Month: January 2020

“What Sets Us Apart”, a mystery with a twist

David is a man troubled by a past he is trying to forget.

Susan is rebelling against a life of privilege and an exasperated mother who holds a secret that will determine her daughter’s destiny.

They are two people brought together by chance. Or was it?

When Susan discovers her mother’s secret, she goes in search of the truth that has been hidden from her since the day she was born.

When David realizes her absence is more than the usual cooling off after another heated argument, he finds himself being slowly drawn back into his former world of deceit and lies.

Then, back with his former employers, David quickly discovers nothing is what it seems as he embarks on a dangerous mission to find Susan before he loses her forever.

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whatsetscover

A matter of life and … what’s worse than death? – Episode 24

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination with what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

 

While waiting for Carlo and Chiara to return with the villagers, and taking some time to consider the plan that had almost formed in my mind, I went back to my room, which, I was guessing was once used for wine storage, because now that I had taken a moment to stop and consider my surroundings, I could smell the aroma of spilled wine.

With a little more light, I could see the arches within which the bottles would be stacked.  I’d also noticed while I’d been outside, that there were vines everywhere, albeit in bad shape as the people who tended them had either left, or been taken away, or shot.

Red grapes if I was not mistaken, though I had no idea what the variety might be.

If the war dragged on much longer, it would do a lot of damage to the wine-growing districts, and I doubted, when the Germans were here, they had any interest in tending the vines, but just drink the wine, and then probably not with the appreciation it deserved.

That had certainly been the case up at the castle before fate turned against me.  Perhaps that was where all of the wine from this cellar had been taken for safekeeping, once the locals thought the Germans had gone forever.  Maybe that was the reason why Leonardo spent so much of his time at the castle, the free wine.

Jack had returned from what I assumed was an inspection of our new quarters and was sitting on the ground next to me.  I wondered what he made of everything he had seen.  It was certainly not a dog’s life being caught in the middle of a war.  

“It’s a fine mess we’re in,” I said to him, and he looked back with uncomprehending eyes.  I would have to brush up on my German.  Or maybe Italian.  It only just occurred to me that he was probably someone’s dog from around here.  We’d only run into each other a few miles away.

“Yes, and I’m sure if you spoke English you could tell me a thing or two.  But, alas, you can’t, so a piece of advice.  Try to keep out of trouble, and by that, next time I go out, you might want to stay here.”

I shrugged.  Things must be bad; I’m talking to a dog.

Martina stopped outside the entrance.  “I heard voices.  Who are you talking to?”

“The dog.  He’s the only one who’s making any sense at the moment.”

“Are you sure he’s not a German spy.  Or, in fact, it’s a he?”

“You probably know as much as I do.  Anything happening?”

“Carlo’s back with a dozen or so of those who want to stay alive.  Chiara has a few more.  The rest have other places to hide if they need to.  We’ve told them to expect a raid.  Leonardo and a few of his men have been out looking for you and told everyone that you are a German spy and that he’ll pay them a lot of money for information about where you are or who’s hiding you.  He doesn’t understand everyone hates him, they always have.”

“Good to know if I run into him, he won’t be happy to see me.”

“This plan of yours?”

“Wallace will be getting edgy about the men he sent out, those men we ambushed at Chiara’s place.  It depends on who he sends, and where they go, but I was thinking we could prepare another ambush at Chiara’s.  All we have to do is wait because I’m sure they’ll get there eventually.”

“And if I know Leonardo, he’ll send them straight to my farm.  He knows that both Carlo and I, and the other two you’ve met were the other four who refused to join him in going up to the castle to make peace.  It seems he’s made a bad choice.”

“Wallace didn’t.  He needs someone like Leonardo to find us.  You’re probably right.  I was thinking Carlo and I could go.  No sense sending all of us, and if anything happens, there will be someone left to carry on.”

“You don’t sound too confident.  You are a soldier, aren’t you?”

“In a manner of speaking.  But I was not trained to be a commando, and not necessarily on the front line, or in this case behind enemy lines.”

“You’re not one of those rich kids whose father bought a commission, so you didn’t have to fight?”

Interesting the ideas foreigners had about elements of the army.  I was not sure if that was done anymore, at least not in this war.

“I have poor parents, that is if they have survived the bombs falling on London.  Refused to give in to Hitler’s aggression.”

I tried to convince them to go to the countryside, just to be safe, but one of the places they thought of going, had also been bombed, so as far as they were concerned, nowhere in England was safe.

“But yes, they did teach me how to shoot, and I know my way around several different types of gun.”  My mind flicked to the sniper rifle and the damage that could do.  

I’d be definitely taking that with me.

I saw her turn her head, and then heard the sound of new arrivals.  Chiara had returned.

“Time’s up for planning.”

I told the dog to stay, but as usual, he ignored me.  We went back into the main cavern where a dozen more people were settling in various places along one wall.  They looked as though they’d packed for a reasonably long stay.

But what worried me was the way they looked at me.  Those rumors Leonardo spread, I was hoping no one believed him.  Above the sound of voices, I could hear Marina speaking to them in Italian, hopefully, to tell them I was not a threat.

I found Carlo. 

“I have a small job to do.  After our last exercise at Chiara’s my old commander will no doubt send someone down to the village to seek answers, and I’m hoping you’ll come with me so we can convince them of the error of their ways.”

He smiled.  There was no mirth in it, and I knew I didn’t have to say anything more.

I saw movement coming from a group of people, and among them the boy I’d met earlier, Enrico.  He had jumped up off the floor when he saw me and came over.

“What are we going to do now.  I mean, we’re not going to sit here and do nothing.”

Boyish enthusiasm.  He had not been shot at yet, and to him, it was all a bit of a game.  I remembered back to the start of the war, and the number of boys who lied about their age, hardly waiting for the war to be declared.  They had no idea what a real war was, and if they had known, they would not have been so recklessly enthusiastic.

“You’re going to stay here and protect your family and all the others here.”

“No.  I want to be useful, fight the bastards.”

Carlo gave him one of his dark stares.  “You will stay here and help others if anything goes wrong.  Out there,” he pointed towards the entrance, “out there, if you’re not careful, you will die.”

Martina had seen him talking to us and came over.

“Enrico, we’ve talked about this.  Go back to your family.”

A last pleading look in case we changed our minds, then he reluctantly returned to his group.

Carlo handed me the sniper rifle and a pistol, a luger, probably captured from a German earlier, when they were in occupation.

“Good luck,” Martina said.

© Charles Heath 2019-2020

Writing about writing a book – Day 14 Continues

Whilst Davenport’s backstory is now coming together, I’m back with the main character, and working on a bit of his backstory too, mainly what he is about to remember of his past, locked away for many years, most likely caused by the trauma he suffered at the hands of the enemy, though the definition of ‘enemy’ here will have a number of different meanings.

These first dreams are disjointed but point to one certainty, Bill was, for a time, a prisoner, whether it was as a prisoner of war, or something else, he is yet to discover.

Another certainty he will learn in time is that he holds a secret, a secret several people would like to find out about, and who will go to extreme lengths to get it from him.

This memory fragment confirms he was a prisoner, despite the assurances to the contrary:

 

I woke suddenly, tense, eyes open, and alert.  I could feel the fear coursing through my veins, every nerve end tingling.

I had only one thought in mind.

Escape.

Now.

Before it started again.

I moved my hand and found it strapped down as was my other hand and my legs.  I was barely able to move.

A sudden jolt of pain went through me, starting at my shoulder where the knife had been dug in and twisted, the memory of which was very clear in my mind.  It increased as I struggled against the restraints, the fear of it happening again stirring me to try harder.

I’d been here before and the result was bad.

Very bad.

I struggled harder.

I looked around and saw no one or anything else.  The room seemed different from the one I last remembered, more closed in, claustrophobic.  The light came on, bright neon lights, blinding me.  The flash I got before I closed my eyes, it was a hospital room.  I was captive, and it was after the torture session, where the doctors put me back together just enough to last the next session.

Torture, recovery, torture, recovery, over and over, night, day, light, dark, warm, cold.  I had no idea where I was, what day, week, month, or year it was, when I’d last eaten, or eaten at all.

And I didn’t know why.

Why they didn’t kill me and get it over with.  I didn’t know anything.

The door opened and I opened my eyes, now a little more adjusted to the bright light.  He came over and looked down at me.

Chinese.

The enemy.

One of the insidious men keeping me alive.

I kept my eyes on him as he looked at the folder beside the bed, and checked my vital signs.

“How are we this morning?”

English, with only a trace of a Chinese accent.  They all spoke nearly perfect English, confusing me, making me think I was safe.  That I would talk to them.  Confide in them.

I didn’t feel safe and I had nothing to say.

“You had a very bad night.”

Tell me something I didn’t know.  I struggled against the restraints.

“They’re for your own protection.  You tried to get out of bed and reopened your wound.  I’m sorry, but we have had to restrain you.”

“Let me go,” I hissed, “or kill me.”

“I assure you no one wants to kill you.”

I didn’t believe him.  He was trying to trick me.  Trying to allay my fears.  I knew all of their tricks now.

I had to escape.  I had to get away or die trying.  I could not take another session.  Not in that dark, dank, evil room.

I tried harder to escape, felt the restraining hands of his friends, holding me down as he administered another injection, silence, and darkness closing in once again.

 

Still not sure where this is going, but it’s defining the past of our main character, and will become a lot clearer as the story progresses.

I am intending for these dreams, if extracted and put in order, will be the basis of the missing past the main character has not been able to remember, and given how horrific some of them are, it’s no surprise they’ve been buried very deep in his subconscious.

 

© Charles Heath 2015-2020

Conversations with my cat – 77

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This is Chester.  He’s not happy we’re cleaning the office.

I guess I’m not either.

But…

It’s school holidays and it’s natural that while parents are working grandparents take up the slack as childminders.  The trick is keeping them amused, and away from computers or being planted in front of the TV.

Of course, knowing the level of fear the grandchildren can bring to the cat, he views their arrival with some apprehension, keeping his distance.

Based on previous experiences, he is assuming they will remain out of the office on the computer for one, and on the smartphone for the other, so he slinks down the passage and quickly runs into the office.

Is this going happen often, he asks.

They’re on holidays, it’s here or daycare, and I’d rather it be here.

Then they appear at the doorway.  “OK.  We’re here to clean the room.  Where do we start?”

Chester’s cornered.  He knows it.  I know it, and worse still, they know it.

He disappears under the desk, safe for the moment, but it’s going to be a long morning.

In a word: Stern

It’s what I’d always expected of my teachers, having to stand up the front of the classroom and look like they were in control.

These days, not so much, but back in my day, teachers, and particularly the men, were to be feared, and stern expressions were the features of an effective teacher.

So, in this context, it means a hardness or severity of manner.

Whilst in a sense that was frightening to us kids, another form of the word also can be used to express a forbidding or gloomy appearance.

Grandfathers also have that stern look, but it’s more forbidding, more authoritarian, more severe, more austere, well, you get the picture.  A six-year-old would be trembling in his or her boots.

There again, in facing up to either possibility above, you could stand firm with a stern resolve not to buckle under the pressure.

Of course, not a good idea if you’re facing a tank (with a stern-looking tank master)

Then…

If you’re standing at the end of the boat, not the front, but the rear, you would be standing at the stern of the boat, or ship.

Oddly, when issuing instructions to go in reverse, not something you would say if you were on the bridge, you would instead say, or possibly yell, full speed astern, because you’re about to hit an iceberg.

Or some idiot in a jet ski who likes to think he or she can beat the bullet (or 65,000 tonnes of a ship that has very little mobility).

Is it possible we can make a better world?

I’m not sure what started me off in pondering this almost imponderable question.

It was probably the endless bombardment of political advertising, leeching out of every form of media, and reaching saturation point.

Yes, down here in Australia, we have federal elections, where one of the two major parties are hoping to be in control, and all of the minor parties are hoping they will be in control.

You see, here, you don’t have to have a majority in the lower house, called the Representatives, you need to have the numbers in the upper house, called the Senate.

And the Senate is where the cunning voters make it so that no major party can go berserk and introduce a whole lot of policies that benefit one group or the other.  Sort of like sticking up for the rich, and keep the poor in their place, or sticking up for the poor and taxing the rich, who, apparently, don’t pay their fair share of tax.  That gem of information comes from one of the parties.  As if any of us didn’t know that to be the case anyway.

Only that doesn’t work out so well, because the leader of the splinter party gets a whole lot of stuff for his electorate, and we, the rest of the people, get shafted.

As for me, I’m sitting on the poverty line, neither rich nor poor enough for either party to help.  Me and about 65 per cent of the rest of the population.  We used to have a middle class, but tax and bad political management have slowly eroded the middle classes so that most are now living hand to mouth at best.

No one can afford to save, and when we do, the interest, what little of it there is, is taxed, so, no incentive to save.  Both parents have to work if they want to have any sort of life, and more so if they have children.  Childminding costs are horrendous, Medicare fees are equally so if you want to have adequate medical care, and the thought of owning one car, let alone two which is a necessity for families, costs a small fortune when you take into account buying the car, upkeep, petrol, and the governments grab for registration.  They say it’s for road maintenance, but let’s not talk about roads, but the maintenance of two Boeing 737’s just to ferry politicians around.

And instead of telling us what they intend to do to make our lives easier, the ads are about dredging up the opposite party’s previous mistakes.  We already know what they are, what we want to know is what they intend to do to fix all the problems.

Sorry, just being a grump.  I know my one person rant doesn’t matter one fig, but I had to get it out of my system.

I also know my one vote doesn’t really matter much in the greater scheme of things but if I could just influence another 500,000 to vote with me, wow, think of what we could do.

Maybe I should run for parliament, or not.  I don’t think I could survive the evenings in the parliamentary bar, the free lunches, or being chauffeur driven.   And flying first class everywhere, I just might get used to it, and the retirement fund, that’s just too much money to think about.

I’ll just stick to being the poor, cynical voter that I am.

 

 

Late at night; time to be alone with your thoughts – or not

‘Burning the midnight oil’ is an interesting phrase, one that means someone is working overtime at the office till late at night, or early next morning.

You know, “Been burning the midnight oil again, Frank?”

It prompted me to look up its real meaning.  It goes back to the days before electricity where a worker toiled on into the night using only an oil lamp or candles.

In my office, I have recently installed led lights that not only save electricity, but they are also so bright you would think it was a television studio.

Not quite the atmosphere needed when looking for inspiration.  That inspiration might be better attained in more subdued light, perhaps that proverbial oil lamp or candles.

That aside, those hours leading up to and after midnight are the best time for me to write.  At times the silence is deafening, another rather quaint but relatively true expression.  At others, there are what I call the sounds of silence, which for some reason are much easier to hear than during the daylight hours.

The bark of a dog.

The rustle of leaves in the trees.

The soft pattering of rain on the roof.

The sound of a train or truck horn from a long way away.

The sound of a truck using its brakes on the highway, also a long way away.

The sound of people talking in the street.

I’ve never really thought about it until now, but it will be something I can use in one of my stories.

Perhaps it will be the theme of another.  A conversation, or parts of it, overheard, the commissioning of a crime, and not knowing who it is.

Damn, sidetracked again!

“The Things We Do For Love” – Coming soon

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

“Echoes From The Past”, buried, but not deep enough

On special, now only $0.99 for the next few weeks.

 

What happens when your past finally catches up with you?

Christmas is just around the corner, a time to be with family. For Will Mason, an orphan since he was fourteen, it is a time for reflection on what his life could have been, and what it could be.

Until a chance encounter brings back to life the reasons for his twenty years of self-imposed exile from a life only normal people could have. From that moment Will’s life slowly starts to unravel and it’s obvious to him it’s time to move on.

This time, however, there is more at stake.

Will has broken his number one rule, don’t get involved.

With his nemesis, Eddie Jamieson, suddenly within reach, and a blossoming relationship with an office colleague, Maria, about to change everything, Will has to make a choice. Quietly leave, or finally, make a stand.

But as Will soon discovers, when other people are involved there is going to be terrible consequences no matter what choice he makes.

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In a word: Blank

Yes, I’m drawing a blank, which means I have no idea

It seems that I do this a lot these days, perhaps one of the perils of being a writer

But…

Using blank in a story doesn’t necessarily convey the antagonist is clueless, more likely he or she just used one in a gun, put there by a person who didn’t want to get shot.

No, still drawing a blank on this one.

A blank space means there’s nothing in it, and you see a lot of these in crosswords and sudoku, even when the user has been toiling for hours

I’m thinking anyone who met me might misinterpret my blank expression, well, it’s not too expressive in the first place

Perhaps before the coin becomes a coin; it is a piece of blank metal to begin with.  How good would it be to get a one-sided coin, that’d be worth a lot?

And the very worst description of blank; having a blank piece of paper in front of you, and you really are drawing a blank!