“Trouble in Store” – Short stories my way: Editing (1)

First drafts are always a little messy.  The words spill out onto the page, and it’s rare that any or all of them are perfect.  Sometimes you get lucky, but most of the time you don’t.

That’s why there’s revision, or by the more dreaded name, editing.

Editing conjures up a lot of different images in my mind, from completely re-writing, to cutting the mss down in size.  Or where you discover the main character’s name has changed from Bill to Fred after a bad night.

Usually, though, as stories progress, they go through a number of rewrites, and sometimes because of what follows.  It depends on how long a period the story is written.  Some of mine take days, others quite a lot longer.

This is the rewrite of the first section of the short story I’m undertaking, adding some new details:

 

Jack was staring down the barrel of a gun.

He had gone down to the corner shop to get a pack of cigarettes.

He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp.  His momentum propelled him through the door, causing the customer warning bell to ring loudly as the door bashed into it, and before the sound had died away, he knew he was in trouble.

It took a second, perhaps three, to sum up the situation. 

Young girl, about 16 or 17, scared, looking sideways at a man on the ground, then Alphonse, and then Jack.  He recognized the gun, a Luger, German, relic of WW2, perhaps her father’s souvenir, now pointing at him then Alphonse, then back to him.

Jack to another second or two to consider if he could disarm her.  No, the distance was too great.  He put his hands out where she could see them.  No sudden movements, try to remain calm, his heart rate up to the point of cardiac arrest.

Pointing with the gun, she said, “Come in, close the door, and move towards the counter.”

Everything but her hand steady as a rock.  The only telltale sign of stress, the beads of perspiration on her brow.  It was 40 degrees Fahrenheit in the shop.

Jack shivered, and then did as he was told.  She was in the unpredictable category.

“What’s wrong with your friend?”  Jack tried the friendly approach, as he took several slow steps sideways towards the counter.

The shopkeeper, Alphonse, seemed calmer than usual, or the exact opposite spoke instead, “I suspect he’s an addict, looking for a score.  At the end of his tether, my guess, and came to the wrong place.”

Wrong time, wrong place, in more ways than one Jack thought, now realizing he had walked into a very dangerous situation.  She didn’t look like a user.  The boy on the ground, he did, and he looked like he was going through the beginnings of withdrawal.

 “Simmo said you sell shit.  You wanna live, ante up.”  She was glaring at Alphonse. 

The language, Jack thought, was not her own, she had been to a better class of school, a good girl going through a bad boy phase. Caught in a situation she was not equipped to deal with.

 

© Charles Heath 2016-2020

An excerpt from “The Things We Do For Love”

In the distance he could hear the dinner bell ringing and roused himself.  Feeling the dampness of the pillow, and fearing the ravages of pent up emotion, he considered not going down but thought it best not to upset Mrs. Mac, especially after he said he would be dining.

In the event, he wished he had reneged, especially when he discovered he was not the only guest staying at the hotel.

Whilst he’d been reminiscing, another guest, a young lady, had arrived.  He’d heard her and Mrs. Mac coming up the stairs, and then shown to a room on the same floor, perhaps at the other end of the passage.

Henry caught his first glimpse of her when she appeared at the door to the dining room, waiting for Mrs. Mac to show her to a table.

She was about mid-twenties, slim, long brown hair, and the grace and elegance of a woman associated with countless fashion magazines.  She was, he thought, stunningly beautiful with not a hair out of place, and make-up flawlessly applied.  Her clothes were black, simple, elegant, and expensive, the sort an heiress or wife of a millionaire might condescend to wear to a lesser occasion than dinner.

Then there was her expression; cold, forbidding, almost frightening in its intensity.  And her eyes, piercingly blue and yet laced with pain.  Dracula’s daughter was his immediate description of her.

All in all, he considered, the only thing they had in common was, like him, she seemed totally out of place.

Mrs. Mac came out of the kitchen, wiping her hands on her apron.  She was, she informed him earlier, chef, waitress, hotelier, barmaid, and cleaner all rolled into one.  Coming up to the new arrival she said, “Ah, Miss Andrews, I’m glad you decided to have dinner.  Would you like to sit with Mr. Henshaw, or would you like to have a table of your own?”

Henry could feel her icy stare as she sized up his appeal as a dining companion, making the hair on the back on his neck stand up.  He purposely didn’t look back.  In his estimation, his appeal rating was minus six.  Out of a thousand!

“If Mr. Henshaw doesn’t mind….”  She looked at him, leaving the query in mid-air.

He didn’t mind and said so.  Perhaps he’d underestimated his rating.

“Good.”  Mrs. Mac promptly ushered her over.  Henry stood, made sure she was seated properly and sat.

“Thank you.  You are most kind.”  The way she said it suggested snobbish overtones.

“I try to be when I can.”  It was supposed to nullify her sarcastic tone but made him sound a little silly, and when she gave him another of her icy glares, he regretted it.

Mrs. Mac quickly intervened, asking, “Would you care for the soup?”

They did, and, after writing the order on her pad, she gave them each a look, imperceptibly shook her head, and returned to the kitchen.

Before Michelle spoke to him again, she had another quick look at him, trying to fathom who and what he might be.  There was something about him.

His eyes, they mirrored the same sadness she felt, and, yes, there was something else, that it looked like he had been crying?  There was a tinge of redness.

Perhaps, she thought, he was here for the same reason she was.

No.  That wasn’t possible.

Then she said, without thinking, “Do you have any particular reason for coming here?”  Seconds later she realized she’s spoken it out loud, had hadn’t meant to actually ask, it just came out.

It took him by surprise, obviously not the first question he was expecting her to ask of him.

“No, other than it is as far from civilization, and home, as I could get.”

At least we agree on that, she thought.

It was obvious he was running away from something as well.

Given the isolation of the village and lack of geographic hospitality, it was, from her point of view, ideal.  All she had to do was avoid him, and that wouldn’t be difficult.

After getting through this evening first.

“Yes,” she agreed.  “It is that.”

A few seconds passed, and she thought she could feel his eyes on her and wasn’t going to look up.

Until he asked, “What’s your reason?”

Slight abrupt in manner, perhaps as a result of her question, and the manner in which she asked it.

She looked up.  “Rest.  And have some time to myself.”

She hoped he would notice the emphasis she had placed on the word ‘herself’ and take due note.  No doubt, she thought,  she had completely different ideas of what constituted a holiday than he, not that she had actually said she was here for a holiday.

Mrs. Mac arrived at a fortuitous moment to save them from further conversation.

 

Over the entree, she wondered if she had made a mistake coming to the hotel.  Of course, there had been no possible way she could know than anyone else might have booked the same hotel, but realized it was foolish to think she might end up in it by herself.

Was that what she was expecting?

Not a mistake then, but an unfortunate set of circumstances, which could be overcome by being sensible.

Yet, there he was, and it made her curious, not that he was a man, by himself, in the middle of nowhere, hiding like she was, but for very different reasons.

On discreet observance whilst they ate, she gained the impression his air of light-heartedness was forced and he had no sense of humor.

This feeling was engendered by his looks, unruly dark hair, and permanent frown.  And then there was his abysmal taste in clothes on a tall, lanky frame.  They were quality but totally unsuited to the wearer.

Rebellion was written all over him.

The only other thought crossing her mind, and rather incongruously, was he could do with a decent feed.  In that respect, she knew now from the mountain of food in front of her, he had come to the right place.

“Mr. Henshaw?”

He looked up.  “Henshaw is too formal.  Henry sounds much better,” he said, with a slight hint of gruffness.

“Then my name is Michelle.”

Mrs. Mac came in to take their order for the only main course, gather up the entree dishes, then return to the kitchen.

“Staying long?” she asked.

“About three weeks.  Yourself?”

“About the same.”

The conversation dried up.

Neither looked at the other, rather at the walls, out the window, towards the kitchen, anywhere.  It was, she thought, almost unbearably awkward.

 

Mrs. Mac returned with a large tray with dishes on it, setting it down on the table next to theirs.

“Not as good as the usual cook,” she said, serving up the dinner expertly, “but it comes a good second, even if I do say so myself.  Care for some wine?”

Henry looked at Michelle.  “What do you think?”

“I’m used to my dining companions making the decision.”

You would, he thought.  He couldn’t help but notice the cutting edge of her tone.  Then, to Mrs. Mac, he named a particular White Burgundy he liked and she bustled off.

“I hope you like it,” he said, acknowledging her previous comment with a smile that had nothing to do with humor.

“Yes, so do I.”

Both made a start on the main course, a concoction of chicken and vegetables that were delicious, Henry thought, when compared to the bland food he received at home and sometimes aboard my ship.

It was five minutes before Mrs. Mac returned with the bottle and two glasses.  After opening it and pouring the drinks, she left them alone again.

Henry resumed the conversation.  “How did you arrive?  I came by train.”

“By car.”

“Did you drive yourself?”

And he thought, a few seconds later, that was a silly question, otherwise she would not be alone, and certainly not sitting at this table. With him.

“After a fashion.”

He could see that she was formulating a retort in her mind, then changed it, instead, smiling for the first time, and it served to lighten the atmosphere.

And in doing so, it showed him she had another more pleasant side despite the fact she was trying not to look happy.

“My father reckons I’m just another of ‘those’ women drivers,” she added.

“Whatever for?”

“The first and only time he came with me I had an accident.  I ran up the back of another car.  Of course, it didn’t matter to him the other driver was driving like a startled rabbit.”

“It doesn’t help,” he agreed.

“Do you drive?”

“Mostly people up the wall.”  His attempt at humor failed.  “Actually,” he added quickly, “I’ve got a very old Morris that manages to get me where I’m going.”

The apple pie and cream for dessert came and went and the rapport between them improved as the wine disappeared and the coffee came.  Both had found, after getting to know each other better, their first impressions were not necessarily correct.

“Enjoy the food?” Mrs. Mac asked, suddenly reappearing.

“Beautifully cooked and delicious to eat,” Michelle said, and Henry endorsed her remarks.

“Ah, it does my heart good to hear such genuine compliments,” she said, smiling.  She collected the last of the dishes and disappeared yet again.

“What do you do for a living,” Michelle asked in an off-hand manner.

He had a feeling she was not particularly interested and it was just making conversation.

“I’m a purser.”

“A what?”

“A purser.  I work on a ship doing the paperwork, that sort of thing.”

“I see.”

“And you?”

“I was a model.”

“Was?”

“Until I had an accident, a rather bad one.”

“Oh, I’m sorry.”

So that explained the odd feeling he had about her.

As the evening had worn on, he began to think there might be something wrong, seriously wrong with her because she didn’t look too well.  Even the carefully applied makeup, from close up, didn’t hide the very pale, and tired look, or the sunken, dark ringed eyes.

“I try not to think about it, but it doesn’t necessarily work.  I’ve come here for peace and quiet, away from doctors and parents.”

“Then you will not have to worry about me annoying you.  I’m one of those fall-asleep-reading-a-book types.”

Perhaps it would be like ships passing in the night and then smiled to himself about the analogy.

Dinner now over, they separated.

Henry went back to the lounge to read a few pages of his book before going to bed, and Michelle went up to her room to retire for the night.

But try as he might, he was unable to read, his mind dwelling on the unusual, yet the compellingly mysterious person he would be sharing the hotel with.

Overlaying that original blurred image of her standing in the doorway was another of her haunting expressions that had, he finally conceded, taken his breath away, and a look that had sent more than one tingle down his spine.

She may not have thought much of him, but she had certainly made an impression on him.

 

© Charles Heath 2015-2020

lovecoverfinal1

“Trouble in Store” – Short Stories my way: The end of the story

The stage is set for the big finale, though I’m not quite sure how ‘big’ it’s going to be.

Jack is ready to go having been given the green light by the girl with the gun.  It seems collateral damage is not on the agenda for her, though he does admit to himself she is between that proverbial rock and a hard place.

The storekeeper still has a plan, shaky at best, to regain hold of the situation, once the customer is out of the shop.  Nervy or not, he doesn’t think she had the capability to pull the trigger.  He knows what sort of person it takes to do that, and she isn’t one of them.

The policewoman is not sure what to expect but thinks that surprise is on her side, and whatever is going on, she will be able to resolve it.  She has her weapon drawn and ready to use.  She had yet to shoot anyone with it

The girl is at the point of no return, that point where she had nothing left to lose.  Anything she had before was gone, destroyed by the choices she’d made.  No one ever handed out a manual on how you should live your life, or provide a list of people you should avoid, and her father’s prophetic words the last time they men came home with a thud, ‘your life is defined by the choices you make’.

She was not going to jail so it was going to be death or glory.

 

Now read on:

 

Jack had heard there were moments where, in a split second, your whole life flashes before your eyes.  He did, and what he saw he didn’t like.

But, then, neither was he very happy about the fact he was nearly out the door before the policewoman on the other side crashed into him and sent him sprawling to the floor.

That was about the same fraction of a second he heard the gun go off, twice, or so he thought and knew he was a dead man, waiting for the bullet.

Another fraction of a second passed as the policewoman tried to unravel the mess they’d become, and at that moment in time felt the tugging at his sleeve and then, as if in slow motion, the sound of the glass door disintegrating behind him.

 

Annalisa was quite prepared to let the customer go.

She kept one eye on the shopkeeper and one on the customer, sidling towards the door.  The gun was ready to shoot the first person who made a wrong move.

Or so she told herself.  It was getting heavy in her hand, she was shaking almost uncontrollably now, and was getting more and more frightened of the consequences.  She didn’t think, if she aimed, she could hit the side of a barn let alone a person standing ten feet away from her.

The customer reached the door.

At exactly the moment he put his hand 0on the door handle to open the door, another person was pushing the door, trying to make their way in.

With force.

She saw the blue cap, guess it was the police, though she hadn’t heard the siren, but also guessed the shopkeeper might have a silent alarm.

Damn.

A single shot, instantly in the direction of the door, not necessarily aimed at the two people now collapsing to the floor in a tangled mess, but at the door itself.

The impact, yet another guess, might shatter the glass and make it easier to escape.

After one more job.

The hell with Simmo.  He’d dragged her down the rabbit hole far enough.  Simmo knew her first name, that she had rich parents, but nothing else.  Besides, he was in such bad shape she didn’t think he’d recover.

The shopkeeper had no idea who she was, it was the first time she’d been to his shop, and now, after a few weeks with Simmo, not ever her mother would recognize her.

She swiveled the gun and aimed it at the shopkeeper and pulled the trigger.,  One less dealer in the city was good news not bad.

She saw it hit, not exactly where, but it caused him to twist and start falling to the ground, at the same time letting out a very loud scream.  Panic or anger?

She wasn’t waiting to find out.

A last glance at Simmo, now down for the count, she ran for the door, past the two on the floor, what she could now see was a policewoman with her weapon drawn, but unable to use it.

She crashed through the remainder of the glass shards put into the street and ran.

In the distance she could hear a police car coming, siren blaring.  A warning if there was ever one to run harder, up the road, down an alley, out into another street, then down into the subway.

Gone.

 

It took fifteen seconds to disentangle herself from the customer, pushing him away, and getting to her feet, weapon aimed.

At nothing but air.

The girl had gone, and then she had the vague recollection of a shadow passing her as she was facing the other way getting to her feet.

And running out the door.

Five more valuable seconds as her brain processed this piece of information before it issued the command to go out the door and see which way she went.

Another ten seconds to get out the door, and see the police car coming from the same direction she had earlier, screeching to a halt outside the shop, a car door opening, and an officer getting out.

Margaret was guessing at the driver to drive down the road where she guessed the girl had run, managing to yell breathlessly at the office getting out, “She’s gone that way,” and pointing.

The officer relayed the message and closed the door as the car sped off.

“What happened?”

“Shots fired by a woman, more a girl, in the process of a robbery.”

She ran back inside the officer following.

The customer had moved to a corner and was standing, testing his limbs, with an expression that said he was amazed he was still alive.

“Over behind the counter.  She shopkeeper.  He was standing there.”

The policeman rounded the end of the counter and looked down.  “He’s here.  It’s not looking good.”

Margaret didn’t hear him.  She was calling an ambulance.

 

Next:  Perhaps some editing

 

© Charles Heath 2016-2020

 

In a word: Right

Am I right?  Or is that correct?

In the moral sense, or in answering a question?

Do I have a right to …

As an entitlement?

Maybe

But right means generally to be correct, but the word itself can be used, like many others in a variety of ways

Such as, do we have any rights any more, since the government is slowly shutting down our freedoms, and, you guessed it, rights.

What about a right angle, we know this as being an angle of 90 degrees

How about I right a wrong, returning a bad situation to a good one?

Are you left-handed or right-handed?

Are you one of those people who can’t tell their left from their right?

And who was it that decided what was your left or your right, ever thought about that?  I didn’t until just now.  Good luck finding an answer on Google.

And how many times have you wished you were in the right place at the right time???

Then, of course, if English is a second language, how about confusing right with write.

Means something quite different, doesn’t it?

How about rite?  Yes, I guess if we were in the habit of chopping chicken heads off and dancing around a fire, that might be its meaning,

But…

It too has a lot of different meanings

Are you confused yet?

Inspiration, maybe – Volume 1

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

lookingdownfromcoronetpeak

And the story:

It was once said that a desperate man has everything to lose.

The man I was chasing was desperate, but I, on the other hand, was more desperate to catch him.

He’d left a trail of dead people from one end of the island to the other.

The team had put in a lot of effort to locate him, and now his capture was imminent.  We were following the car he was in, from a discrete distance, and, at the appropriate time, we would catch up, pull him over, and make the arrest.

There was nowhere for him to go.

The road led to a dead-end, and the only way off the mountain was back down the road were now on.  Which was why I was somewhat surprised when we discovered where he was.

Where was he going?

“Damn,” I heard Alan mutter.  He was driving, being careful not to get too close, but not far enough away to lose sight of him.

“What?”

“I think he’s made us.”

“How?”

“Dumb bad luck, I’m guessing.  Or he expected we’d follow him up the mountain.  He’s just sped up.”

“How far away?”

“A half-mile.  We should see him higher up when we turn the next corner.”

It took an eternity to get there, and when we did, Alan was right, only he was further on than we thought.”

“Step on it.  Let’s catch him up before he gets to the top.”

Easy to say, not so easy to do.  The road was treacherous, and in places just gravel, and there were no guard rails to stop a three thousand footfall down the mountainside.

Good thing then I had the foresight to have three agents on the hill for just such a scenario.

Ten minutes later, we were in sight of the car, still moving quickly, but we were going slightly faster.  We’d catch up just short of the summit car park.

Or so we thought.

Coming quickly around another corner we almost slammed into the car we’d been chasing.

“What the hell…” Aland muttered.

I was out of the car, and over to see if he was in it, but I knew that it was only a slender possibility.  The car was empty, and no indication where he went.

Certainly not up the road.  It was relatively straightforward for the next mile, at which we would have reached the summit.  Up the mountainside from here, or down.

I looked up.  Nothing.

Alan yelled out, “He’s not going down, not that I can see, but if he did, there’s hardly a foothold and that’s a long fall.”

Then where did he go?

Then a man looking very much like our quarry came out from behind a rock embedded just a short distance up the hill.

“Sorry,” he said quite calmly.  “Had to go if you know what I mean.”

I’d lost him.

It was as simple as that.

I had been led a merry chase up the hill, and all the time he was getting away in a different direction.

I’d fallen for the oldest trick in the book, letting my desperation blind me to the disguise that anyone else would see through in an instant.

It was a lonely sight, looking down that road, knowing that I had to go all that way down again, only this time, without having to throw caution to the wind.

“Maybe next time,” Alan said.

“We’ll get him.  It’s just a matter of time.”

© Charles Heath 2019-2021

Find this and other stories in “Inspiration, maybe”  available soon.

InspirationMaybe1v1

Searching for locations: The Castello di Brolio, Gaiole in Chianti, Tuscany, Italy

The castle is located in the southern Chianti Classico countryside and has been there for over ten centuries, and owned by the Ricasoli family since 1141.

Like any good castle, it has strong defences, and I was looking for a moat and drawbridge, but it looks like the moat has become a lawn.

The very high walls in places no doubt were built to keep the enemy out

The castle has been destroyed and rebuilt many times over the last 900 years.  It was part of the Florentine defences, and withstood, and succumbed to many battles with Siena, which is only 20 km away.  More recently, it still bears the scars of artillery fire and bombing in WW2.

The room at the top of this tower would have an excellent view of the countryside.

Here you can see the old and the new, the red brick part of the rebuilding in the 1800’s in the style of an English Manor

We did not get to see where that archway led.

Nor what was behind door number one at the top of these stairs.  Rest assured, many, many years ago someone wearing armour would have made the climb.   It would not pass current occupational health and safety these days with a number of stairs before a landing.

Cappella di San Jacopo.  Its foundations were laid in 1348.

Renovated in 1867-1869, it has a gabled façade preceded by a double stone staircase.  The interior, with a crypt where the members of the Ricasoli family are buried, has a nave divided into three spans with cross vaults.

The 1,200 hectares of the property include 240 hectares of vineyards and 26 of olive groves, in the commune of Gaiole.

An excerpt from “The Things We Do For Love”

In the distance he could hear the dinner bell ringing and roused himself.  Feeling the dampness of the pillow, and fearing the ravages of pent up emotion, he considered not going down but thought it best not to upset Mrs. Mac, especially after he said he would be dining.

In the event, he wished he had reneged, especially when he discovered he was not the only guest staying at the hotel.

Whilst he’d been reminiscing, another guest, a young lady, had arrived.  He’d heard her and Mrs. Mac coming up the stairs, and then shown to a room on the same floor, perhaps at the other end of the passage.

Henry caught his first glimpse of her when she appeared at the door to the dining room, waiting for Mrs. Mac to show her to a table.

She was about mid-twenties, slim, long brown hair, and the grace and elegance of a woman associated with countless fashion magazines.  She was, he thought, stunningly beautiful with not a hair out of place, and make-up flawlessly applied.  Her clothes were black, simple, elegant, and expensive, the sort an heiress or wife of a millionaire might condescend to wear to a lesser occasion than dinner.

Then there was her expression; cold, forbidding, almost frightening in its intensity.  And her eyes, piercingly blue and yet laced with pain.  Dracula’s daughter was his immediate description of her.

All in all, he considered, the only thing they had in common was, like him, she seemed totally out of place.

Mrs. Mac came out of the kitchen, wiping her hands on her apron.  She was, she informed him earlier, chef, waitress, hotelier, barmaid, and cleaner all rolled into one.  Coming up to the new arrival she said, “Ah, Miss Andrews, I’m glad you decided to have dinner.  Would you like to sit with Mr. Henshaw, or would you like to have a table of your own?”

Henry could feel her icy stare as she sized up his appeal as a dining companion, making the hair on the back on his neck stand up.  He purposely didn’t look back.  In his estimation, his appeal rating was minus six.  Out of a thousand!

“If Mr. Henshaw doesn’t mind….”  She looked at him, leaving the query in mid-air.

He didn’t mind and said so.  Perhaps he’d underestimated his rating.

“Good.”  Mrs. Mac promptly ushered her over.  Henry stood, made sure she was seated properly and sat.

“Thank you.  You are most kind.”  The way she said it suggested snobbish overtones.

“I try to be when I can.”  It was supposed to nullify her sarcastic tone but made him sound a little silly, and when she gave him another of her icy glares, he regretted it.

Mrs. Mac quickly intervened, asking, “Would you care for the soup?”

They did, and, after writing the order on her pad, she gave them each a look, imperceptibly shook her head, and returned to the kitchen.

Before Michelle spoke to him again, she had another quick look at him, trying to fathom who and what he might be.  There was something about him.

His eyes, they mirrored the same sadness she felt, and, yes, there was something else, that it looked like he had been crying?  There was a tinge of redness.

Perhaps, she thought, he was here for the same reason she was.

No.  That wasn’t possible.

Then she said, without thinking, “Do you have any particular reason for coming here?”  Seconds later she realized she’s spoken it out loud, had hadn’t meant to actually ask, it just came out.

It took him by surprise, obviously not the first question he was expecting her to ask of him.

“No, other than it is as far from civilization, and home, as I could get.”

At least we agree on that, she thought.

It was obvious he was running away from something as well.

Given the isolation of the village and lack of geographic hospitality, it was, from her point of view, ideal.  All she had to do was avoid him, and that wouldn’t be difficult.

After getting through this evening first.

“Yes,” she agreed.  “It is that.”

A few seconds passed, and she thought she could feel his eyes on her and wasn’t going to look up.

Until he asked, “What’s your reason?”

Slight abrupt in manner, perhaps as a result of her question, and the manner in which she asked it.

She looked up.  “Rest.  And have some time to myself.”

She hoped he would notice the emphasis she had placed on the word ‘herself’ and take due note.  No doubt, she thought,  she had completely different ideas of what constituted a holiday than he, not that she had actually said she was here for a holiday.

Mrs. Mac arrived at a fortuitous moment to save them from further conversation.

 

Over the entree, she wondered if she had made a mistake coming to the hotel.  Of course, there had been no possible way she could know than anyone else might have booked the same hotel, but realized it was foolish to think she might end up in it by herself.

Was that what she was expecting?

Not a mistake then, but an unfortunate set of circumstances, which could be overcome by being sensible.

Yet, there he was, and it made her curious, not that he was a man, by himself, in the middle of nowhere, hiding like she was, but for very different reasons.

On discreet observance whilst they ate, she gained the impression his air of light-heartedness was forced and he had no sense of humor.

This feeling was engendered by his looks, unruly dark hair, and permanent frown.  And then there was his abysmal taste in clothes on a tall, lanky frame.  They were quality but totally unsuited to the wearer.

Rebellion was written all over him.

The only other thought crossing her mind, and rather incongruously, was he could do with a decent feed.  In that respect, she knew now from the mountain of food in front of her, he had come to the right place.

“Mr. Henshaw?”

He looked up.  “Henshaw is too formal.  Henry sounds much better,” he said, with a slight hint of gruffness.

“Then my name is Michelle.”

Mrs. Mac came in to take their order for the only main course, gather up the entree dishes, then return to the kitchen.

“Staying long?” she asked.

“About three weeks.  Yourself?”

“About the same.”

The conversation dried up.

Neither looked at the other, rather at the walls, out the window, towards the kitchen, anywhere.  It was, she thought, almost unbearably awkward.

 

Mrs. Mac returned with a large tray with dishes on it, setting it down on the table next to theirs.

“Not as good as the usual cook,” she said, serving up the dinner expertly, “but it comes a good second, even if I do say so myself.  Care for some wine?”

Henry looked at Michelle.  “What do you think?”

“I’m used to my dining companions making the decision.”

You would, he thought.  He couldn’t help but notice the cutting edge of her tone.  Then, to Mrs. Mac, he named a particular White Burgundy he liked and she bustled off.

“I hope you like it,” he said, acknowledging her previous comment with a smile that had nothing to do with humor.

“Yes, so do I.”

Both made a start on the main course, a concoction of chicken and vegetables that were delicious, Henry thought, when compared to the bland food he received at home and sometimes aboard my ship.

It was five minutes before Mrs. Mac returned with the bottle and two glasses.  After opening it and pouring the drinks, she left them alone again.

Henry resumed the conversation.  “How did you arrive?  I came by train.”

“By car.”

“Did you drive yourself?”

And he thought, a few seconds later, that was a silly question, otherwise she would not be alone, and certainly not sitting at this table. With him.

“After a fashion.”

He could see that she was formulating a retort in her mind, then changed it, instead, smiling for the first time, and it served to lighten the atmosphere.

And in doing so, it showed him she had another more pleasant side despite the fact she was trying not to look happy.

“My father reckons I’m just another of ‘those’ women drivers,” she added.

“Whatever for?”

“The first and only time he came with me I had an accident.  I ran up the back of another car.  Of course, it didn’t matter to him the other driver was driving like a startled rabbit.”

“It doesn’t help,” he agreed.

“Do you drive?”

“Mostly people up the wall.”  His attempt at humor failed.  “Actually,” he added quickly, “I’ve got a very old Morris that manages to get me where I’m going.”

The apple pie and cream for dessert came and went and the rapport between them improved as the wine disappeared and the coffee came.  Both had found, after getting to know each other better, their first impressions were not necessarily correct.

“Enjoy the food?” Mrs. Mac asked, suddenly reappearing.

“Beautifully cooked and delicious to eat,” Michelle said, and Henry endorsed her remarks.

“Ah, it does my heart good to hear such genuine compliments,” she said, smiling.  She collected the last of the dishes and disappeared yet again.

“What do you do for a living,” Michelle asked in an off-hand manner.

He had a feeling she was not particularly interested and it was just making conversation.

“I’m a purser.”

“A what?”

“A purser.  I work on a ship doing the paperwork, that sort of thing.”

“I see.”

“And you?”

“I was a model.”

“Was?”

“Until I had an accident, a rather bad one.”

“Oh, I’m sorry.”

So that explained the odd feeling he had about her.

As the evening had worn on, he began to think there might be something wrong, seriously wrong with her because she didn’t look too well.  Even the carefully applied makeup, from close up, didn’t hide the very pale, and tired look, or the sunken, dark ringed eyes.

“I try not to think about it, but it doesn’t necessarily work.  I’ve come here for peace and quiet, away from doctors and parents.”

“Then you will not have to worry about me annoying you.  I’m one of those fall-asleep-reading-a-book types.”

Perhaps it would be like ships passing in the night and then smiled to himself about the analogy.

Dinner now over, they separated.

Henry went back to the lounge to read a few pages of his book before going to bed, and Michelle went up to her room to retire for the night.

But try as he might, he was unable to read, his mind dwelling on the unusual, yet the compellingly mysterious person he would be sharing the hotel with.

Overlaying that original blurred image of her standing in the doorway was another of her haunting expressions that had, he finally conceded, taken his breath away, and a look that had sent more than one tingle down his spine.

She may not have thought much of him, but she had certainly made an impression on him.

 

© Charles Heath 2015-2020

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“Trouble in Store” – Short stories my way: Editing (1)

First drafts are always a little messy.  The words spill out onto the page, and it’s rare that any or all of them are perfect.  Sometimes you get lucky, but most of the time you don’t.

That’s why there’s revision, or by the more dreaded name, editing.

Editing conjures up a lot of different images in my mind, from completely re-writing, to cutting the mss down in size.  Or where you discover the main character’s name has changed from Bill to Fred after a bad night.

Usually, though, as stories progress, they go through a number of rewrites, and sometimes because of what follows.  It depends on how long a period the story is written.  Some of mine take days, others quite a lot longer.

This is the rewrite of the first section of the short story I’m undertaking, adding some new details:

 

Jack was staring down the barrel of a gun.

He had gone down to the corner shop to get a pack of cigarettes.

He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp.  His momentum propelled him through the door, causing the customer warning bell to ring loudly as the door bashed into it, and before the sound had died away, he knew he was in trouble.

It took a second, perhaps three, to sum up the situation. 

Young girl, about 16 or 17, scared, looking sideways at a man on the ground, then Alphonse, and then Jack.  He recognized the gun, a Luger, German, relic of WW2, perhaps her father’s souvenir, now pointing at him then Alphonse, then back to him.

Jack to another second or two to consider if he could disarm her.  No, the distance was too great.  He put his hands out where she could see them.  No sudden movements, try to remain calm, his heart rate up to the point of cardiac arrest.

Pointing with the gun, she said, “Come in, close the door, and move towards the counter.”

Everything but her hand steady as a rock.  The only telltale sign of stress, the beads of perspiration on her brow.  It was 40 degrees Fahrenheit in the shop.

Jack shivered, and then did as he was told.  She was in the unpredictable category.

“What’s wrong with your friend?”  Jack tried the friendly approach, as he took several slow steps sideways towards the counter.

The shopkeeper, Alphonse, seemed calmer than usual, or the exact opposite spoke instead, “I suspect he’s an addict, looking for a score.  At the end of his tether, my guess, and came to the wrong place.”

Wrong time, wrong place, in more ways than one Jack thought, now realizing he had walked into a very dangerous situation.  She didn’t look like a user.  The boy on the ground, he did, and he looked like he was going through the beginnings of withdrawal.

 “Simmo said you sell shit.  You wanna live, ante up.”  She was glaring at Alphonse. 

The language, Jack thought, was not her own, she had been to a better class of school, a good girl going through a bad boy phase. Caught in a situation she was not equipped to deal with.

 

© Charles Heath 2016-2020

“The Devil You Don’t”, be careful what you wish for

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John Pennington’s life is in the doldrums. Looking for new opportunities, prevaricating about getting married, the only joy on the horizon was an upcoming visit to his grandmother in Sorrento, Italy.

Suddenly he is left at the check-in counter with a message on his phone telling him the marriage is off, and the relationship is over.

If only he hadn’t promised a friend he would do a favor for him in Rome.

At the first stop, Geneva, he has a chance encounter with Zoe, an intriguing woman who captures his imagination from the moment she boards the Savoire, and his life ventures into uncharted territory in more ways than one.

That ‘favor’ for his friend suddenly becomes a life-changing event, and when Zoe, the woman who he knows is too good to be true, reappears, danger and death follow.

Shot at, lied to, seduced, and drawn into a world where nothing is what it seems, John is dragged into an adrenaline-charged undertaking, where he may have been wiser to stay with the ‘devil you know’ rather than opt for the ‘devil you don’t’.

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“Trouble in Store” – Short Stories my way: The end of the story

The stage is set for the big finale, though I’m not quite sure how ‘big’ it’s going to be.

Jack is ready to go having been given the green light by the girl with the gun.  It seems collateral damage is not on the agenda for her, though he does admit to himself she is between that proverbial rock and a hard place.

The storekeeper still has a plan, shaky at best, to regain hold of the situation, once the customer is out of the shop.  Nervy or not, he doesn’t think she had the capability to pull the trigger.  He knows what sort of person it takes to do that, and she isn’t one of them.

The policewoman is not sure what to expect but thinks that surprise is on her side, and whatever is going on, she will be able to resolve it.  She has her weapon drawn and ready to use.  She had yet to shoot anyone with it

The girl is at the point of no return, that point where she had nothing left to lose.  Anything she had before was gone, destroyed by the choices she’d made.  No one ever handed out a manual on how you should live your life, or provide a list of people you should avoid, and her father’s prophetic words the last time they men came home with a thud, ‘your life is defined by the choices you make’.

She was not going to jail so it was going to be death or glory.

 

Now read on:

 

Jack had heard there were moments where, in a split second, your whole life flashes before your eyes.  He did, and what he saw he didn’t like.

But, then, neither was he very happy about the fact he was nearly out the door before the policewoman on the other side crashed into him and sent him sprawling to the floor.

That was about the same fraction of a second he heard the gun go off, twice, or so he thought and knew he was a dead man, waiting for the bullet.

Another fraction of a second passed as the policewoman tried to unravel the mess they’d become, and at that moment in time felt the tugging at his sleeve and then, as if in slow motion, the sound of the glass door disintegrating behind him.

 

Annalisa was quite prepared to let the customer go.

She kept one eye on the shopkeeper and one on the customer, sidling towards the door.  The gun was ready to shoot the first person who made a wrong move.

Or so she told herself.  It was getting heavy in her hand, she was shaking almost uncontrollably now, and was getting more and more frightened of the consequences.  She didn’t think, if she aimed, she could hit the side of a barn let alone a person standing ten feet away from her.

The customer reached the door.

At exactly the moment he put his hand 0on the door handle to open the door, another person was pushing the door, trying to make their way in.

With force.

She saw the blue cap, guess it was the police, though she hadn’t heard the siren, but also guessed the shopkeeper might have a silent alarm.

Damn.

A single shot, instantly in the direction of the door, not necessarily aimed at the two people now collapsing to the floor in a tangled mess, but at the door itself.

The impact, yet another guess, might shatter the glass and make it easier to escape.

After one more job.

The hell with Simmo.  He’d dragged her down the rabbit hole far enough.  Simmo knew her first name, that she had rich parents, but nothing else.  Besides, he was in such bad shape she didn’t think he’d recover.

The shopkeeper had no idea who she was, it was the first time she’d been to his shop, and now, after a few weeks with Simmo, not ever her mother would recognize her.

She swiveled the gun and aimed it at the shopkeeper and pulled the trigger.,  One less dealer in the city was good news not bad.

She saw it hit, not exactly where, but it caused him to twist and start falling to the ground, at the same time letting out a very loud scream.  Panic or anger?

She wasn’t waiting to find out.

A last glance at Simmo, now down for the count, she ran for the door, past the two on the floor, what she could now see was a policewoman with her weapon drawn, but unable to use it.

She crashed through the remainder of the glass shards put into the street and ran.

In the distance she could hear a police car coming, siren blaring.  A warning if there was ever one to run harder, up the road, down an alley, out into another street, then down into the subway.

Gone.

 

It took fifteen seconds to disentangle herself from the customer, pushing him away, and getting to her feet, weapon aimed.

At nothing but air.

The girl had gone, and then she had the vague recollection of a shadow passing her as she was facing the other way getting to her feet.

And running out the door.

Five more valuable seconds as her brain processed this piece of information before it issued the command to go out the door and see which way she went.

Another ten seconds to get out the door, and see the police car coming from the same direction she had earlier, screeching to a halt outside the shop, a car door opening, and an officer getting out.

Margaret was guessing at the driver to drive down the road where she guessed the girl had run, managing to yell breathlessly at the office getting out, “She’s gone that way,” and pointing.

The officer relayed the message and closed the door as the car sped off.

“What happened?”

“Shots fired by a woman, more a girl, in the process of a robbery.”

She ran back inside the officer following.

The customer had moved to a corner and was standing, testing his limbs, with an expression that said he was amazed he was still alive.

“Over behind the counter.  She shopkeeper.  He was standing there.”

The policeman rounded the end of the counter and looked down.  “He’s here.  It’s not looking good.”

Margaret didn’t hear him.  She was calling an ambulance.

 

Next:  Perhaps some editing

 

© Charles Heath 2016-2020