50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

And the story:

It was once said that a desperate man has everything to lose.

The man I was chasing was desperate, but I, on the other hand, was more desperate to catch him.

He’d left a trail of dead people from one end of the island to the other.

The team had put in a lot of effort to locate him, and now his capture was imminent.  We were following the car he was in, from a discrete distance, and, at the appropriate time, we would catch up, pull him over, and make the arrest.

There was nowhere for him to go.

The road led to a dead-end, and the only way off the mountain was back down the road were now on.  Which was why I was somewhat surprised when we discovered where he was.

Where was he going?

“Damn,” I heard Alan mutter.  He was driving, being careful not to get too close, but not far enough away to lose sight of him.

“What?”

“I think he’s made us.”

“How?”

“Dumb bad luck, I’m guessing.  Or he expected we’d follow him up the mountain.  He’s just sped up.”

“How far away?”

“A half-mile.  We should see him higher up when we turn the next corner.”

It took an eternity to get there, and when we did, Alan was right, only he was further on than we thought.”

“Step on it.  Let’s catch him up before he gets to the top.”

Easy to say, not so easy to do.  The road was treacherous, and in places just gravel, and there were no guard rails to stop a three thousand footfall down the mountainside.

Good thing then I had the foresight to have three agents on the hill for just such a scenario.

Ten minutes later, we were in sight of the car, still moving quickly, but we were going slightly faster.  We’d catch up just short of the summit car park.

Or so we thought.

Coming quickly around another corner we almost slammed into the car we’d been chasing.

“What the hell…” Aland muttered.

I was out of the car, and over to see if he was in it, but I knew that it was only a slender possibility.  The car was empty, and no indication where he went.

Certainly not up the road.  It was relatively straightforward for the next mile, at which we would have reached the summit.  Up the mountainside from here, or down.

I looked up.  Nothing.

Alan yelled out, “He’s not going down, not that I can see, but if he did, there’s hardly a foothold and that’s a long fall.”

Then where did he go?

Then a man looking very much like our quarry came out from behind a rock embedded just a short distance up the hill.

“Sorry,” he said quite calmly.  “Had to go if you know what I mean.”

I’d lost him.

It was as simple as that.

I had been led a merry chase up the hill, and all the time he was getting away in a different direction.

I’d fallen for the oldest trick in the book, letting my desperation blind me to the disguise that anyone else would see through in an instant.

It was a lonely sight, looking down that road, knowing that I had to go all that way down again, only this time, without having to throw caution to the wind.

“Maybe next time,” Alan said.

“We’ll get him.  It’s just a matter of time.”

© Charles Heath 2019-2021

Find this and other stories in “Inspiration, maybe”  available soon.

I’m back home and this story has been sitting on the back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

---

I leaned back in the chair and shuddered.  It was not so much the cold as the stark realization before me, well, before all of us really.

The USB was gone.

But it was going to be impossible to convince any or all of Severin, Maury, and Nobbin.  Or for that matter Monica.  None of them were going to believe the explosion in the café was a deliberate act.  

But it did raise a question.

“How did whoever placed the bomb in the café know you and your contact were going to be there, and, for that matter, that either of you might have the USB?”

O’Connell seemed lost in thought.  After prodding him, I asked the question again.  His hesitation seemed to suggest that what he’d told me might be a lie, or a half-truth because the more I thought about it, the more implausible it sounded.  The other side of that was, what did he have to gain by lying?  Of no doubt, there was more to this story.

“There are more people involved in this than what you know.  Dobbin had me looking into a biological laboratory, one that was reportedly doing research on cures for various coronaviruses, like SARS.  The thing is, they had a store of nasties they were using as candidates for finding cures.

“The laboratory had been getting funding from the military so that to me meant they’d been working on weaponizing one of those nasty viruses, but there had been containment breach leading to a review, and they lost their funding.

“That, in turn, leads to the head of the company seeking funding from elsewhere, and that it was going to be an overseas government institution, one which they claimed commercial confidence so the donor could not be released.  Of course, our intelligence services went into a spin, thinking the worst, that it was either Russia or the Chinese, or some other rogue regime, and if they got their hands on those candidates, well, you can imagine the paranoia.

“There was also the problem of hacking, where various countries and/or individuals are looking for information to use for their own benefit, or to sell to the highest bidder.  That as far as I can tell is what happened here; it was not a case of external hacking, this was internal by one of the staff, downloading sensitive information onto the USB and smuggling it out.

“As soon as the breach was discovered, it triggered an internal review, which had a member of the military on the panel, and it concluded it was one of three ex-employees.  Dobbin gave me the three names, and I tracked them down.  One of the three had stolen the data, but far from stealing it to sell to the highest bidder, he had stolen it to pass on to a newspaper reporter, the person I was going to see.

“He could see the information was not the sort to be disseminated to the general public and wanted it returned.  I was going to get it.

“So, in answer to your question, it was possible that someone else had done the same as I had after I had visited each of the three, and decided to deal with the problem decisively.  But it would have required planning and an organization with infinite resources to pull it off.  Top of my list is the owners of the laboratory, simply because, they were not interested in getting the copy back, and the fact they didn’t want to have any witnesses, which meant the reporter and had to be silenced.”

“And the person who stole the information?”

“Burned to death in a house fire.  The fire department concluded it was a gas leak.”

“Helped by a person or persons unknown.”

“Given the distribution list of that final report, unless Dobbin has been moonlighting as an assassin, there’s only one other name on the list.”

No need to say it out loud.  That left one question, and probably a hundred others that wouldn’t get answers.

“What’s it to do with Severin and Maury?”

“That’s not their names.  Severin is really David Westcott, and Maury is Bernie Salvin.  Both used to be in the security detail at the company about three years ago when several biological entities were being researched, both of whom were assigned by the military to keep an eye on their investment.

“When the accident occurred, they were reassigned, but I suspect, at the time, they knew exactly what had happened, and what is involved.  It’s not a leap to come to the conclusion they had a shift in allegiance and may have helped the person who stole the information because there was no way the person who stole it had the knowledge to get it out.

“It was not something he would tell me.  That, he said, if he told me, would sign his death warrant.”

Which it did.  Was the original thief killed before or after the explosion?

“Do we Assume Severin is the man in charge?”

“No.  They’re basically blunt instruments, giving orders, and doing what they’re told.  We all are, to a certain extent.  This operation had someone else, someone far more clever, and connected.”

“But they did create a whole unit and train them in an existing facility without anyone knowing.”

“Is that you they told you?  And you believed them?  Nothing goes on in that place with an official sanction.  No.  Your operation was created on the books, but on the quiet so if anything went wrong, they could disavow any knowledge of it.  It went south and what happened?”

“They disavowed any knowledge of it.”

“And kept you on, only reassigned?”

“Those of us who survived, yes.”

“Then I suggest you watch your back and keep all of them at arm’s length.  You’ll only be useful until the USB is found, so you have to keep them believing it’s missing.”

“We’re not going to be able to do that forever.”

“No.  Which makes it imperative we find out who Severin and Maury’s bosses are and chop of the head.”

All while pretending he was dead.  Easier said than done.

---

© Charles Heath 2020-2021

This is not a treatise, but a tongue in cheek, discussion on how to write short stories.   Suffice to say this is not the definitive way of doing it, just mine.  It works for me – it might not work for you.

…

You’ve got the place, now you want the who.

My main characters are quite often me.

Not the real me, because I’m boring.  No, those characters are what I would like to be, that imaginary superhuman that can do everything.

Until, of course, reality sets in, and the bullets start flying.  When that happens, we should be looking to run or at the very least get under cover, not walk into a hail of bullets, with a huge grin, staring down the enemy.

Hang on, that never happens except in superman comics.

What’s really needed here is a little vulnerability, a little humility and a lot of understanding, qualities at times I don’t have.

So, in order to create a more believable character, I start dragging traits from others I’ve met, or know, or really don’t want to know.  

In a writer’s environment, there are a plethora of people out there that you can draw on for inspiration.  I once spent and afternoon at a railway station just observing people.  Even now, I make observations, some of which are true, and others, wildly off course. 

I once tried to convince my other half that I could pick people’s traits, and we sat at a café outside a church in Venice.  I was lucky, I got more than 75% correct.

Other characters in my stories I have met along the way.

Like a piano player in a restaurant.  It was not so much the playing was bad, it was the way he managed to draw people into his orbit and keep them there.  The man has charisma, but sadly no talent for the instrument.

Like an aunt I met only twice in a lifetime, and who left a lasting impression.  Severe, angry looking, speaking a language I didn’t understand, even though it was English.  It was where I learned we came from England, and she was the closest thing I came to as an example of nineteenth-century prim and proper.  And, no, she didn’t have a sense of humour or time for silly little boys.

Like one of my bosses, a man of indeterminate age, but it had to be over 100, or so it seemed to my sixteen-year-old brain, who spoke and dressed impeccably, and yes, he did once say that I would be the death of him.

I can only hope I wasn’t.

Like a Captain of a ship I once met, a man who didn’t seem to have time for the minions, and a man who reeked authority and respect.  I’ve always wanted to be like him, but unfortunately, it was not in the genes.

Those are only a few, there are thousands of others over the years, a built-in library, if you will, of characters waiting to be taken off the shelf and used where necessary or appropriate.  We all have one of these banks.

You just have to know when to use them.

I used to like writing short stories, somewhere between two and five thousand words, but, in the end, it was too much hard work.

No chance of getting into stride with a location description, no real chance of giving a background to a character, it was simply a case of diving straight in.

But …

I’ve been thinking about writing a short story, starting it with a short succinct sentence that will set the tone.

Something like:  “Jack was staring down the barrel of a gun”

What then?

Should he start analyzing what sort of gun it was, did it have a light trigger, was the person holding it shaking, a man or a woman, or a child?

Location, in a house, a disused factory, a shop, a petrol station, the side of the road.

So, where was Jack?

Something like:  “He had gone down to the corner shop to get a pack of cigarettes.”

For himself or someone else?  Is it day, is it night, or somewhere in between?

Something like:  “He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp, and came through the door, the sound of the bell ringing loudly and the door bashed into it.”

So, Jack’s state of mind, he is in a hurry, careless coming through the door, not expecting anything out of the ordinary.

How would you react when you saw a gun, pointed at Alphonse until the sound of the door warning bell attracted the gunman’s attention?

Is it a gunman?

Something like:  “It took a second, perhaps three, to sum up the situation.  Young girl, about 16 or 17, scared, looking sideways at a man on the ground, Alphonse, and then Jack.  A Luger, German, a relic of WW2, perhaps her father’s souvenir, now pointing at him.”

The punch line:  Cigarettes can kill in more ways than one.

The revelation:  The corner store also supplied the local drug addicts.

The revised start is now:

Jack was staring down the barrel of a gun.

He had gone down to the corner shop to get a pack of cigarettes.

He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp.  His momentum propelled him through the door, causing the customer warning bell to ring loudly as the door bashed into it, and before the sound had died away, he knew he was in trouble.

It took a second, perhaps three, to sum up the situation. 

Young girl, about 16 or 17, scared, looking sideways at a man on the ground, then Alphonse, and then Jack.  He recognized the gun, a Luger, German, relic of WW2, perhaps her father’s souvenir, now pointing at him then Alphonse, then back to him.

Jack to another second or two to consider if he could disarm her.  No, the distance was too great.  He put his hands out where she could see them.  No sudden movements, try to remain calm, his heart rate up to the point of cardiac arrest.

Pointing with the gun, she said, “Come in, close the door, and move towards the counter.”

Everything but her hand steady as a rock.  The only telltale sign of stress, the bead of perspiration on her brow.  It was 40 degrees Fahrenheit in the shop.

Jack shivered and then did as he was told.  She was in an unpredictable category.

“What’s wrong with your friend?”  Jack tried the friendly approach, as he took several slow steps sideways towards the counter.

The shopkeeper, Alphonse, seemed calmer than usual, or the exact opposite spoke instead, “I suspect he’s an addict, looking for a score.  At the end of his tether, my guess, and came to the wrong place.” 

Wrong time, wrong place, in more ways than one Jack thought, now realizing he had walked into a very dangerous situation.  She didn’t look like a user.  The boy on the ground, he did, and he looked like he was going through the beginnings of withdrawal.

 “Simmo said you sell shit.  You wanna live, ante up.”  She was glaring at Alphonse. 

The language was not her own, she had been to a better class of school, a good girl going through a bad boy phase.

Nest time, point of view.

…

© Charles Heath 2016-2021

There’s always the necessity for creating backstories so that the reader doesn’t come across a part of the story that doesn’t make sense.

Perhaps one of my failings is that I have to go over what I’ve already written, sometimes to make sure there is continuity and that what I’ve written makes sense.

This collection of memories our main character is having serves the purpose of setting up later plot points, but more importantly, is supposed to give the reader an idea of what the main character has gone through before arriving at the start of the story.

This part will serve to provide a little more information on the relationship between Bill and Barry, though I rather like the nickname I gave him.

“Bastards,” Killer muttered.

We called him ‘Killer’ because it was the nickname the Army had given him.  We were sharing the guard duty and had spoken briefly over the watch, but up till then, the silence had stretched over an hour or so.  It didn’t take long for anyone to realize he was a man of few words.

He’d been in the regular army for years and asked for the posting.  He’d made Sergeant several times, only to lose those same stripes for fighting, usually after R&R and a bout of heavy drinking.  Now assigned to our platoon to lend his experience, the conscripts were expecting him to ‘look after’ them.  Other than myself and the Lieutenant, he was the only other regular soldier.  Unfortunately for them, he hated both conscripts and the Viet Cong in varying degrees, and depending on his mood there was little tolerance left for the rest of us.

“The people who sent us here or the people trying to kill us?” I asked before I realized I’d spoken.

I didn’t hear the reply, the skies opening up with another torrential downpour that lasted for about five minutes, and going as fast as it came.  When the sun finally came up, it would make the atmosphere steamy, hot, and unbearable.  It was quite warm now, and I was feeling both uncomfortable, and fatigued.

Killer looked just as stoic as he had before the rain.  He looked at me.  “Damn weather.  Worse than home.”

“Scotland?”

“Scapa Flow, Kirkwall.  I should have been an engineer on ships like my father, but I was too stupid.  Joined the Army, finished up here.  What’s your excuse?”

“Square peg in a round hole.  The army seems to handle us in its stride.”  It was more or less the truth.  I joined the Army to get away from my parents.

“That it does.  That it does.”

The rain came and went, during which the rest of the camp roused and went about its business.  It had been a long night for some, still getting over the shock of the attack, and the ever-pervading thought the enemy was still out there, biding their time.  It would be, for them, a waiting game, waiting for the conditions to wear us down, and lose concentration as inevitably we would.

Certainly, by the time we were relieved from sentry duty, I felt I was in no condition to match wits with a donkey, let alone the enemy on his own home ground.  When I stumbled over to the mess area and looked at the tired and haggard looks on the faces of the platoon, I realized that went for all of us.

Killer and I managed to get about an hour’s rest before the call came to move out, rain or no rain, and after a breakfast to make anyone ill, we left.  For hours it rained.  No one spoke as we strained to listen over the rain spattering on the undergrowth, all the time expecting the unexpected.  That was the benefit of the surprise attack; we no longer took for granted we would be safe.

Water gathered in pools along the trail, hiding any chance of seeing landmines.  Rainwater and sweat ran into our eyes, making it difficult to see.  Water leaked everywhere, making it very uncomfortable.  This was not war.  This was utter stupidity.

I was about to remark on the futility of it all to the Lieutenant, who had taken the lead, when one second he was talking to me and the next he crashed to the ground, a sniper’s bullet killing him instantly.   Someone yelled “Contact” and we hit the ground, bullets flying all around us. 

Too late, I thought, as I felt the hit of what seemed to be a large rock, then the searing pain in my leg, just as I hit the ground…

 

© Charles Heath 2015-2021