Month: January 2023

“The Things We Do For Love” – Coming soon

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

I always wanted to see the planets – Episode 30

Sometimes not knowing can be an advantage

…

“They’re hailing us,” the communications officer said, then turned expecting an order to open a channel.

“What’s the speakers tone?”

I got a blank look in return.

“Does he sound agitated, angry, arrogant…?

“Like a person of authority.”

Not much help in gauging their mood.

“OK, put him on the viewer.” I had one of the crew bring up the data we had on the vessel class.

It was once a personnel transport, one of a dozen that had been taken to the edge of space and dumped, if that was a word that could be used to describe what happened. They should have been destroyed, but another contractor took the cheap option, and abandoned them off Neptune.

The spokesman was dressed in the same suit as those I’d seen before, on the cargo ship, and in the Captains day room. Clearly he didn’t want to be identified.

“What can I do for you,” I asked, after waiting a minute or so after realising he was waiting for me to speak.

“Surrender your ship.”

Of course. They had three ships, we had one. A junior officer came over and gave me a sheet of paper. The names of the ship’s, how many life signs on each, and scans indicating possible weaponry.

Weapons needed power, and if they were anything like ours, they would need auxiliary power sources. No indication yet they intended to use any.

Life signs was interesting, six on each of the smaller ships, roughly half the crew when the ships were commercially used, and 34 for the larger vessel, including the nuclear scientist.

“Why would I do that?”

Number one’s expression was one of surprise, the Lt Colonel not so much.

“We have superior fire power, and will disable the ship if you don’t. That means taking out the life support. You can save your crew an ignominious death.”

No alien would use the word ‘ignominious’.

The two smaller ships were the closest, acting as guards for the bigger ship. I suspect they had the weapons, being smaller and more manoeuvrable.

I’d spoken to the Lt Colonel and the gunnery sergeant when he arrived on the bridge, and we agreed that the best action would be to target the bridges of the enemy vessels. After we retrieved the scientist.

“You do realise you’re targeting a research vessel, not a man of war.”

“Is that what they told you?”

“Define ‘they’.”

“Space command, that bunch on nincompoops who think the rest of the planets believes their lies.”

Well, that was the statement that proved they were not aliens, but working for one of the other countries no so happy with the deal that had been struck over space exploration. The Admiral could work out which one in his own time.

For the operation of removing our crew member, I had a direct line to the cargo bay where ? was setting up the parameters for the transport. All I had to do was keep the ship as steady as possible.

“Ready when you are,” his voice was in my ear.

“Now.”

Ten seconds later, “she’s aboard, safe.”

From the side, “There’s activity…”

“Gunnery sergeant, now,” I said.

The viewer cleared of my counterpart, and showed two explosions, where I would have said were the command centres of the two ships, and then the sudden movement of the larger ship, moving away, and at speed, to a point where it disappeared.

“Can we track that escaping ship?”

“We have sufficient information about it to send it back to HQ and let them deal with it. We achieved what we set out to do.”

The Lt Colonel was right, but it would be good to know where our enemy was.

A crew member said, “we can track it if you like, but it just jumped to high speed and out of scanner range.”

“Life signs?” I asked, looking at the two ships adrift, if that was possible. I didn’t like the idea of using force, and it was going to create a mountain of paperwork, and an investigation, but they were going to attack

“Eleven remaining on board, all deceased “

“Eleven?”

“One transported to the larger ship just before we attacked.”

Number one appeared beside me. “Do you think we should go over to the other ships and verify that the dead crew were the escaped prisoners.”

“For your report? Yes. Take a medical team, and the military.” The Lt Colonel looked over at the mention of the military. “You can arrange a squad,” I asked him.

“Yes sir.”

The third officer, Jacobs, like myself, crossing over from captaining cargo vessels, recently promoted to Second had been at his station for the duration, instead of resting, a man who wanted more experience. And spent as much time as he could on the bridge.

“Jacobs?”

“Sir.” He jumped up out of his seat, whether from fright or enthusiasm I wasn’t sure.

“You have the bridge. Try not to run into those ships out there.”

“Yes sir, I mean, no sir, no crashing sir.”

“I’ll be in medical if there’s any problems.”

…

© Charles Heath 2021

An excerpt from “If Only” – a work in progress

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

In a word: cue

Another small and sometimes confusing word.

The first meaning that comes to mind is a cue is a prompt, often from someone standing behind the camera in a television studio.

That is to say that a cue is some form of signal, a wave, a nod, or verbal.

A cue can also be where a tape or recording is set to a certain place, ready to play.  One could assume, if playing tracks off an album of songs, and you wanted to play the fourth track, then you would cue it up, ready to go on, of course, the moment you got a, yes, cue to play it.

Then there is a cue used in a game of pool or snooker, that is a long thin tapered piece of wood with a felt tip.  

Not exactly my favourite game, but it’s always the cues fault, not mine.

This is not to be considered with Que which is a shortened form for Quebec, in Canada.

Or que, which for some reason, only in California, is short for barbecue.

Or Queue, as in a long line, or a short one, of people waiting to get on a bus, or waiting to get tickets  

In my experience every queue I get in is always a long one, and then suffer the frustration of waiting hours only to be told the tickets have all been sold.

Almost as bad as being stuck in a traffic jam, which is technically a queue of cars, never to get through the first set of lights, and sometimes not the second.

And don’t get me started on phone queues.  

Queues are for people who have a lot of time on the hands.

“What Sets Us Apart”, a mystery with a twist

David is a man troubled by a past he is trying to forget.

Susan is rebelling against a life of privilege and an exasperated mother who holds a secret that will determine her daughter’s destiny.

They are two people brought together by chance. Or was it?

When Susan discovers her mother’s secret, she goes in search of the truth that has been hidden from her since the day she was born.

When David realizes her absence is more than the usual cooling off after another heated argument, he finds himself being slowly drawn back into his former world of deceit and lies.

Then, back with his former employers, David quickly discovers nothing is what it seems as he embarks on a dangerous mission to find Susan before he loses her forever.

Find the kindle version on Amazon here:  http://amzn.to/2Eryfth

whatsetscover

The cinema of my dreams – I always wanted to write a war story – Episode 10

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination in what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

We walked slowly towards the end of the passage, each time I passed a cell I had a look in, and noted if it had a prisoner or not.  By the end of the passage, I counted six prisoners, and one was a woman.’

She just looked at me sullenly, and I guess if it was light enough, that look would be with pleading eyes.  Sadly, I couldn’t save her, or the other five.

At the end of the corridor, we retraced our steps towards the hall, along the passage where I counted another three prisoners, then up the stairs to the ground level.  We came out into a better-lit alcove with arches leading in three directions.

Straight ahead was the hall.

We turned to the left.  Along another passage that seemed to run the length of the wall, what I thought was the stone battlement that made up one side of the castle, looking out over fields, with a village in the distance.

What I thought was the opposite side to the guard tower I’d been in earlier.

I tried to figure out if that’s where we were, and if my memory served me correctly, we were heading towards the wall that was built into the mountainside, in which case we’d go up another set of stairs, at the top of which would be an exit, or turning right, to a room that once served as the guards quarters, now used for kitchen supplies.

What else was here?  My mind was blank.

Up the steps, so far I was right, ahead of a thick wooden door, locked, so we turned right and passed a small room.  I’d forgotten it, but it was the radio room, wires leading out a small arrow slit window to the aerial.   The man in front stumbled, then regained his gait.

I could hear the man behind me shaking his head.

“Halt,” the man behind me barked. 

The man in front stopped dead, and I crashed into him.  I felt rather than saw the fist come towards me; it was not for me, but the other guard, who, preoccupied with not falling, never saw it coming.

He went down like the proverbial ask of potatoes, no idea what happened.

My turn?

A hand landed on my shoulder, thrusting me towards the door to the storeroom.  “Go, now.  The door on the other side is open, head down to the creek and follow it.  Someone will meet you.”

I half turned, “Who…”

“No time.  Go.  And shut the door behind you.”  I felt him thrust a gun in my hand.  “Hit me.”

I hesitated.

“Do it, or I’ll be shot.”

I shrugged and hit him.  He slowly slid to the floor.  A second glance, no, I didn’t know who he was, the headed for the back of the storeroom.  The door was open.  A cautious look before stepping out, I  saw no one but heard breathing.  Jack.  How did the dog know I’d be here?

I closed the door behind me and heard the lock engage, then after a pat on Jack’s head, he led the way.

© Charles Heath 2019

A writer isn’t just a writer

Is he, or she?

No, we have any number of other functions, so the notion we can sit down all day every day and just write is a misnomer.

I know for a fact I can’t.

I have jobs to do around the house, and therein lies the problem.

I sit down, once the jobs for that part of the day are done, and fire up the computer, or sometimes sharpen the pencils.

Then, free to write, it’s like starting the lawnmower, wait till it settles into a steady rhythm, and then, as you begin to mow the lawn, it runs out of petrol.

Yes, that’s happened to me a few times, and only goes to highlight the other problems.

When you have to do something else, your mind is happily working on the book, story, article, piece, or whatever, and then, when you sit down, your mind is on the next lot of chores.

Only the most disciplined mind can separate the two so that each allotted timed time is allotted to the task.

Me, I suck at that.

Like now.  I want to get on with one of my longer stories, and my mind is telling me I have to write a blog post.

So, I’m writing the blog post.

I know that tomorrow I’m not going to get much writing time because the grandchildren are over for a mini stay and we’re going to see Doolittle.

But, can I get it done now?

No.  In the background, the Australia vs India one day cricket match is murmuring, and we’re not doing so good.  It’s a necessary distraction, but I still haven’t learned to multitask.

Perhaps it’s too late for that.

Anyway, I got to go.  We just got a wicket, and the tide is turning.

I hope!

We all need a little attention now and then

When I was last in Europe we decided to get the Eurostar, from London, through the Chunnel, to Paris Disneyland.  Not exactly as fast as the Japanese bullet trains, but faster than anything we have in this country.

You are hurtling along at up to 160 kph, though it feels a lot faster, and then you begin to brake, and it seems like nothing is happening, except for some outside friction noise, and the speed dropping.

I feel like that now, on my way to the bottom of the abyss.

At the end of that fall, it is something referred to as hitting rock bottom.

I’m told once you hit rock bottom the only way is up.

The question is, who do you know that has fallen into the abyss and come back to tell you about it?

Put into layman’s terms, hurling down the abyss is like having a severe episode of depression.  There are different types, some worse than others.  Hitting the ground is roughly the equivalent of looking for a way out that eases the pain and not finding one, and that, for some people, is a quite drastic answer.

But the sign that the free fall is braking, like the express train slowing down, is a sign that you’ve seen the light, that there are external forces that can render assistance.

I see them now, the hands of friends, the hands of people I don’t know, but who are concerned.

Writers like any other professional people are the same as everyone else, but with one rather interesting difference.  It is a profession where a lot of the time you are on your own, alone with your thoughts, your characters, your fantasy world, which sometimes so frighteningly drifts into your reality.

Some of us will make a fortune, some of us will make an adequate living, and live the ‘dream’ of doing the one job they always wanted to, and most will not.

I’m not rich, I’m not one who gets an adequate income, yet.

But I will get out of this abyss.

I can feel the brakes.

My eldest granddaughter, who is 15, tells me the fantasy story where she is a princess I’m writing for her is brilliant.

The free fall has stopped.  I step out into the sunshine.

All I needed was a little praise.

The cinema of my dreams – It all started in Venice – Episode 10

Could Juliet be slightly jealous?

…

I got back to the hotel just before Cecilia was leaving.  She was wearing what I would call her party clothes, something that left little to the imagination, but not different from the many others trying to be noticed.

I had thought of using the analogy that she was going to be a single tree in a forest of similar trees, but it was probably something she already knew.

And a pity she felt she needed to make such an entrance just to be noticed, and probably to some, for all the wrong reasons.  At least she was gaining experience for what I called her day job.

“I’ll be back to make an impression on your friend,” she said.

She didn’t need to say anymore.  Impression would be an understatement.  But it might, quite literally, shake the trees to see what falls out.

A half-hour later there was a light rapping on my door.  I was not expecting any visitors, so it could be one of three options, Cecilia was back early or changed her mind though I seriously doubted it, or Juliet was being pre emotive, or perhaps it was just one of the hotel staff.

Whomever it was, I made the necessary preparations, just like in the old days, and opened the door.  There was always that moment of unpreparedness, that someone would come crashing through the door and take you by surprise.

Happened once, not again.

“Juliet.”  More a statement than a question, it should not be a surprise but it was.

She had dressed for dinner, not as Cecilia would, but she had made an effort.  Had Cecilia made that happen?

And yet the first question to come to mind is, “How did you know I was here?”

“Simple, I saw you go into this room.  It had to be either you, or the girl, so I made a choice.  I was not sure what I was going to do or say if I was wrong.”

“It wouldn’t bother Cecilia.  She and I, were just old friends.”

“Like us?”

“Are we old friends.  It seems to me that we had something else back then, for a brief time, until I had to go back.”

“You never did explain what happened to you.”

“No, and the less said about it the better.  I was young and stupid, like all men of that age, and I cheated death.  I was lucky, very lucky, and, I might add, very lucky too that you were my doctor.”

“May I come in?”

Standing in the passage discussing personal matters might have been more embarrassing for her than for me.  I stood to one side and let her pass.  There was no fount in my mind she had a device that was sending our conversation back to Larry.

There would be questions, probing for the truth.  Who I was, what I did, where I’d been.  Now, or over dinner, it was her task

I closed the door and leaned against it.

I had to ask, “What are you doing here?”

A puzzled look came over her face, surprised perhaps I’d be that direct in asking.

“I thought you asked me to dinner.”

“I did.”

“We’re you just asking for the sake of asking?”  There was a tinge of disappointment in her tone.

“No.  I thought dinner would be good since Cecilia is out there promoting herself. She asked me to come along and see what it is like, but it’s too near the limelight for me.”

“Do you and her have a thing?”

I’m not sure what ‘a thing’ meant.  “If you mean, a romantic attachment, no.  It’s too soon after Angelina’s death.  I may never get over it, but Cecilia popped up and said she was coming and she’s good fun.  And being seen with her makes me look good for an over-the-hill retiree.”

That might make it reasonably clear if she wanted to push this to another level it wasn’t going ti work.  Larry would be disappointed.  It would be interesting to see what she had as a plan B.

“You’re not that old, just out of practice, but I get it.  That doesn’t mean we can’t have dinner.”

“No, it does not.”

I thought about taking her to the hotel restaurant, but in the end opted for a long walk to St Mark’s square, one where a band was playing Rogers and Hammerstein musical songs.

The distance between us wasn’t physical, she was right beside me, so close I could have reached out and taken her hand in mine, it was the thought of her duplicity.

If she told me what was happening, I would have tried very hard to get her out of the predicament and take away Larry’s perceived advantage.

I hadn’t activated the scrambler, so Larry was no doubt listening in, but the conversation wouldn’t be all that informative.  I spoke about Venice, deliberately, and of Angelina.  Larry could make of that whatever he wanted.

At the restaurant we sat near to the orchestra, to help obfuscate the sound, and opposite each other.  She was drinking champagne; I was having a beer.

“So, what have you been doing with yourself since I last met you?”

It begins.

…

© Charles Heath 2022

And what was the inspiration behind the story “[Any title you’ve written]”

As accomplished as we can be at putting words on paper, what is it that makes it so difficult to sit in a chair with a camera on you, and saying words rather than writing them?

Er and um seem to crop up a lot in verbal speech.

OK, it was a simple question; “What motivates you to write?”

Damn.

My brain just turned to mush, and the words come out sounding like a drunken sailor after a night out on the town.

The written answer to the question is simple; “The idea that someone will read what I have written, and quite possibly enjoy it; that is motivation enough.”

It highlights the difficulties of the novice author.

Not only are there the constant demands of creating a ‘brand’ and building a ‘following’, there is also the need to market oneself, and the interview is one of the more effective ways of doing this.

If only I can settle the nerves.

I mean, really, it is only my granddaughter who is conducting the interview, and the questions are relatively simple.

The trouble is, I’ve never had to do it before, well, perhaps in an interview for a job, but that is less daunting.  That usually sticks to a predefined format.

Here the narrative can go in any direction.  There are set questions, but the interviewer, in her inimitable manner, can sometimes slide a question in out of left field.

For instance, “Your character Zoe the assassin, is she based on someone you know, or an amalgam of other characters you’ve read about or seen in movies?”

That was an interesting question, and one that has several answers, but the one most relevant was; “It was the secret alter ego of one of the women I used to work with.  I asked her one day if she wasn’t doing what she was, what she would like to do.  It fascinated me that other people had a desire to be something more exotic in an alter ego.”

Of course, the next question was about what I wanted to be in an alter ego.

Maybe I’ll tell you next time.