Month: June 2018

What would you ask a writer?

I’ve been sitting at this desk staring at the screen thinking of what to write that might interest other people.

Seems I’m not very good at it.

So I moved seats, and sit opposite the writer’s chair, taking a good long hard look at the person, the so-called writer, and conjuring up in my mind, if I was someone I’d just dragged in off the street, what would I ask?

That thought hadn’t occurred to me before, except at some time or other I might have to give an interview.

And as for being ‘dragged off the street’, most of us walk down the street trying to avoid everyone else and anything bad that might happen.

But I’m here now, so for a free cup of tea and a Doubletree cookie, I consider myself available to play the part.

Question 1:  Why on earth would you want to write when there are a billion other books out there?  Seems a complete waste of time to me.

[Answer] Good point, most days when I get out of bed or rather stare at the ceiling from under the covers, I wonder why I bother to get up.

OK, that’s the borderline manic depressive speaking, and most likely suffering from a hangover, trying to get those last 1,000 words for the day done.

Question 2: You write when you’re drunk?  That must make a lot of sense, not!

This person has found me out in two questions.

[Answer] No, a little Scotch helps to oil the wheels in the mind.

Question 3:  What do you do for inspiration?

[Answer] Thinking up new and novel ways of killing off people, I often drag people in off the street to ask me questions about myself, then kill them.  You know, it’s the old story, if I tell you I’ll have to kill you?  No, sorry, didn’t mean that.  I haven’t a mean bone in my body.  Inspiration you say?

I look around.

So does the inquisitor.  There is seven floor to ceiling bookcases full of my favorite authors, about 2,000 or so books, aside from the reference library that is mostly in e-book format which runs to about 10,000.

Question 4:  You read all of these?

[Picks up a copy of ‘Kill Me If You Can’ by James Patterson]  This one.

I nod yes.  I have read most of them.  I tell him writers must read.  Someone told me that a long time ago.  Not only thrillers and crime, but the classics.  I found War and Peace heavy going, but not so much as Madame Bovary, or Vanity Fair.

You can ask one more question.

Question 5:  Can I borrow this book [James Patterson]

As always the answer is yes.  I encourage people to read.  It doesn’t have to be my work.  It would be nice but I’m realistic enough to know there are a billion other books out there I have to compete with.

Thank God that’s over!

 

 

Distractions, distractions…

A writer’s life is a constant battle, keeping the flashing cursor busy, making sure blank pages are filled with words, not doodles, and keeping the ideas coming at a steady rate.

Just like driving down the freeway at a steady rate?

The first is not as easy as the second, and even the second can be a bit of a trial when there are other cars around, or you don’t have cruise control.

Perhaps it’s time for a cruise control for writers.

Or not.

As you can see, I’m easily distracted from what I should be doing.

Writing.

 

 

A few weeks ago I was sitting in front of the computer screen, the ever pervasive cursor flashing on a blank piece of digitized paper, and that was as far as I got.

No, the house wasn’t burning down, there was no major catastrophe lurking, nor was a family member or friend in dire need of my help.

I just didn’t know what to write.  The idea factory had closed its doors.

It was not necessarily a problem.

I have been writing, but not in the normal sense.  I have SomNote on my phone and my tablet, and when I’m waiting, usually for doctors or in Government offices, I write.

A bit of this, a bit of that, but usually the YA novel I’m writing for, and not necessarily about, my 13-year-old grand-daughter.

I find SomNote excellent for just putting words down, emailing it my myself and rehashing it later.  It has basically been used to write the first 37 chapters of the novel.

But as for other writing?

‘Strangers We’ve Become’, the follow up to ‘What Sets Us Apart’ has taken a different direction.  As this is the next book to be published, I should be working on it, but instead, some of it is still swirling around in my head.

The other day I went back to have a look at it.  Except for one chapter, possibly two, it’s done and so much better than the original.  Never let anyone tell you there’s not something else to be done after 10 edits and endless re-writes.

‘The Things We Do For Love’, a little story I wrote many years ago, was resurrected almost intact and is also almost ready for publication.  It will be categorized as Romantic Suspense, along with ‘Sunday In New York’.

My serial, the cases of Harry Walthenson, private investigator, has taken a back burner for a while, as I try to get a handle on where it is going.  It is a story now that is so very different than when I originally started it.  I suppose that’s indicative of a serial.

 

After that, Zoe, who first features in ‘The Devil You Don’t’, will be back.  After the trials and tribulations in her first adventure, she finds the past she tried to leave behind has come back to bite her.

The second adventure is called ‘First Dig Two Graves’, because it is about revenge and whether or not it’s best served cold.  And as for whether or not John’s romantic aspirations are fulfilled, you’ll just have to wait a little longer.

That’s my life at the moment, how is yours?

What’s that coming out of left field?

Why is it ideas come at the least expected and most inconvenient time?

I thought I’d trained my thoughts to assemble when I was having a shower.  It seems that has not worked so well, and now the telephone rings instead.

Don’t you hate that?

I wasn’t considering a new idea for yet another book; I have so many on the go already.  But, the sad truth is, you have no control over it.

When I sit down, listening to Ravel, or some other classical music, I close my eyes and drift along to the music, waiting for the imagination to kick in.

Can’t force it, can you?

But, five minutes to three, after a frantic call announcing yet another storm in a teacup, I’m racing out the door, setting the alarm, locking the door, and …

… bing …

The idea is there, out of left field, in front of me.

 

Here’s the pitch:

Detroit, ghost town, a nightwatchman, formerly a high flyer on Wall Street, is doing the rounds.

Yep, different location, same story as a dozen others, you say.

Pitch on:

With him, his work partner, from Mexico, a woman with a checkered past, maybe an illegal, maybe not, but who would work for the kind of pay they got if there was not something they were either running or hiding from?

A man and a woman thrown together by fate.  Seriously?

Pitch on:

They’re guarding a large factory, looking exactly the same as it had the day the doors closed, only there are no people, no work, and no likelihood of it reopening.

It’s night.  It’s dark.  Only the security lighting casts a dim glow over everything, casting shadows.  The walls and roof creaks as the building moves, as all do in a wind.

From here it could go anywhere, ghosts, murder, mayhem, or …

Pitch on:

Every night is the same, go to point B, the extent of the guard’s run, and no further.  Punch a card to say you’ve done the check, then back to the office.

That’s it.

As for the rest of the factory, don’t worry.  They were told that beyond point B was taken care of by another team.  It was a large factory, and neither had questioned their orders.  A job was a job in a city where jobs were at a premium.

Six months, from the office to point B and back.

Of course, the story has to suddenly come alive, like when you’re sitting alone in a dark room watching a horror moving, and the music hypes the fear factor to 1000% and you nearly jump out of your skin.

Not so easy to do in writing, but we try.

Pitch on:

Six months and one day later, it was time to find out what was beyond point B.

What they found was to change the fabric and course of their lives.

 

Reads like blurb inside the cover of a bestseller, doesn’t it?

All it will take is somewhere between 50,000 and 100,000 words, and the time to write them.

Scouring the newspapers, still looking for inspiration, maybe

I’ve been thinking…

… and that could be a good thing or a bad thing.

An idea had popped into my head, fired up from seeing the news on television.  I don’t normally look at the news if I can help it because usually its all bad, deaths, fires, drugs, and worst of all, politics.

This item was the equivalent of a two paragraph ‘mention’ buried on page six of the newspaper.

It was the umpteenth variation of a common story, wife having an affair, wife murdered, and, after seeing so many American and English cop shows, assumed the husband would be the number one suspect, no children involved mercifully, but there was something else going on, something I thought I could read between the lines.

No names were mentioned.

I’m not sure why it captured my imagination, but it did, and it swirled around in my head for about a week.

Then, out came a pad and pen and I started to write.

I put myself in the place of the husband and tried to imagine what it was like.

It is a work in progress.

A week or so later, another small paragraph appeared on page five, getting closer to the front page.

No names still because I assume the relative had not been tracked down.

But this alluded to something else as being the cause, and it was the manner of the death that warranted further investigation.

My imagination went into overdrive.

Rest assured I’ll be scouring the papers for the next ‘clue’.

 

At times I have this small problem, who the hell am I?

I have often wondered just how much or how little of the author’s personality and experiences end up in a fictional character.

Do they climb mountains, escape from what is almost the inescapable, been shot, tortured, get dumped, get divorced, .become world travelers, or get locked up in a foreign jail.

We research, read, and I guess experience some or all of the above on the way to getting the book written, but it’s perhaps an interesting fundamental question.

Who am I today?

Or it can be a question, out of right field, in an interview; “Who are you?”

My initial reaction was to say, “I’m a writer.”  But that wasn’t the answer the interviewer is looking for.

Perhaps if she had asked, “Who are you when you are writing your stories?” it would make more sense.

Am I myself?

Am I some fictional character made up of a lot of other people?

Have I got someone definite in mind when I start writing the story?

The short answer might be, “I usually want to be someone other than what I am now.  It’s fiction.  I can be anyone or anything I want, provided, of course, I know the limitations of the character.”

“So,” she says, “what if you want to be a fireman?”

“I don’t want to be a fireman.”

“But if the story goes in the direction where you need a fireman…”

“What is this thing you have with firemen?”  I’m shaking my head.  How did we get off track?

“Just saying.”

“Then I’d have to research the role, but I’m not considering adding a fireman anytime soon.”

She sighs.  “Your loss.”

Moving on.

And there is that other very interesting question; “Who would you like to be if you could be someone else?”

A writer in that period between the wars, perhaps like an F Scott Fitzgerald or Ernest Hemingway, in Paris, or if it is a fictional character, Jay Gatsby.

He’s just the sort of person who is an enigma wrapped up in a mystery.