A Long Day’s Journey into Night

That was the name of a play, the script of which I once took out of a library, but never got around to reading it.

It sparked a momentary interest in Eugene O’Neill’s work, but I found it a little hard to understand. Of course, back then, when I knew little about anything, it was basically a mystery.

It did fuel a brief dalliance with books with a deeper meaning for a short time, one of which was Alan Sillitoe’s Saturday Night and Sunday Morning, but more intriguing of his works was called The Loneliness of the Long-Distance Runner.

While it could be said the literal meaning of that title was rather true, having done a little long-distance running mostly in the final years of school, and realizing it was a lonely sport, it was probably the first time I discovered allegory.

But aside from all that, it led to a foray into more salacious books such as The Postman Always Rings Twice.

And, don’t get me started on D H Lawrence’s Lady Chatterley’s Lover.

However, I’m doing my usual digression, so back to the point…

Taking it in the literal sense, you can do a long day’s work, not get finished by the time you are supposed to go home, and then decide to burn the midnight oil, i.e., work on into the night.

And some days, you know the ones, where time literally drags, and it feels like forever before it’s time to go home, sometimes in darkness, for a variety of reasons, not just the obvious!

Other times, like when reading a good book, you pick it up in the morning, and the next thing you know, it’s night, and the day is gone. That was a ‘journey’ but a pleasant one. Long ago, that used to happen to me a lot.

Now, I hardly get time to read, let alone write, and for some strange reason, retirement is much harder than being at work.

Perhaps I should have taken those time management courses when they were offered.

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years. Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modeled Harry and his office on it. Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life. I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I image back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister. And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021. It even has a cover.

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A photograph from the inspirational bin – 9

…

I remeber once being told that if you shoot for the moon, you’ll land in the clouds, if you shoot for the tree tops, you’ll finish up back where you started from.

It was a silly analogy, but I always remembered it when I looked up at the sky and saw clouds.

That was back in those hazy carefree days just after you were finished with school and you had your whole life in front of you. Your parents were there as the safety net, and were still proud of your scholastic achievements, and were not in too much of a hurry to hustle you out of the house.

But what happened when there’s a recession that came upon everyone without any warning.

Stocks plummeted, people lost their life’s savings, those with mortgages and loans suddenly finding that along with unemployment came no income, no ability to pay the bills, and therefore lost everything.

Although I never said it, I was thinking what good was an education when the whole world had gone to hell in a handbasket.

Two things I remember from back then, which in the context of disaster, wasn’t all that long ago. Firstly, my father making us children go camping from before we could walk, and with it, to survive with nothing but the clothes on our backs, and our wits.

It had happened to him, as a member of am expedition in Africa in his younger days, thinking that he might become the next great explorer, or archeologist, and finishing up getting lost, even though he asserted the other members had deliberately left him behind.

And secondly, that it was essential that we forge working relationships with any and all those who were like minded, such as those who wanted to be saved, not those who expected everyone else to so the work. It was obvious he had met a lot of those type of people too.

It served us well.

When nations began turning on each other, when essential resources like electricity and fuel stopped being distributed and rationed, when food suddenly became scarce, that’s when the real trouble started. My father said, at the outset, what would happen, and was glad our mother was not there to see it.

Then, when neighbours attacked neighbours once food became scarce, it was time to leave. The pity of it was, he died defending us, even after offering up some of the food we had stored away, but that had not appeased a hungry or angry mob.

His last words, “Go to where we said we would go, and remember everything I’ve taught you” were etched in my brain, and my brother and I did as he asked.

But, even knowing where we had to go, and how to get there, a plan of action made many years before, and trialled in recent years with success, nothing in the past could have prepared us for the journey.

It was, literally, time to shoot for the moon.

—

“One Last Look”, nothing is what it seems

A single event can have enormous consequences.

A single event driven by fate, after Ben told his wife Charlotte he would be late home one night, he left early, and by chance discovers his wife having dinner in their favourite restaurant with another man.

A single event where it could be said Ben was in the wrong place at the wrong time.

Who was this man? Why was she having dinner with him?

A simple truth to explain the single event was all Ben required. Instead, Charlotte told him a lie.

A single event that forces Ben to question everything he thought he knew about his wife, and the people who are around her.

After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.

From London to a small village in Tuscany, little by little Ben discovers who the woman he married is, and the real reason why fate had brought them together.

It is available on Amazon here: http://amzn.to/2CqUBcz

In a word: Story

All of us writers know what this is, the sort of combination of words that all come together as a story. A tale about anything whether it is true or just plain fiction.

A story can be long, or it can be short. It could be a magazine or newspaper article, it could be what a child tells his or her mother or father when they get into trouble.

Come to think of it, I think that’s where I got an interest in writing stories because as a child I was always in trouble.

Of course, if you are telling certain types of stories,, then it’s bound to be a lie. And made even worse if it is gossip!

That story might even be my interpretation of events, and as it happens, it’s possible no two stories are the same, especially if I and others had witnessed the same event.

This is not to be confused with the other version, storey, which is a single level in a building, one that might have thirty or more stories.

And, just to add to the confusion, living in Brisbane in Australia we have the Storey Bridge.

The cinema of my dreams – I never wanted to go to Africa – Episode 18

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in.

The debriefing team were not quite what I expected, a man and a woman, one a Major, the other a Lieutenant, and it was apparent they had just met before coming into the room.

He was Major Lallo, Army intelligence, and the woman, Lieutenant Jill Monroe, a familiar name as I’m sure I’d heard it before.

Lallo was not a fighting soldier, he was a paperwork man. I suspect he was more at home with an order book, and filing communications though that didn’t explain the rank, which he would have to have front line experience to attain.

Monroe looked to me to be the sort of woman soldier that had to prove she was better than any man and had the muscular form to go with it. Not the sort of a woman to get into a fight over or against.

She stood at the end of the bed, and I suspect by her posture that she was there to make sure I didn’t run, which, by the way, was physically impossible.

Lallo sat in the chair beside the bed, tried to make himself comfortable. He was going to ask the questions. He had a small notebook he took out of his pocket with a list of questions. The small pencil that slotted into the binding was there to write down the answers if any. I was not sure I was up to answer any questions.

Settled, he started with, “You don’t have to answer, but I suggest you do. I think by now you are starting to realise that, no matter how strong you think you might be, you’re not. If you decided to be unforthcoming, then you can be assured that we will be interrogating you with a lot more, shall we say, enthusiasm than in the past.”

By the way he said it, I got the impression he would be the one. His tone had changed suddenly, to a man who enjoyed others discomfort, and he was looking forward to breaking me if it came to that.

“And if I don’t have the answers to your questions, or should I say, not the answers you are expecting, what then?”

“One step at a time. We’ll start with the easy questions first.”

I’m not quite sure what he classified as easy. I didn’t think there were any.

“How long have you been at this base?”

Maybe I was wrong. “Two months, three days.”

“How did your transfer to this specific base come about?”

“I don’t know. I was at a training base in Ohio one day, then being presented with orders to get the next transport out the next.”

“Did you, or someone else you know, request your transfer to a new base?”

I didn’t think that was possible. Someone of my rank went where they were told to go.

“No. I’m a Sergeant, not a General.”

But was it possible Colonel Bamfield arranged for me to be transferred. Given the fact he was here, now, it was not beyond the realms of possibility. But if so, why?

“What was your function at your last base?”

What had this to do with my current situation or anything else for that matter?

“Instructor.”

“In what?”

“Infiltration, covert operations.”

“And I’m assuming then you been involved in these, shall we say, covert operations?”

No use denying it. It was obvious he had seen my file, which all of a sudden had some very disturbing possibilities. Just how much information though.

“Yes, but they’re classified and I can’t tell you anything and that.”

“Normally that would be the case, but…” He left the sentence hanging there for a few seconds before adding, “There was a problem with your last operation, the reason, it appears, you were transferred to the training base in Ohio. Is that correct?”

A mission that I had been told never to mention, speak of to anyone, no matter how high their rank in the military or government, or even think about again.

A mission I was told had been buried so deep it would never see the light of day.

Until now.

Writing about writing a book – Day 18

It’s time to go back to working on Bill’s backstory now that we’ve filled in some of the gaps.

Like some TV shows and books, some of the action sometimes takes the form of flashbacks.

In Starburst, Bill has a complete backstory, of a time that he had mainly forced into the deep dark part of his memory, waiting for something or someone to trigger it.

This whole back story, from the moment he entered the war zone, to the moment his war ended, and those that participated throughout that time, will be in the form of flashbacks, the first of which is triggered by the painkiller Bill is given after being shot in the Aitcheson incident.

These flashbacks will not necessarily be in any sort of order, but I have been thinking about this part of the story and produced an outline of the sequences I will require, give or take. There may be more, or less, depending on how the story progresses.

Part 1 – From arrival in the war zone to being assigned to Davenport’s squad

Being sent to, and the first patrol in Vietnam

Death and mayhem some months after sent to Vietnam

First meeting Barry in army mobile hospital

R and R in Saigon, with the first of the Vietnamese girls

Psychiatric help, time in the stockade

No soldier who trains for war, nor can they have a real idea what war is like, and certainly a war in the jungle, on the enemy’s terms. Bill is like any other soldier, happy to go into service, but soon the reality, and death becomes apparent.

Endless rain, endless heat, endless and sometimes needless death, and a deep mistrust of those whom you are supposed to protect, start to work on the mind of a person young enough not to understand what is going on.

Then, when trying to blot out the memories of death, enemy and friend alike, something has to give. Of course, the last place you want to end up in the stockade.

Part 2 – A lifeline, and a pass into the so-called Davenport Operation

Training as a spy?

Colonel, calling Bill into a briefing on the Davenport operation

Talking to the Commanding officer in Stockade, as a preliminary to Davenport service

Was Bill sent to the stockade because he committed an act of folly, or his incarceration a part of a much larger plan, a plan to have an inside man to report on Davenport?

It’s not the first time someone higher up the chain of command has had ideas of trying to find out what Davenport is doing, and where only rumors abound of his ‘interests’. Agents had been sent in before, and those agents had disappeared.

Was Bill about to be the next, or was he just in the wrong place at the wrong time?

There is more, but I’m still working on it.

Memories of the conversations with my cat – 87

As some may be aware, but many not, Chester, my faithful writing assistant, mice catcher, and general pain in the neck, passed away some months ago.

Recently I was running a series based on his adventures, under the title of Past Conversations with my cat.

For those who have not had the chance to read about all of his exploits I will run the series again from Episode 1

These are the memories of our time together…

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This is Chester. He was looking very benign before he left.

Now I can’t find him.

Anywhere.

He’s in none of the usual hiding spots.

He’s not hiding under any of the beds.

He’s not hiding in any of the cupboards.

I’m worried.

He’s planning something. It might be my demise. I’m still trying to figure out what he could gain from my death. Not having to listen to me reading chapters of my books?

That, to him, might be a blessing.

I found a magazine on the floor open at an article entitled, ‘Ways to check if your spouse is trying to kill you’.

It’s got me doubly worried now.

I saw him on the kitchen bench near my coffee cup.

How hard could it be for him to dip his paw into some poison or other and then put it in my coffee cup?

That expressionless expression gives him away.

It’s what he’s not saying that’s telling me everything.

Behind that bland face, there’s the heart of a plotter, plotting something bigger than blowing up parliament by Guy Faulks.

I’m going to keep a very close eye on him. Very, very close.

When I find where he’s hiding.

The story behind the story – Echoes from the Past

The novel ‘Echoes from the past’ started out as a short story I wrote about 30 years ago, titled ‘The birthday’.

My idea was to take a normal person out of their comfort zone and led on a short but very frightening journey to a place where a surprise birthday party had been arranged.

Thus the very large man with a scar and a red tie was created.

So was the friend with the limousine who worked as a pilot.

So were the two women, Wendy and Angelina, who were Flight Attendants that the pilot friend asked to join the conspiracy.

I was going to rework the short story, then about ten pages long, into something a little more.

And like all re-writes, especially those I have anything to do with, it turned into a novel.

There was motivation. I had told some colleagues at the place where I worked at the time that I liked writing, and they wanted a sample. I was going to give them the re-worked short story. Instead, I gave them ‘Echoes from the past’

Originally it was not set anywhere in particular.

But when considering a location, I had, at the time, recently been to New York in December, and visited Brooklyn and Queens, as well as a lot of New York itself. We were there for New Years, and it was an experience I’ll never forget.

One evening we were out late, and finished up in Brooklyn Heights, near the waterfront, and there was rain and snow, it was cold and wet, and there were apartment buildings shimmering in the street light, and I thought, this is the place where my main character will live.

It had a very spooky atmosphere, the sort where ghosts would not be unexpected. I felt more than one shiver go up and down my spine in the few minutes I was there.

I had taken notes, as I always do, of everywhere we went so I had a ready supply of locations I could use, changing the names in some cases.

Fifth Avenue near the Rockefeller center is amazing at first light, and late at night with the Seasonal decorations and lights.

The original main character was a shy and man of few friends, hence not expecting the surprise party. I enhanced that shyness into purposely lonely because of an issue from his past that leaves him always looking over his shoulder and ready to move on at the slightest hint of trouble. No friends, no relationships, just a very low profile.

Then I thought, what if he breaks the cardinal rule, and begins a relationship?

But it is also as much an exploration of a damaged soul, as it is the search for a normal life, without having any idea what normal was, and how the understanding of one person can sometimes make all the difference in what we may think or feel.

And, of course, I wanted a happy ending.

Except for the bad guys.

Get it here: https://amzn.to/2CYKxu4

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