going to get. I don’t think the hostages were going to like the idea of becoming hostages again, albeit with a new set of ransom demands, and probably a lot of harsher treatment. Mercenaries could be rough, but they needed resources, and trying to negotiate with overly damaged goods wouldn’t set much of an example.

The Government military, on the other hand, would not be too particular. And capturing an invading enemy force, spies if you will, well, that was going to be a feather in the cap of the airfield commander.

But would he tip his hand at the gate or wait till we pulled up outside the headquarters building. If there was one.

We were about to find out. The gate was in sight and flanked by two very bright lights which we had all seen for about the last half mile, flickering through the undergrowth. The road was well made, and we would have made good time, but I deliberately slowed down to give Monroe time to get into place.

Another brief report from the Colonel told me they reckoned on 20 troops deployed at different parts of the field, just in case we decided to ‘sneak’ in on foot.

At the gate the road widened into a large turning circle for turning back cars.

I stopped right on top of the gate. A non-commissioned officer came out of a small shack by the gate and joined two men standing either side of the gate. Weapons weren’t pointed in our direction, but that could change quickly.

I was going with the film crew going home story first.

“Who are you?” I noticed the officer had a clipboard and made a show of looking at it, and the page underneath. “You are not on my list.”

“Probably not. We have been filming a documentary, and it’s time to go home. We have an aircraft coming in tomorrow morning to pick us up.”

One of the guards came through the gate and went down one side of each car, then came back up the other side, peering in through the windows. Back at the gate, he spoke to the officer.

“You have weapons. That is unusual for a film crew isn’t it?”

Highly, if we were anywhere else in the world. “We were warned about militias. Luckily we didn’t run into any.”

“Then, before you enter the airfield I suggest you, and your men, surrender any weapons.”

“Of course.” I relayed the instruction back through the cars. The soldier then came down the car and collected the weapons in a bag. As I’d assumed, we were not going to gain admission to the airstrip armed. It was probably also a law which in any country made perfect sense.

Once the soldier returned the officer had the gate opened, and came over to me.

“Fill in the form, and we’ll get you on your way soon enough.”

He handed me the clipboard, and then stepped away, taking out a radio unit of his own and spoke into it in a language I didn’t understand. Perhaps we should have kept Jacobi with us for a little longer so he could interpret.

When I filled out the form and handed it back, he said, “Drive up the road about a half-mile to a hanger and park your cars out the front. I suggest when getting out of the cars not to make any sudden or suspicious moves.”

Like we’d been told almost word for word back at the commander’s camp. Interesting.

The men at the gate didn’t follow us, but I did see, coming from two separate points back from the runway, or what looked to be the runway, two groups of five soldiers in each, in a proper formation. That was not the actions of a motley militia.

Serious soldiers perhaps.

It didn’t take long to reach the hanger, quite large, but in a sorry state of repair. Beside it was two old army huts that were in better repair and lit up. At the top of the steps of one stood the commander, a Captain. Clean, fresh, snug-fitting uniform, looking the part. Newly promoted, with something to prove.

With him were another six soldiers, armed and ready. That made 16 plus him. Where were the others?

Another non-commissioned officer came out of the hut and briefly spoke to his commander. Then he went back inside, and the commander came down the stairs to greet me. The rest of the team stood together, in front of the third car, and about 20 feet away. They were trying their best to cover the two hostages.

“Good evening Mr. James.” Reasonably good English, polite, but there was a slight edge to his tone.

“Good evening.”

“May I ask, which way do you come?”

“From Faradje, on the way to Nagero. I was going to drive into Nagero but changed my mind. Best to get here and be ready.”

“I heard there were some elements of the militia on the road. Did you meet any?”

“No. I was told that this country is quite safe and that we would not be harmed, thanks, I’m told to the good services of the Government’s military. You will be pleased to learn that it is quite safe, a point I will be spreading when I return home. Hopefully that will bring in more tourists.”

“If, as you say, you’ve been making a documentary, it seems odd to me that on one hand, you don’t have any equipment, and on the other, that you have not included Garamba.”

“A valid observation. We had to call the shooting off because two of our crew are ill and need to be returned home, and we left the equipment back in Faradje, our last stop, ready for the replacement crew who will be scheduled to fly in, in the next week or so.”

I had considered what I might say and tried to make it sound plausible, but in the end I don’t think it mattered what I said, especially if the other commander had forewarned the Captain of our impending arrival.

“Yes. That may be true, or it might not. I’m assuming the two sick members of your team are over next to the film crew. In that case, I believe both of us know that those men do not belong to your crew, but are escaped prisoners.”

He gestured towards his men and they went over to the group and extracted the two hostages.

Seemingly it was game over.

“So Commander Ntumba called you after we left?”

“Not a lot happens here without my knowing it. It was in his best interest to inform me.”

Something in the distance caught his eye, and I moved my line of sight to match his. Shurl, hands in the air, with two more soldiers behind him, coming from the bush line on the other side of the runway.

Commander Ntumba would also have told him about our sniper, as I’d surmised, and there was no mistaking the look of glee on his face. Outsmarting what he would consider a crack team of mercenaries from the United States.

I turned back and shrugged.

“Yes, he also told us about your sniper Mr. James. You didn’t think he was going to sneak up on us like he did Commander Ntumba did you?”

“It was worth a try,” I said in my best-defeated tone.

“Right. For the time being you will be kept in detention until I speak to my commander. You will not be leaving this airport. Your rescue plane, when it arrives, will be detained. I will have further questions for you later. Film crew indeed. Take them to B Block,” he said to the officer, then headed back up the stairs to his office.

As far as he was concerned, it had been all too easy.

© Charles Heath 2020

Searching for locations: An old country homestead, Canungra, Australia

Or to be more precise, the homestead at what is now O’Reilly’s vineyard, where there is a pleasant lawn out back running down to the river for picnics, an alpaca farm next door, and the homestead plays host to functions and wine tastings

My interest was that we had assumed there was a restaurant, and we were going to have lunch. There might be one, but not the day we visited, it was just cafe food or a picnic available.

I was more interested in the old homestead because it was a fine example of the homesteads built in the ‘outback’.

Today we are having lunch in the Platypus room, in the O’Reilly’s vineyard farmhouse, which, if you close your eyes and let your imagination run free, could see it as the master bedroom of a homestead.

Certainly, the building is old, made completely of timber, inside and out, with the traditional high ceilings to keep the heat at bay.

At one end, a large bay window, which would be ideal to sit and view the outside, past the sweeping verandah.  There is a small lawn and a rotunda, but beyond that what might have been extended gardens, is the vineyard.

The homestead is in an ideal position midway between the main road and the river, has the traditional surrounding verandah, and shows signs of being extended on almost all sides.

On the other side of the wide corridor that leads you to the bar, and, coincidentally, down the centre of the house, is a smaller bedroom, also used as a dining room, and ubiquitously named the library.

It may be small but it does have a fireplace, which the assumed master bedroom does not, but now I’m thinking that room might have been the morning room.

Behind the room, we’re in is another bedroom, or perhaps this might be the master because it does have a fireplace and is quite large.  And a name, the Ambassador room.  Now it serves as the pickup place for picnic baskets.

There is another room on the opposite side of the corridor called the Drawing Room but is not open to the public.  But, going into the room with the fireplace adjacent to it, you can sell the aroma of pizzas, so it’s probably an extension of the kitchen, and, walking around the outside that side of the house proves it to be the case.

After all, they do catering for weddings and need a very large food preparation area which I discovered runs down the whole of that side of the house.

At the end of the corridor I’d the bar and spare space, and running off that and behind that is where there is a large dining area, perhaps prior to COVID, the restaurant.

It’s not hard to imagine that area as a very large entertaining area, either for very large dinner parties, or dancing.

As for the food, it’s either a picnic basket or pizzas.  We chose the latter, not realising the bases were not homemade, but bought in.  

The toppings however were both plentiful and tasty.  It could have been hotter, because it was a cold day, and it was cold in the room.

As for something to do other than taste the wine, and buy a few bottles, you can get up close to the vines, which, at this time of the year gave been pruned back and look quite dead, look at or walk an alpaca, even feed it, or all of them, or go down to the river and see if you can spot a Platypus.

Perhaps next time we’ll have a picnic down by the river.

The first case of PI Walthenson – “A Case of Working With the Jones Brothers”

This case has everything, red herrings, jealous brothers, femme fatales, and at the heart of it all, greed.

See below for an excerpt from the book…

Coming soon!

PIWalthJones1

An excerpt from the book:

When Harry took the time to consider his position, a rather uncomfortable position at that, he concluded that he was somehow involved in another case that meant very little to him.

Not that it wasn’t important in some way he was yet to determine, it was just that his curiosity had got the better of him, and it had led to this: sitting in a chair, securely bound, waiting for someone one of his captors had called Doug.

It was not the name that worried him so much, it was the evil laugh that had come after the name was spoken.

Doug what? Doug the ‘destroyer’, Doug the ‘dangerous’, Doug the ‘deadly’; there was any number of sinister connotations, and perhaps that was the point of the laugh, to make it more frightening than it was.

But there was no doubt about one thing in his mind right then: he’d made a mistake. A very big. and costly, mistake. Just how big the cost, no doubt he would soon find out.

His mother, and his grandmother, the wisest person he had ever known, had once told him never to eavesdrop.

At the time he couldn’t help himself and instead of minding his own business, listening to a one-sided conversation which ended with a time and a place. The very nature of the person receiving the call was, at the very least, sinister, and, because of the cryptic conversation, there appeared to be, or at least to Harry, criminal activity involved.

For several days he had wrestled with the thought of whether he should go. Stay on the fringe, keep out of sight, observe and report to the police if it was a crime. Instead, he had willingly gone down the rabbit hole.

Now, sitting in an uncomfortable chair, several heat lamps hanging over his head, he was perspiring, and if perspiration could be used as a measure of fear, then Harry’s fear was at the highest level.

Another runnel of sweat rolled into his left eye, and, having his hands tied, literally, it made it impossible to clear it. The burning sensation momentarily took his mind off his predicament. He cursed and then shook his head trying to prevent a re-occurrence. It was to no avail.

Let the stinging sensation be a reminder of what was right and what was wrong.

It was obvious that it was the right place and the right time, but in considering his current perilous situation, it definitely was the wrong place to be, at the worst possible time.

It was meant to be his escape, an escape from the generations of lawyers, what were to Harry, dry, dusty men who had been in business since George Washington said to the first Walthenson to step foot on American soil, ‘Why don’t you become a lawyer?” when asked what he could do for the great man.

Or so it was handed down as lore, though Harry didn’t think Washington meant it literally, the Walthenson’s, then as now, were not shy of taking advice.

Except, of course, when it came to Harry.

He was, Harry’s father was prone to saying, the exception to every rule. Harry guessed his father was referring to the fact his son wanted to be a Private Detective rather than a dry, dusty lawyer. Just the clothes were enough to turn Harry off the profession.

So, with a little of the money Harry inherited from one of his aunts, he leased an office in Gramercy Park and had it renovated to look like the Sam Spade detective agency, you know the one, Spade and Archer, and The Maltese Falcon.

There’s a movie and a book by Dashiell Hammett if you’re interested.

So, there it was, painted on the opaque glass inset of the front door, ‘Harold Walthenson, Private Detective’.

There was enough money to hire an assistant, and it took a week before the right person came along, or, more to the point, didn’t just see his business plan as something sinister. Ellen, a tall cool woman in a long black dress, or so the words of a song in his head told him, fitted in perfectly.

She’d seen the movie, but she said with a grin, Harry was no Humphrey Bogart.

Of course not, he said, he didn’t smoke.

Three months on the job, and it had been a few calls, no ‘real’ cases, nothing but missing animals, and other miscellaneous items. What he really wanted was a missing person. Or perhaps a beguiling, sophisticated woman who was as deadly as she was charming, looking for an errant husband, perhaps one that she had already ‘dispatched’.

Or for a tall, dark and handsome foreigner who spoke in riddles and in heavily accented English, a spy, or perhaps an assassin, in town to take out the mayor. The man was such an imbecile Harry had considered doing it himself.

Now, in a back room of a disused warehouse, that wishful thinking might be just about to come to a very abrupt end, with none of the romanticized trappings of the business befalling him. No beguiling women, no sinister criminals, no stupid policemen.

Just a nasty little man whose only concern was how quickly or how slowly Harry’s end was going to be.

© Charles Heath 2019

Mistaken Identity – The Editor’s Draft – Day 8

I have been working on the story, the editor is asking for a second draft after making suggested changes – and I’m now working on it

The story proceeds. That underlying suspicion of Maryanne’s motives rears its head again, but for different reasons.

Of course, Jack, the main character has a name, if not a little trite but it suits him, has always been suspicious because he’s not the type to be approached by beautiful women, and yet, so far has managed to allay those fears but is the perfect companion.

But, what’s a self-confessed gate crasher got up her sleeve.

Out of the hospital and on their road trip, they’re heading for an island and a hotel that overlooks the Mediterranean, which might be synonymous with the perfect location for romance.

But all of that is shattered when he sees her with another man, at the rear of the ferry, and the animation in her manner tells him the man is not just someone who ran into her.

Jack knows who it is, and what he does, so that makes the meeting even more mysterious.

And perhaps dangerous.

Yes, we are exploring the theme of ‘everyone has secrets’.

Today’s effort amounts to 2,444 words, for a total, so far, of 20,594.

More tomorrow.