Month: February 2020

Conversations with my cat – 84

 

cat-1

This is Chester.  He is looking out the door at the rain.

After a long spell of heat and humidity that was practically unbearable, we now have rain and cold.

I’m standing at the back door watching the near torrential downpour, and both of us are watching the river of water flowing from the back yard down the side of the house.

Chester looks at me.  Is that the look that’s asking me to let him outside.,

I’m toying with the idea.

He turns his head and looks up at me.  Is that an imploring look to stay in or go out.

The hell with it, I open the door.  If he wants to go out in the rain, that’s his business.

He stands up and turns his head to look at me.

OK, I get it.  When you know I can’t go out, you let me out.  That’s just not right.

What’s stopping you?

You know exactly what the problem is.  Water.  You know I hate water.

That’s every other cat.  A while back you convinced you were not like the other cats.  Fearless, you said, able to take on any challenge.

Open door, it’s an invitation to paradise.

He takes two tentative steps towards freedom.  The rain comes down harder as if someone up there is playing a mean joke on him.

Another step, just about through the door.

The wind blows and we both catch a spray of water.

He jumps and scuttles back inside so fast, and I’m left alone at the door.  I close it again.

We will be discussing invincibility sometime soon, I yell out.  But, he’s gone.

I shrug and go back inside.  I will savor this victory for the next few minutes.

Or for along as he’ll let me.

Inspiration, maybe

A picture paints … well, as many words as you like.  For instance:

lookingdownfromcoronetpeak

And the story:

 

It was once said that a desperate man has everything to lose.

The man I was chasing was desperate, but I, on the other hand, was more desperate to catch him.

He’d left a trail of dead people from one end of the island to the other.

The team had put in a lot of effort to locate him, and now his capture was imminent.  We were following the car he was in, from a discrete distance, and, at the appropriate time, we would catch up, pull him over, and make the arrest.

There was nowhere for him to go.

The road led to a dead-end, and the only way off the mountain was back down the road were now on.  Which was why I was somewhat surprised when we discovered where he was.

Where was he going?

 

“Damn,” I heard Alan mutter.  He was driving, being careful not to get too close, but not far enough away to lose sight of him.

“What?”

“I think he’s made us.”

“How?”

“Dumb bad luck, I’m guessing.  Or he expected we’d follow him up the mountain.  He’s just sped up.”

“How far away?”

“A half-mile.  We should see him higher up when we turn the next corner.”

It took an eternity to get there, and when we did, Alan was right, only he was further on than we thought.”

“Step on it.  Let’s catch him up before he gets to the top.”

Easy to say, not so easy to do.  The road was treacherous, and in places just gravel, and there were no guard rails to stop a three thousand footfall down the mountainside.

Good thing then I had the foresight to have three agents on the hill for just such a scenario.

 

Ten minutes later, we were in sight of the car, still moving quickly, but we were going slightly faster.  We’d catch up just short of the summit car park.

Or so we thought.

Coming quickly around another corner we almost slammed into the car we’d been chasing.

“What the hell…” Aland muttered.

I was out of the car, and over to see if he was in it, but I knew that it was only a slender possibility.  The car was empty, and no indication where he went.

Certainly not up the road.  It was relatively straightforward for the next mile, at which we would have reached the summit.  Up the mountainside from here, or down.

I looked up.  Nothing.

Alan yelled out, “He’s not going down, not that I can see, but if he did, there’s hardly a foothold and that’s a long fall.”

Then where did he go?

Then a man looking very much like our quarry came out from behind a rock embedded just a short distance up the hill.

“Sorry,” he said quite calmly.  “Had to go if you know what I mean.”

 

I’d lost him.

It was as simple as that.

I had been led a merry chase up the hill, and all the time he was getting away in a different direction.

I’d fallen for the oldest trick in the book, letting my desperation blind me to the disguise that anyone else would see through in an instant.

It was a lonely sight, looking down that road, knowing that I had to go all that way down again, only this time, without having to throw caution to the wind.

“Maybe next time,” Alan said.

“We’ll get him.  It’s just a matter of time.”

 

© Charles Heath 2019

Find this and other stories in “Inspiration, maybe”  available soon.

InspirationMaybe1v1

 

 

X marks the spot, X in general

In the wake of watching too much television, and in particular Indiana Jones and the Last Crusade, a very quaint but completely ambiguous statement was dismissed as something that would never happen in archeology, x marks the spot.

Of course, as we all know only too well, x really does mark the spot on treasure maps, and I’m sure there’s been quite a few of those over the last few centuries, what with the numbers of pirates on the high seas, well one known such as Blackbeard, and some not so well known.

And those treasure maps always seem to find their way into children’s stories for some reason, maybe because as children we’re likely to believe it possible, whereas an adult, the only place we’re likely to find an x is where someone who can’t write signs their name.

That might also include a lot of press-ganged sailors, who were virtually kidnapped into British naval service to chase down those pirates, all of whom seemed to have that same ubiquitous signature.

And, by the way, that x marks the spot was in that Indiana Jones movie, a rather large x making up a part of the marble flooring.

X doesn’t often find it’s way into mainstream English, even as a prefix, except in the case of x-rays which is electromagnetic radiation.

And in science fiction, the most interesting use of x-ray is for using x-ray vision, starting with superman, and ending with more sinister connotations.

Other than that the only word that I can remember that starts with an x is xenophobia, which seems to be raising its head around the world, the fear of people or objects from another country or culture

“Sunday in New York”, it’s a bumpy road to love

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

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Short stories my way: Setting the scene

I used to like writing short stories, somewhere between two and five thousand words, but, in the end, it was too much hard work.

No chance of getting into stride with a location description, no real chance of giving a background to a character, it was simply a case of diving straight in.

But …

I’ve been thinking about writing a short story, starting it with a short succinct sentence that will set the tone.

Something like:  “Jack was staring down the barrel of a gun”

What then?

Should he start analyzing what sort of gun it was, did it have a light trigger, was the person holding it shaking, a man or a woman, or a child?

Location, in a house, a disused factory, a shop, a petrol station, the side of the road.

So, where was Jack?

Something like:  “He had gone down to the corner shop to get a pack of cigarettes.”

For himself or someone else?  Is it day, is it night, or somewhere in between?

Something like:  “He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp, and came through the door, the sound of the bell ringing loudly and the door bashed into it.”

So, Jack’s state of mind, he is in a hurry, careless coming through the door, not expecting anything out of the ordinary.

How would you react when you saw a gun, pointed at Alphonse until the sound of the door warning bell attracted the gunman’s attention?

Is it a gunman?

Something like:  “It took a second, perhaps three, to sum up the situation.  Young girl, about 16 or 17, scared, looking sideways at a man on the ground, Alphonse, and then Jack.  A Luger, German, a relic of WW2, perhaps her father’s souvenir, now pointing at him.”

The punch line:  Cigarettes can kill in more ways than one.

The revelation:  The corner store also supplied the local drug addicts.

The revised start is now:

 

Jack was staring down the barrel of a gun.

He had gone down to the corner shop to get a pack of cigarettes.

He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp.  His momentum propelled him through the door, causing the customer warning bell to ring loudly as the door bashed into it, and before the sound had died away, he knew he was in trouble.

It took a second, perhaps three, to sum up the situation. 

Young girl, about 16 or 17, scared, looking sideways at a man on the ground, then Alphonse, and then Jack.  He recognized the gun, a Luger, German, relic of WW2, perhaps her father’s souvenir, now pointing at him then Alphonse, then back to him.

Jack to another second or two to consider if he could disarm her.  No, the distance was too great.  He put his hands out where she could see them.  No sudden movements, try to remain calm, his heart rate up to the point of cardiac arrest.

Pointing with the gun, she said, “Come in, close the door, and move towards the counter.”

Everything but her hand steady as a rock.  The only telltale sign of stress, the bead of perspiration on her brow.  It was 40 degrees Fahrenheit in the shop.

Jack shivered and then did as he was told.  She was in an unpredictable category.

“What’s wrong with your friend?”  Jack tried the friendly approach, as he took several slow steps sideways towards the counter.

The shopkeeper, Alphonse, seemed calmer than usual, or the exact opposite spoke instead, “I suspect he’s an addict, looking for a score.  At the end of his tether, my guess, and came to the wrong place.” 

Wrong time, wrong place, in more ways than one Jack thought, now realizing he had walked into a very dangerous situation.  She didn’t look like a user.  The boy on the ground, he did, and he looked like he was going through the beginnings of withdrawal.

 “Simmo said you sell shit.  You wanna live, ante up.”  She was glaring at Alphonse. 

The language was not her own, she had been to a better class of school, a good girl going through a bad boy phase.

 

Nest time, point of view.

In a word: Peer

It’s not exactly a good word these days, as it has a sinister connotation, much like the word gay, the meaning of which as we know today has nothing to do with what it meant in the past.

Peering at someone could be inferred as looking at someone in a manner that makes them feel uncomfortable.

But, in another sense,  to peer is to look at someone or something with difficulty or without concentration.

A peer can be someone of equal age or social standing as you.

Then there’s peer pressure which is the desire by younger people to be the same as others of the same age or social status.  And it could lead to underage smoking or drinking to fit it with others.

This is not to be confused with the word pier, which is one of the large or small structures that jut out into the sea, the more notable are at Brighton, and Blackpool.

Sometimes you can tie a boat up.

It can also be a tall structure that holds up part of a floor, or roof.

Writing about writing a book – Day 25

We’ve been given the introduction to who Barry McDougall is, or the man otherwise known as ‘Brainless’, and after three days of trying to get it straight, this is the first rough draft of his start in the story.

 

Barry, whose daring selfless deeds earned him the nickname Brainless because that was the only way to describe the motivation behind them, was one of the regular soldiers, and, for a long time, had been my only true friend.  His was a reputation both friends and foes alike considered awesome.  He’d been in Vietnam, and later just turned up at Davenport’s camp, reporting for duty.

Davenport was more surprised than I was at his arrival, but obviously, after checking his credentials, he was impressed because he let him stay.  And it would be true to say, if he had not, I would not be here now.

So Barry was just the sort of person I needed to help me.

That was the good news.

The bad news was Barry, at the best of times, either on one of his ‘benders’ using drugs or alcohol, whatever was easier to get at the time, lost to everyone, or locked up in a mental institution, having admitted himself.  He had no interest in participating in life, hadn’t worked in years, and often said, in moments when he was at his lowest, that he did not care if he lived or died.  It had not always been that way, but his demons had all but taken him over, and despite the help, I tried to give him, nothing could shake him out of this lethargy.  He said once he envied me that I could not remember the dark days, and, now those memories had returned, I knew what he meant.

For a long time, I could not understand why he didn’t try harder to help himself, and I guess he humored me by accepting the jobs I’d found him, and the help I offered.  I owed him a great deal, but that was probably the one honorable thing about him, he never expected, nor wanted, anything in return.

He tried to make a go of being a police officer and lasted several years before he resigned over an incident that didn’t reach the papers.  There was, he said, no place for heroics in modern society.  I hadn’t got to the bottom of it, but I heard he shot some thieves at a time when the police were trying to promote a pacifist image.

He tried a few other occupations with an equal lack of success, so now he survived on whatever money I gave him.  He lived on the street, and when he was not there, I knew he could be found in a bar, in one of the more seedier parts of the city, a ubiquitous underground bar called Jackson’s, named after a man who had a salubrious reputation that hovered between load shark and saint, and who was reputed to be buried under the storeroom floor.  The present owner, or what I assumed to be the owner, was a large, gruff, ex-prizefighter, who had the proverbial heart of gold, most of the time, and who took my money and looked after Barry without making it look like he was.

I’d called the bartender in advance, and he said he was in his usual spot, and that it was at the start of the next cycle, having just discharged himself from the hospital after a bout of pneumonia.  It was, he said, getting worse, and taking longer to recover.

It was probably only a matter of time before it took him, so perhaps this time I would have to try harder to convince him to give up his nomadic lifestyle.

When I walked in, the aroma of spilled beer, stale sweat, and vomit, mingled with the industrial-strength carbolic cleaner almost took my breath away.  In the corner, two construction workers were sitting, quietly smoking and drinking large glasses of beer.  In the other, Barry was being held up by the table, an untouched double scotch sitting in front of him.  Sitting at the bar was a woman of indeterminate age, badly made up, and thin to the point of emaciation.  I was not sure what she was drinking, or what it was she was smoking, but I could smell it from the front doorway.

The bartender, Ogilvy, no first name given, was pretending to polish glasses, standing at the end of the bar, looking at the television, playing some daytime soap.  He didn’t look over when I came in, but I knew he didn’t miss anything.  I saw him flick a glance at Barry, and then shake his head.  I think he cared as much about Barry as I did, but could recognize the sadness within him.  As much as Ogilvy said, which wasn’t much, he too had seen service in Vietnam, and it had affected him too.

I ordered an orange juice, caught the glances from the construction workers, and a steely look from the woman then went over to Barry’s table and sat down.  Despite the loud scraping noise when I moved the chair, or the creaking as I sat in it, Barry didn’t move.

Whilst the bar had that seedy aroma, Barry was showing the signs of having spent time on the street.  It was one of the disadvantages of having no permanent residence and though there was a shower at the bar which Ogilvy let Barry use from time to time, he obviously hadn’t for a few days.

 

Getting all of this background in shape is hard work, and having toiled long and hard, tomorrow I’ll have a go at getting Barry back.

© Charles Heath 2016-2020

 

 

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Yet another story bubbles to the surface…

I write about spies, washed out, worn out or thrown out.

It’s another idea, and another lot of scribbling to go in the ‘when I’m at a loss for a new story’ book.

The first sentence of a novel is always the hardest. Like I guess many others, I sit and ponder what I’m going to write, whether it will be relevant, whether it will pull the reader into my world, and cause them to read on.

And that’s the objective, to capture the reader’s imagination and want to see what’s going to happen next.

The problem is, we have to set the scene.

Or do we?

Do we need to cover the who, what, where, and when criteria in that first sentence? Can we just start with the edge of the seat suspense, like,

 

The first bullet hit the concrete wall about six inches above my head with a resounding thwack that scared the living daylights out of me. The second, sent on its way within a fraction of a second of the first found its mark, the edge of my shoulder, slicing through the material, and creasing skin and flesh. There was blood and then panic.

Milliseconds later my brain registered the near-miss and sent the instruction: get down you idiot.

I hit the ground just as another bullet slammed into the concrete where my head had just been.

 

It can use some more work, fewer commas, perhaps shorter, sharper sentences to convey the urgency and danger.

Perhaps we could paint a picture of the main character.

He tentatively has the name of Jackson Galworthy. He has always aspired to be a ‘secret agent’ or ‘spy’ and but through luck more than anything else, he was given his opportunity. The problem is he failed his first test and failure means washing out of the program.

What had ‘they’ said? When the shit hits the fan, you need to be calm, cool and collected. He’d been anything but.

Maybe we’ll flesh the character out as we go along.

OK, I just had another thought for an opening,

 

Light snow was still falling, past the stage where each flake dissolved as it hit the ground, and now starting to gather in white patches.

It was cold, very cold, and even with the three layers I still shivered.

What surprised me was the silence, but, of course, it was a graveyard beside an ancient church, and everyone who had attended the funeral service had left.

It was a short service for the few that came and a shorter burial. No one seemed keen to hang around, not with the evening darkness and the snow setting in.

I stood, not far from the filled grave looking at it, but not looking at it. Was I expecting it’s occupant to rise again? Was I expecting forgiveness? I certainly didn’t deserve it.

The truth is, I was responsible for this person’s death, making a mistake a more seasoned professional might not, and the reason why I was shown the door. I had been given very simple instructions; protect this man at all costs.

It was going to be a simple extraction, go in, get the target, and get out before anyone noticed.

A pity then I was the only one who got that memo.

 

Any thoughts?

There is never enough time for reading

And the point is, there should be.

To me, reading is an essential part of a writer’s life.  We see what others write, we see how others write, and we see what they write about.

It is an education in itself on the genre we eventually want to write for.  Call it homework, or very pleasant homework.

But…

Between everything else I have to do around the house, the time set aside for writing, the time set aside for maintaining social media, the time set aside for family, is there any time left?

About an hour before I go to sleep, though that time is considerably shortened if the book is boring.

Fortunately, quite often they are not.

The other problem is the intervals between new books from my favorite authors is getting less as they take on co-writers, such as James Patterson and Clive Cussler.   And even more are now getting co-authors which means my to be read list is getting longer and longer.

It seems the only time I can steal more than an hour away is when I go away on holiday.  This we try to do several times a year, and this year we’ll be going to Melbourne, and then a week in Tasmania.

There’s only one other problem involved, the fact books are so much cheaper there, and I’ll be buying more.

Damn.  It’s a never-ending cycle.

But, at the moment, the list reads like this,

Len Camarda, The Seventh Treasure

Edgar Wallace, The Clue of the new Pin

Nicola Upson, Nine Lessons

Matt Gallagher, Youngblood

Sam Peters, From Darkest Skies

And, of course, about a hundred others.

As odd as it sounds I’m looking forward to the few hours in the plane seeing many airlines are now doing away with inflight entertainment.  I’m sure food will be next.