“The Devil You Don’t”, be careful what you wish for

John Pennington’s life is in the doldrums.  Looking for new opportunities, prevaricating about getting married, the only joy on the horizon was an upcoming visit to his grandmother in Sorrento, Italy.

Suddenly he is left at the check-in counter with a message on his phone telling him the marriage is off, and the relationship is over.

If only he hadn’t promised a friend he would do a favor for him in Rome.

At the first stop, Geneva, he has a chance encounter with Zoe, an intriguing woman who captures his imagination from the moment she boards the Savoire, and his life ventures into uncharted territory in more ways than one.

That ‘favor’ for his friend suddenly becomes a life-changing event, and when Zoe, the woman who he knows is too good to be true, reappears, danger and death follows.

Shot at, lied to, seduced, and drawn into a world where nothing is what it seems, John is dragged into an adrenaline-charged undertaking, where he may have been wiser to stay with the ‘devil you know’ rather than opt for the ‘devil you don’t’.

Purchase:

http://amzn.to/2o7ZtxZ

 

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It’s all about how you are going to ‘sell’ your book

There’s the cover, and, of course, the description.

Probably one of the hardest things for a first-time author is not so much the writing but what is needed after the book is written.

You need a good description.  Short, sharp, incisive!

There’s a ream of advice out there, and I have read it all.

And, still, I got it wrong.

Then there is the cover.

I wanted simplistic, a short description to give the reader a taste of what’s in store, and let the story speak for itself.

No.

Apparently, a good cover will attract the reader to the book.

When I tendered my books on various sites to advertise them, sites such as Goodreads, and ThirdScribe, all was well with what I had done.

Then I submitted my books to a third site and they rejected the covers as too simplistic and the descriptions mundane, and wouldn’t post them.

Wow.

There’s a huge blow to the ego.  And just the sort of advice that would make a writer think twice about even bothering to continue.

But…

Perhaps the person who wrote that critique was being cruel to be kind.

At any rate, I am changing the covers, and rewording the descriptions.

Will it be a case of ‘what a difference a cover makes’?

A matter of life and … what’s worse than death? – Episode 6

This is a story inspired by a visit to an old castle in Italy. It was, of course, written while travelling on a plane, though I’m not sure if it was from Calgary to Toronto, or New York to Vancouver.

But, there’s more to come. Those were long flights…

And sadly when I read what I’d written, off the plane and in the cold hard light of dawn, there were problems, which now in the second draft, should provide the proper start.

 

On the way back I decided to call my enemies the holy trinity.  Jackerby, Johansson and Wallace.  It would be interesting to see who took the lead.

Back in the main hall, I was told to sit in one of the antique chairs.  No one bothered to tie me up.  No need.  Three of the guards were strategically placed so I couldn’t escape, or if I tried to attack any of my captors, I would be shot.

At first, it was Jackerby and three guards, men from the landing party looking no different than they would on any mission.  If they were English, which they were not.  No one spoke.  I guess there wasn’t much to talk about.  It is told me that Jackerby wasn’t the man in charge.

If there was a separate man in charge of the stormtroopers, he didn’t show himself.

By the time Johansson joined us, I’d deduced it was he who was in charge of this operation.  Wallace was referring to him and was not showing his face.  He was in situ, he had been left in charge of the castle, and in the ‘end of war’ scenario, using it as a staging point for filtering enemy scientists and experts who were leaving quickly before the war ended, making sure they found their way to the allied side.

Of course, since he had taken up residence, those people fleeing the war had dried up to a trickle, and it was now understandable why.  Now that it was clear to me he was working for the Germans, he just wasn’t letting them all go.  If they were going to lose the war, then the victors would only get some of the spoils.

The question was what was happening to everyone else who didn’t make it.

Back in London, someone realised something was going terribly wrong, and so they sent me.  Someone else had said there might be a nest of traitors; another described them as double agents, on both sides of the channel.

My job was to find out what was happening, and now I had.  The possibility that I might get killed in the process had been flagged as a risk, but that hadn’t been a deterrent.  I had visited the castle before the war as an archaeological exercise and had been keen to come back and take another look.

Unfortunately, I had not had time to file a report, but up till now it would not be much, and given my current circumstances, I might not be able to inform them, but at least I knew the investigators in London were right.

And it looked like it was true Johansson had friends in London because my arrival had been telegraphed.  One attempt to blow me up, and now, nothing less than a dozen enemy storm troopers to make sure I didn’t leave.

“London finally realise what’s going on here?”

“In a manner of speaking.  They weren’t sure, but I guess we now have proof.”

“You have circumstantial proof, but basically nothing actionable.  They really have nothing, and won’t until you return, or report, neither of which you are going to be able to do for a while.  Not until we finish here what we started.”

I was tempted to ask what that was but knew better.  Another day.

I glared at him.  “Why?”

“I assume you are referring to myself being a double agent?  I was caught up in London just as the war broke out.  There was no question what side I was going to be on, it just meant getting into a good position, and then using it for the good of my country.  There’s quite a few of us, actually.”

I didn’t doubt that.

“So you let quite a few through to set up your credentials, and now, in the dying stages of the battle, when the real experts are trying to leave, you’re preventing them.”

“Not the best solution to a problem.  I’m sure, if you were standing here and losing the war, you’d be doing the same.  You’d hardly want those secrets in enemy hands.”

“The war’s over.  It’s just a matter of time.”

“This one, maybe.  The next one we’ll win.”

I admired his confidence.  It also explained the syphoning of boffins.  They may have missed their opportunity in this war, but regroup somewhere and prepare, who knows what might happen in another ten years time.

No one in London had come up with this sort of doomsday scenario.  We knew what they were capable of, more sophisticated air force with jet fighters, far more deadly and wide sweeping bombs, by some sort of miracle we’d stopped them this time, but the next?

 “What happens now?”

“You behave, you’ll live to fight another day.  You make trouble, we’ll execute you.  To me, you’re just another prisoner of war, but I’m not sending you to Germany.”

Simple choice.

“Why should I believe you?”

“I am an officer of the army, who serves his country with pride and honour.  You have my word; that should be enough.”

Oddly enough, I believed him.

“I assume my accommodation awaits?”

A flick of his hand, and Jackerby and two guards, escorted me out of the room.

I had thought surrender was going to be a lot more difficult than that.

 

© Charles Heath 2019

“The Things We Do For Love” – Coming soon

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

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