For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination in what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

It was clear, however, that Marina was familiar with the man and very annoyed with the woman.

When I took a longer look at the man, I realised he was not a man at all, but a boy in his teens, blessed by the fact he looked older than he was.  My guess, about 16.  I was surprised he had not been conscripted into the war, there seemed very few young men in the area.

Marina went straight over to him and snatched the elderly rifle he was holding away from him, the glared at Chiara

“Are you stark staring mad.  Enrico is not supposed to be out in the open, hell, it’s been a battle to keep him hidden away.  What will his parents think when they discover he’s here?”

“Pleased,” Enrico said.  “My father said it’s about time I did something to rid of the Germans, of the English too for that matter.  None of you has any right to be here.”

Fervently spoken, and to the wrong person, it would earn him a bullet to the back of the head.  But I agreed with him.

“All well and good,” Marina said to him, “but now there’s no easy way of doing that.  We must be careful, and you must stay put with your parents.  What we’re doing isn’t a game, you are neither trained or equipped to take anyone on, except perhaps rabbits.”

Back at Chiara.  “Take him home, and never bring him back here.  You don’t want to be the one who has to tell his mother if he gets killed.  Now, both of you go now, before I shoot both of you myself.”

“This is not the end of the matter,” Enrico said.

“And when you’ve taken him back, come back here.  We need to talk.”

Chiara said nothing, just nodded sullenly.  I think she believed the less said the better and did as she was asked, nodding her head in his direction, and adding a few choice phrases in Italian to him that I couldn’t understand.  It also just occurred to me that she had not asked Chiara the questions about the two men from the castle.  I guess that would have to wait until the safety of Enrico was settled, and she returned.

“Make sure they’re safe,” she said to Carlo, and he disappeared, leaving us alone.

“I thought all of the young men had been taken away by the Italian Army.”

“Not all.  We managed to hide a few away, but as you can see, despite our best efforts, they don’t seem to appreciate the trouble they could get into.  We used to have about a hundred young men from 14 through to 20 at the start of the war.  Two have found their way back, casualties of war, the rest, we may never see them again.  Enrico just doesn’t see the trouble he could get into.”

“It’s called youthful enthusiasm.  In the first world war, joining up, or going to war, was a lark.  It was a little less so this time because most of the parents knew from firsthand experience what it was like and tried to shield them.  And if you didn’t join up, questions were asked, and quite often jail, except for some who landed cushy jobs away from the fighting.”

“You were not so lucky?”

“No, I was one of those mad buggers who thought joining up to fight would be an adventure.  That quickly faded when the enemy started shooting at me.”

“And now you’re here, and a spy to boot.  That’s what they’ll hang on you if you get caught.”

“Then I shall try very hard not to get caught.  Again.”

Chiara came back about an hour later.  It seemed to me it was a lot safer to move around at night with the blackout, and I doubted Thompson would spare any men from the castle to check up on the local farmers.

And while I was at the castle, I didn’t hear anything raised about the local resistance, which I thought odd at the time, but now I knew why.  Most of them had joined him.  Better that than be hunted down and killed.

Chiara still looked sullen.  A closer look showed she was not very old herself, barely out of her twenties, and surprising that the Italian army, or Thomson for that matter, had not rounded her up for ‘duties’ at the castle.

There were a number of the local women working up at the castle, but they were mostly staff, or more likely forced labour, though I had thought we, when I believed it to be a British outpost, would be fairer to the locals than either the Germans or their own Italian military.  It’s odd how you tend to look at certain situations because of who you are, and the fact you would not do similar things at home.  The Germans, however, we would always treat differently, because they were the enemy, and because we expected the worst from them.  At that moment, though, wouldn’t the Germans think the same of us if the positions were reversed?

Best not to think about that.  My view of the war and the people in it was clouded enough.

Chiara, however, clearly thought the worst of me, and of those in the castle, and certainly didn’t think I was as neutral as I appeared.  A gun always in hand, I was sure she would shoot me again with the least provocation.

We sat, both Chiara and Marina with their weapons on the table in front of them.  I wasn’t trusted enough to be given a weapon.

Marina’s first question was directed at Chiara, “I’m told there were two men from the castle following Sam, and that he told you about them.”

“He did.  We did not see them.  We didn’t take the path, because, as you know, it’s not safe.”

It was a reasonable answer.  If the men at the castle were unfamiliar with the area, as I’m sure they would be, because they hadn’t been there for very long, and I doubt Thompson would want to advertise the nationality of those at the castle unless he had to, they would stick to the clearly-marked roads and paths.

I had on my way to the castle, from a different direction.  It didn’t explain why I had not been met by the leader of the resistance as arranged, but that was now explained, both by the former leader trying to kill me in a roadside explosion, and then what I learned at the castle in the last few days.

“Even so, there’s not that much distance between the two, and it is possible to shadow them.”

“I keep well away from them.  Perhaps Leonardo saw them.  He doesn’t have to worry about what they might do because they use him to supply food.  Maybe he knows more.”

“Perhaps I shall ask him next time I see him.  We need to know who from the castle is about and when so that we don’t get caught.”

“I’ll remember next time.  Is that all?”

“Yes.”

Chiara picked up her gun, gave me an extra-long sullen stare.  “I don’t trust this one, Marina.  You 

need to be careful.”

“I will.”

We waited a few minutes until after she had departed, and then Marina said, “We should be going too.  This place is a little eerie at night.  There are far too many ghosts for my liking.”

I shuddered, then followed her out.

© Charles Heath 2019

I hate it when other characters are drawn in, and without a proper introduction, the reader gets confused.

Well, let me tell you, the writer can get confused too.

The introduction of Jennifer cannot go without the introduction of Ellen Bill’s ex-wife, and we have talked a little about her background before.

She has a role, one that will have a major impact later on, but every now and then she is going to appear, adding to the backstory between her and Bill.  There is no real animosity between them, their parting amicable because both knew it was time to end.

Bill’s problems were brought about his military service, and her father has a part to play in the story, though I’m not sure how to weave this in yet.  But it’s not so much what Bill remembers of his service, but of what he has forgotten, or more to the point buried.

That will eventually rise to the surface.

However, at this time, it’s still at the part where the narrator has to introduce Jennifer.

There are three distinct stages to this relationship between the two most important characters, and as it happens it’s Ellen unknowingly that brings Bill and Jennifer together,

Then Ellen, my estranged, and sometimes difficult wife decided she wanted a divorce.  I had no objection, and that was most likely the problem.  Perhaps she had expected me to fight for her, but she had made it clear, many years before, that she was no longer interested in preserving the marriage and was only keeping it up until our two daughters were old enough to fend for themselves.

That time had come.

I found myself in a situation where I needed someone to talk to.  I was not one of those people who made friends easily, nor did I spend much time seeking the company of other women.  I had my work, and it had been enough.

But Ellen’s request for a divorce, for some reason, had shaken me, and the day I got the phone call, Jennifer has bustled into my office as she always did, dumping the pile of log file printouts on my desk, and instead of leaving, perhaps she had seen my look of dismay, or more to the point, utter shock, and stayed.

It caused a slight change in our relationship.

I’m still working on it, but there will be more.

Or fewer words perhaps, after all, it’s only meant to be a brief introduction.

See how simple things become complicated, very quickly.

© Charles Heath 2019

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in.

“So,” Lallo said, “you’re telling me you landed separately, Treen and his group advanced towards their position without waiting for your team, that shortly after landing you heard gunfire exchanged, that the members of your team broke ranks and went to help their comrades and that all of them, as far as you were aware at the time, had been killed or captured.”

“Yes.”

“And the two operatives you’d come to rescue?”

“At the time, I had no idea what their status was, but I did make a preliminary assumption that if our mission was blown, then they would hardly be left alive unless the enemy thought they had some strategic value.”

“Or intelligence?”

“It hadn’t occurred to me at the time because my job was to simply to aid the extraction team.  To be honest, I had no idea who they were or what their value was.”

That was not exactly the truth because I could hardly say I hadn’t overheard a conversation between Treen, the briefing officers, and an unseen, unnamed officer discussing the two operatives, and the fact it was imperative we get them out at any cost.  It wasn’t said why, but I could guess.

It didn’t take long to realize that if our arrival had been known, so would the location and worth of the two we were to rescue.  I didn’t think they were killed out of hand, not until they’d told the enemy’s interrogators everything they knew.

And I got the impression they knew enough to cause our whole operation in that country ended up with a great deal of irreparable damage.

No wonder they wanted to sweep it under the carpet.

I watched Lallo scribble a long not over several pages.  Was his conclusion the same as mine, but based on truth rather than hearsay?

Then, “Were you met by the person who has been referred to as the so-called source?”

“No.”

“Do you know if Treen’s group were met?”

“No.  I was given to understand that source had gone quiet, I suppose another word for either captured or defected to the other side.”

“Apparently there was a report that the agent in situ was going to be at the landing site.”

“Well, there’s your explanation as to why the mission was blown from the start.  Whoever it was, was either captured, or a double agent, and told the enemy of our plans.”

“A reasonable assumption in the circumstances, but not necessarily correct.”

“And you know this because…”

I was curious.  The agent’s defection would explain everything.

“That agent resurfaced three days ago, again asking for repatriation, and is in the air to a secure site as we speak.”

He stood and took a moment to stow the pencil in the binding of the notebook before giving me his attention.

“We will also be in their air tomorrow, headed for the same secure location.  I’m, sure you will be available for that interrogation, because I, too, have serious doubts about this agent’s shall we say, loyalties.”

That still didn’t mean I wasn’t going to finish up at a black site, or worse.

© Charles Heath 2019-2021

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modeled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I image back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.